6.8/10
3,415
9 user 7 critic

7 Años (2016)

7 años (original title)
Four friends face an agonizing decision. One must go to prison. The other three must make the sacrifice worthwhile.

Director:

Roger Gual

Writers:

Jose Cabeza (story), Roger Gual (additional writing) | 3 more credits »
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Cast

Cast overview:
Juana Acosta ... Vero
Alex Brendemühl ... Marcel
Paco León ... Luis
Manuel Morón ... José Veiga
Juan Pablo Raba ... Carlos
Marta Torné ... Natalia
Marta Casielles Marta Casielles ... Mujer
Josete Rivas Josete Rivas ... Chico
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Storyline

The four attractive founders of a highly successful company are in a bind. The Spanish equivalent of the IRS are investigating them, and are soon to find that they have been guilty of a massive tax fraud. But there is a way out, one of them needs to take the fall, confessing to everything and going to prison for seven years. Not surprisingly, none of them want to go to prison. They decide to hire a mediator, to work out whom will take the fall for the other three. Written by Chris

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

See all certifications »
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Details

Country:

Spain

Language:

Spanish

Release Date:

28 October 2016 (Spain) See more »

Also Known As:

Siete años See more »

Filming Locations:

Madrid, Madrid, Spain

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color
See full technical specs »
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Did You Know?

Trivia

Filmed in Impact Hub Madrid. (40.410951,-3.693804) See more »

Crazy Credits

After only a few seconds of credits, we see José on the street. The credits keep rolling as he gets inside a cab and lights a cigarette. See more »

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User Reviews

 
Not a bad movie, but...
16 May 2019 | by wellloadedSee all my reviews

I did enjoy the movies, in general I do like "one room" movies as there's nowhere to hide and the viewer can entirely focus on the story. Very theatrical.

I have two point I would like to mention:

  • there's a bit too much camera jumping around from one side of the table to the other, this is usually normal and expected for dialogues, but when the entire movie is pointing at faces of people after 1h:30 it feels a bit too much.


  • I think we are in front of a great missed opportunity. The subjects are so unique and especially beautiful/rich that it's difficult for a "normal viewer" to engage or be part of them. You probably feel opposite like criticising them. No Stockholm syndrome.


Nonetheless I would suggest the viewing.


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