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In 1892, a legendary Army Captain reluctantly agrees to escort a Cheyenne chief and his family through dangerous territory.

Director:

Scott Cooper

Writers:

Scott Cooper (written for the screen by), Donald E. Stewart (based on the manuscript by)
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250 ( 47)
4 wins & 6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Scott Shepherd ... Wesley Quaid
Rosamund Pike ... Rosalee Quaid
Ava Cooper Ava Cooper ... Lucy Quaid
Stella Cooper Stella Cooper ... Sylvie Quaid
David Midthunder ... Buffalo Man
Gray Wolf Herrera Gray Wolf Herrera ... Apache Man (as Graywolf Herrera)
Christian Bale ... Capt. Joseph J. Blocker
Rory Cochrane ... Master Sgt. Thomas Metz
Jonathan Majors ... Corp. Henry Woodson
John Benjamin Hickey ... Capt. Royce Tolan
Stafford Douglas ... Corp. Molinor
Stephen Lang ... Col. Abraham Biggs
Bill Camp ... Jeremiah Wilks
Wes Studi ... Chief Yellow Hawk
Jesse Plemons ... Lt. Rudy Kidder
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Storyline

In 1892, after nearly two decades of fighting the Cheyenne, the Apache, and the Comanche natives, the United States Cavalry Captain and war hero, Joseph Blocker, is ordered to escort the ailing Cheyenne chief, Yellow Hawk--his most despised enemy--to his ancestral home in Montana's Valley of the Bears. Nauseated with a baleful anger, Joseph's unwelcome final assignment in the feral American landscape is further complicated, when the widowed settler, Rosalie Quaid, is taken in by the band of soldiers, as aggressive packs of marauding Comanches who are still on the warpath, are thirsty for blood. In a territory crawling with hostiles, can the seasoned Captain do his duty one last time? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

We are all... Hostiles.


Motion Picture Rating (MPAA)

Rated R for strong violence, and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site

Country:

USA

Language:

English | Cheyenne

Release Date:

26 January 2018 (USA) See more »

Also Known As:

Hostiles See more »

Filming Locations:

Santa Fe, New Mexico, USA See more »

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Box Office

Budget:

$39,000,000 (estimated)

Opening Weekend USA:

$22,849, 24 December 2017, Limited Release

Gross USA:

$29,819,114
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Christian Bale and Ben Foster appeared in another western, 3:10 to Yuma (2007). See more »

Goofs

At 53.12 minutes into the film the spurs on the boots on the deceased Cavalry Trooper are on backwards. See more »

Quotes

Rosalie Quaid: Sometimes I envy the finality of death. The certainty. And I have to drive those thoughts away when I'm weak.
See more »

Connections

Referenced in Midnight Screenings: Compliance (2018) See more »

Soundtracks

How Shall a Sparrow Fly
Performed by Ryan Bingham
Courtesy of Axster Bingham Records, LLC
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User Reviews

A revisionist western in the mighty tradition of Dances with Wolves.
24 December 2017 | by jdesandoSee all my reviews

"Sometimes I envy the finality of death. The certainty. And I have to drive those thoughts away when I wake." Rosalie Quaid (Rosamund Pike)

Although Quaid's words might well be the anthem of this brutal, quiet, moving 1892 western, they harbinger the death of the Wild West and the birth of justice and equality as whites and Native Americans abandon slowly the death that brought little peace to either side. Appropriately the tone in unremittingly grave, and rightly so, for the film illustrates the wages of racism as well as any contemporary screed could try to do.

Writer/director Scott Cooper, who knows a thing or two about the passing of time and custom with his poignant Crazy Heart, drives home the loss of the Indian's world, the cost to the US troops, and the bereft families on each side. Captain Joe Blocker (Christian Bale), a legendary anti-Native American fighter, is charged with escorting Cheyenne war chief Yellow Hawk (Wes Studi), also a killer, and his family from New Mexico to his home in Montana, where the government determined he should be allowed to die.

Cooper is at his best filming landscapes occasionally punctuated with John-Ford-like door framed shots and themes of abduction and reconciliation. The threats along the way are external and internal, often soldiers just as culpable as the "savages" they hunt. Joe is a man on a mission to bring justice against the Indians, but like the times he's in, it is time to change to benevolence as the end of the century approaches and a kinder world of connection and cooperation begins, slowly and surely, like the film. The appreciation for a person regardless of race, is Cooper's ultimate aim. In ways, this Western is reminiscent of the revisionist Dances with Wolves, both of whose slow pace, almost at time painful, is reflective change's pace.

Cooper's shots are generous to the beautiful faces, from Mrs. Quaid's lovely and the stoically-contemplative Joe's to the chief's landscaped leather. The ensemble is first rate, especially the feisty Ben Foster as Sgt. Charles Wills. The landscapes? well, look at Ford's and feel his tradition.


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