6.9/10
28,371
67 user 67 critic

To the Bone (2017)

TV-MA | | Drama | 14 July 2017 (USA)
Trailer
2:24 | Trailer
A young woman, dealing with anorexia, meets an unconventional doctor who challenges her to face her condition and embrace life.

Director:

Marti Noxon

Writer:

Marti Noxon
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Popularity
1,645 ( 138)
2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Rebekah Kennedy ... Penny
Lily Collins ... Ellen
Dana L. Wilson ... Margo (as Dana Wilson)
Ziah Colon ... Angel
Joanna Sanchez ... Rosa
Liana Liberato ... Kelly
Carrie Preston ... Susan
Don O. Knowlton ... Jack
Valerie Palincar ... Mother
Hana Hayes ... Chloe
Keanu Reeves ... Dr. Beckham
Kathryn Prescott ... Anna
Lindsey McDowell ... Kendra
Alex Sharp ... Luke
Retta ... Lobo
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Storyline

Ellen is a 20 year old woman struggling with anorexia nervosa. In the midst of family problems and her own fears, she is accepted into a group home run by an unusual doctor. Through the people she meets and the journey she takes, Ellen follows a path of self discovery and acceptance that will lead her to a surprising place she never would have thought possible

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

TV-MA | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

14 July 2017 (USA) See more »

Also Known As:

Até aos Ossos See more »

Filming Locations:

Santa Clarita, California, USA

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Lili Taylor and Brooke Smith were both on Six Feet Under together. See more »

Quotes

Kelly: How many calories you think boogers have?
See more »

Connections

Featured in Jinek: Episode #6.38 (2017) See more »

Soundtracks

False Jeopardy
Written by Billy Yost
Performed by The Kickback
Courtesy of Jullian Records
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User Reviews

 
Proved me wrong - rather beautiful film.
22 July 2017 | by Issy AverySee all my reviews

I was certainly sceptical about this movie before watching it for the first time. Having personally suffered from anorexia, I anticipated that the new Netflix original would misrepresent what it is truly like to be entrenched in the world of your own eating disorder. I was partially fearful that with the beautiful Lily Collins playing the focal role of Ellen, that the film might romanticise the extremities of such a fatal mental illness and send the wrong kind of messages to the diverse range of Netflix account holders much like '13 reasons why' managed to do. However, having personally worked so hard towards recovery, my main concern with regards to the movie was its potential trigger factor. I was so wary of watching the film because I know how to push my own buttons; I have been on and off battling with disordered eating for long enough to know that if I am having a bad day, or experiencing something totally out of my control, one can be easily influenced to restrict, and over-exercise. I did not want myself and other past sufferers, nor any impressionable viewers, to hop on some totally dysfunctional bandwagon of anorexia's practical 'tips and tricks' into losing a vast amount of weight in a short time frame, then use it to justify some sort of deep routed emotional battle. Nevertheless, I was pleasantly surprised. What won me over was the films focus on the sufferance of anorexia rather than how Ellen became ill or even why. The stigma that society has associated with anorexia in recent years must be abolished, thus I was pleased to not have had to sit through a an hour and 47 minutes of a pretty thin girl looking at prettier and thinner runway models etc. One of the greatest misconceptions of anorexia is that the illness stems from a persons desire to be thin – this is entirely subjective and often incorrect. Each person suffers in a different way, looks different, weighs different, and most importantly, has become ill as a result of a variety of reasons that are usually (and unknowingly) far more deep routed than a 'strive for thinness'. It is for this reason that I saw the film from an empathetic stance rather than an embittered and distasteful one. I was pleased to see that the place of Ellen's treatment housed patients suffering from an array of eating disorders such as bulimia and a binge eating disorder rather than just anorexia; an eating disorder is a mental illness, just because you may weigh more than someone else for example, does not make you as a patient any less sick than the next sufferer: you are allowed to hurt and you are allowed to connect and relate to another character in the film besides Ellen. The casting of a male patient in the home also caused me to sigh with relief: another huge misconception of eating disorders by society today is that this is merely a 'young girls' issue. I adored Luke's character and I think that any viewers who have been through similar traumas would easily warm to a lot of the characters, particularly Dr Beckham's patients. As result of this, I would rate 'To The Bone' as educational, not triggering, but nevertheless emotional (my eyes were leaking throughout the majority of the 107 minute run time). This movie was always going to be difficult for me to watch as I only stopped being treated for my eating disorder less than a year ago. During treatment and even after it I've relapsed several times and my friends and family have always been of great support, but if I had told my Mum I was going to sit down and watch one of the first films that actually focuses on the life of an anorexic girl, by myself, her alarm bells would have rung and she would immediately look for changes in my behaviour – she worries more than any Mother ever needs to as a result of the turmoil I have put her and my family through over the last three years. However, both the casting and characterisation of Ellen's dysfunctional family life, beautifully (and comically) represented the effect anorexia has on the loved ones of the patient and thus I would recommend any individual who has been or is currently affected by someone else's eating disorder to watch this film – it will allow you to empathise with characters such as Ellen's Stepmother, Mother, and half sister, but it might also teach you how to tolerate, comfort and help the individual so close to you that is unfortunately suffering from an eating disorder. Overall, given that this is the first film I have watched where the plot line is centred around the suffering, and effects of an eating disorder, Marti Noxon has touched on all I had hoped him to whilst evoking emotion and simultaneously educating a wide range of viewers.


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