Joel McHale, the snarky star of Community (2009), ridicules the silliest moments reality television, internet videos and TV from around the world have to offer. Each episode also features celebrity guests and a couple of sketches.
Eddie Murphy portrays real-life legend Rudy Ray Moore, a comedy and rap pioneer who proved naysayers wrong when his hilarious, obscene, kung-fu fighting alter ego, Dolemite, became a 1970s Blaxploitation phenomenon.
When a depressed woman is burgled, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbour. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.
Marilyn Faith Hickey
An old version of humorist Douglas Kenney tells the story of how he and Henry Beard parleyed their success in their campus magazine, Harvard Lampoon, into the commercial magazine, National Lampoon. Drawing upon their checkered lives and an aggressively puckish sense of humor, the pair created a publication that would redefine American comedy with outrageous drollery that grabbed the zeitgeist of the decade that expanded across various media. Unfortunately, for all his success, Doug Kenney with his overhanging insecurities, ego and irresponsible appetites began to consume him until he alienates everyone who ever cared and supported him even as they imitated him. In the end, this iconoclastic funnyman would come to a tragedy that comes when your comedy doesn't have enough distance.Written by
Kenneth Chisholm (email@example.com)
When Doug and PJ are researching old high school yearbooks Doug spots one picture where the name is "Lawrence 'Larry' Kroger" which is the real name of 'Pinto' in National Lampoon's Animal House (1978). See more »
The man pushing the rotary lawn mower in the opening scene is pushing the mower backwards. See more »
Mr. Kenney, it's a fine line between being clever and offensive, isn't it?
Look, if I could just say something in defense of National Lampoon for one moment...
We come from a tradition of truth-tellers. A long time ago, there was someone else society found offensive. They thought that what he did was radical - dangerous. They persecuted him... and eventually killed him. Of course, I'm referring to Dracula.
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After the end credits have rolled, Martin Mull is shown singing the song "Time of My Life" with members of the cast. See more »
It's weird watching this immediately after Drunk Stoned Stupid Dead (Im also reading the Making of Caddyshack, which is basically about the making of National Lampoon) and....
Joel McHale as Chevy is inspired casting. A lot of the casting is - Will Forte and Domnhall Gleeson at the top and their scenes in the first half of the film making up the real heart of the thing (like Social Network but totally wiseass, which is fun).
But that framing device is just pure WTF, and it ends on a note that maybe Kenney would have appreciated if he were alive, but he's not and we are and it feels so... I dunno. It's also strange to be living in 2018 and (as David Erhlich pointed out, im sure he wasnt alone) have a straight-faced take on the "wrong kid died" cliche that was mocked ten years ago in Walk Hard. Sure it did happen here, but Wain's treatment doesnt skirt the cliche, it just is one.
There are enough fun bits here to make it watchable (grading sort of on a Netflix curve), and the actors are all trying their best. And... It's fine. Which is not the kind of praise Kenney would've wanted.
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