All Clara wants is a key - a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother. A golden thread, presented to her at godfather Drosselmeyer's annual holiday party, leads her to the coveted key-which promptly disappears into a strange and mysterious parallel world. It's there that Clara encounters a soldier named Phillip, a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers, and Land of Sweets. Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger, to retrieve Clara's key and hopefully return harmony to the unstable world.
The film features Jack Whitehall as a guard of the palace. Whitehall has a history of publicly stating his love for Disney and his wishes to be cast in any role for one of their films. See more »
Every decorated conifer has the same silhouette, with an identifiable bare patch on the left side of the trees, suggesting that the image was simply recycled once rendered. Real trees look different from each other. See more »
This time has been difficult for all of us, but when Christmas comes, we must do our best to enjoy it.
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The Disney logo plays an alternative version of the "When You Wish Upon A Star" theme that was re-arranged by James Newton Howard and conducted by Gustavo Dudamel with a piano solo by Lang Lang. When the logo is complete, Drosselmeyer's owl flies past the castle and into the opening shot of the movie. See more »
Be warned first of all, this movie is supposed to be about Christmas but does more to represent the Spanish War. Its message is also unclear and actually quite dangerous. Without trying to reveal spoilers, i'll go ahead and basically say that the moral of this movie is that actual family presence means nothing and can be overridden with clever purchases and their uses (aka appealing to the consumerist part of Christmas).
The movie shares two tones, one being the exquisite and quite beautifully CGI rendered world of the kingdom, and the other being a Halloween looking tent that Mike Myers might want to hide out in. The part that irks and confuses me, is that there is no clear reason for why these two tonal shifts have to be so conflicting with each other in the film other than to provide an obvious front for conflict. This symbolises to me a lack of care and depth that went into the developing this film's characters or story. It was a complete attempt to appeal to the audience, there was no sacrifice on the writers part to put something original in here. It's everything you've seen and liked in pop culture, fit into the "Christmas" theme of The Nutcracker (this movie isn't really about The Nutcracker).
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