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Louis Theroux: Drinking to Oblivion (2016)

Louis Theroux traces the fortunes of different people living in South London suffering from alcoholism.

Director:

Tom Barrow

Writer:

Louis Theroux
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Cast

Credited cast:
Pieter Swanepoel Pieter Swanepoel ... Himself
Mariana Mariana ... Herself, Pieter Swanepoel's girlfriend
Ian Webzell Ian Webzell ... Himself, alcohol and substance misuse clinical nurse specialist
Aurelie Fonjo Aurelie Fonjo ... Herself
Cathy Smith-Barker Cathy Smith-Barker ... Herself, alcohol liaison nurse
Joe Walker Joe Walker ... Himself
Gary Gary ... Himself, Aurelie Fonjo's boyfriend
Debbie L. Shawcross Debbie L. Shawcross ... Herself, medical doctor expertised in hepatology
Stuart Duggan Stuart Duggan ... Himself
Deborah Deborah ... Herself, Stuart Duggan's girlfriend
John O'Grady John O'Grady ... Himself, professor and consultant hepatologist
Rest of cast listed alphabetically:
Louis Theroux ... Himself
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Storyline

Louis Theroux traces the fortunes of different people living in South London suffering from alcoholism. They include a 32-year-old man, a 45-year-old woman with an alcoholic boyfriend, an antiques dealer with cirrhosis of the liver, and a South African suffering incurable panic attacks. Written by Laurence Raw

Plot Summary | Add Synopsis

Plot Keywords:

alcohol | alcoholism | alcoholic | See All (3) »

Genres:

Documentary

Certificate:

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Details

Country:

UK

Language:

English

Release Date:

24 April 2016 (UK) See more »

Also Known As:

Theroux ja alkoholin kirous See more »

Company Credits

Production Co:

BBC Documentaries See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.78 : 1
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Connections

Referenced in Peston on Sunday: Episode #1.1 (2016) See more »

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User Reviews

 
Powerful Documentary that Nonetheless Flirts with Exploitation
19 May 2016 | by l_rawjalaurenceSee all my reviews

In this documentary looking at those who drink to excess, Louis Theroux visits King's College Hospital in London to focus on the lives of four different people.

They include Joe, a thirty-two-year old former medical worker unable to cope with the loss of his girlfriend; Peter, a South African prone to unimaginable panic-attacks; Oriole, a French-Cameroon going out with an alcoholic boyfriend; and an antiques dealer suffering from cirrhosis of the liver.

The stories they tell are quite harrowing, not only for themselves but their loved ones. Joe has been all but abandoned by his family, and now uses the Emergency unit at King's College as a kind of refuge to shelter from the World. Oriole has an appointment with a senior professor who tells her that her liver is in such a bad state that she is on a crash-course towards death unless she quits at the earliest possible opportunity; while the antiques dealer is told - albeit with the kind of indirection characteristic of many medical professionals - that he has a 70+% chance of dying within three months.

Theroux, as a ubiquitous presence in the documentary, finds the experience difficult to fathom; he does not judge those who drink to excess, nor does he feel especially sympathetic towards them. What matters more to him is to find ways of reacting to them; to provide support, or at least to discover alternative means of support by which they could manage their lives.

Such intentions are laudable, and we can only congratulate Theroux for being so honest in front of camera. On the other hand, as with many documentaries of this type, especially those fronted by a star presenter, there remains a nagging feeling that the interviewees have been exploited for dramatic purposes; all of them are carefully chosen by the production team so as to provide as negative an impression as possible of the dangers of alcoholism. They are all aged between thirty and fifty - supposedly the prime of human life. Due to various reasons, however, they have not been able to enjoy their lives; and are hence represented as somehow deviant.

The documentary makes for good television, giving Theroux the chance to make observations direct to camera or through voice-over, but perhaps this effect has not achieved at the subjects' expense.


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