Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg, Cable.
A fast-talking mercenary with a morbid sense of humor is subjected to a rogue experiment that leaves him with accelerated healing powers and a quest for revenge.
Director:
Tim Miller
Stars:
Ryan Reynolds,
Morena Baccarin,
T.J. Miller
Thor is imprisoned on the planet Sakaar, and must race against time to return to Asgard and stop Ragnarök, the destruction of his world, at the hands of the powerful and ruthless villain Hela.
Director:
Taika Waititi
Stars:
Chris Hemsworth,
Tom Hiddleston,
Cate Blanchett
T'Challa, heir to the hidden but advanced kingdom of Wakanda, must step forward to lead his people into a new future and must confront a challenger from his country's past.
Director:
Ryan Coogler
Stars:
Chadwick Boseman,
Michael B. Jordan,
Lupita Nyong'o
The Guardians struggle to keep together as a team while dealing with their personal family issues, notably Star-Lord's encounter with his father the ambitious celestial being Ego.
The Avengers and their allies must be willing to sacrifice all in an attempt to defeat the powerful Thanos before his blitz of devastation and ruin puts an end to the universe.
Directors:
Anthony Russo,
Joe Russo
Stars:
Robert Downey Jr.,
Chris Hemsworth,
Mark Ruffalo
As Scott Lang balances being both a Super Hero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.
Peter Parker balances his life as an ordinary high school student in Queens with his superhero alter-ego Spider-Man, and finds himself on the trail of a new menace prowling the skies of New York City.
Director:
Jon Watts
Stars:
Tom Holland,
Michael Keaton,
Robert Downey Jr.
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Mark Ruffalo
When the creator of a virtual reality world called the OASIS dies, he releases a video in which he challenges all OASIS users to find his Easter Egg, which will give the finder his fortune.
After losing Vanessa (Morena Baccarin), the love of his life, 4th-wall breaking mercenary Wade Wilson aka Deadpool (Ryan Reynolds) must assemble a team and protect a young, full-figured mutant Russell Collins aka Firefist (Julian Dennison) from Cable (Josh Brolin), a no-nonsense, dangerous cyborg from the future, and must also learn the most important lesson of all: to be part of a family again.Written by
ahmetkozan
When DP chases his girlfriend's murderer, a short car chase with screeching tires ensues. Car tires physically cannot screech on such a completely flooded road. See more »
Quotes
[first lines]
Deadpool:
Fuck Wolverine. First he rides my coattails with the R-rating, and then, that hairy motherfucker ups the ante by dying. What a dick. Well, guess what, Wolvie? I'm dying in this one, too.
See more »
Crazy Credits
In the "Super Duper" Director's Cut Deadpool fails to murder baby Hitler opting to instead changing his soiled diaper. See more »
Alternate Versions
In India, the CBFC (Central Board Of Film Certification) demanded that audio edits be made to the film before the film could receive an 'A' rating (meaning that only an adult audience; whom are aged aged 18 and over can attend screenings of the film). These changes bleeped out some heavier profanities from the film; the violence and sexual humor however was left uncut. See more »
Ever since DP became a sensation and a worldwide phenomenon, die-hard fans have been asking for a worthey second entry.
For a long time, superhero movies - not to be confused with films based on graphic novels, which is an interesting item of truth - have become a pinata for serious film critics and reasons are not lacking because we are talking about a cataract of conservative products, mediocre and totally interchangeable with each other. Typical examples of what happens when marketing and advertising discourse replace creativity and some kind of narrative, rhetorical and / or even formal talent (the stories of these "cosos" are otherwise schematic , do not say anything at all and are even hyper redundant in terms of digital gadgets, today present in all sad pompous proposal of the mainstream). But perhaps the worst of all is that they bore with their childish and semi-televised dialectic - from the TV of yesteryear - oriented to reproduce ad infinitum the same antics.
With this panorama it is not surprising that even the exponents who try to break a couple of rules of the format end up falling into the usual quagmire of non-development of characters, the most ancient political correctness, the humor for young children, that pathetic self-referentiality and constant a concatenation of prefixed niches of the market - it is not even possible to call them subframes - that can only appeal to a series of individuals co-opted by the most aseptic industry, the one that for a couple of decades has decided to ignore any nonconformist substrate at the level of the ideological basis of their "toys".
Deadpool 2 is another link in this endless chain of perky fun-time itself (hobby products that do not even pass the time), which once again highlights the crisis of a cultural conglomerate that fetishes the most burned clichés.
Pretending to be "set sail" for the puerile level of superhero movies, this sequel to the work of 2016 essentially repeats the formula of its predecessor: many jokes with harmless puteadas, some very innocuous sexual allusion, scenes of action that are ironic, Tired questioning to camera and a cheap background melodrama that sabotages itself because the movie-read the Marvel factory-does not understand that because of so much "attitude surpassed of everything", both beretta cancherism and so many plastic simulated CGIs, nobody can identify with these shiny but well-emptied jars from a rusty and insipid assembly line.
In other words, DP2 is the perfect sequel to DP, specifically. Doubles down on everything that fans love about the original, nonstop graphic violence, gore, torture, sex, nudity, swearing, drinking, drug use, and more, so expect the same here, while it fixes some of the first film's issues. Also this one features the best post credits scene EVER. Yes! Deadpool 2 as the title says, gives the audience two end-credit scenes. Ladies and gentlemen, the wait for the scenes are worth it! Hilarious is the perfect word to describe how the audience feels of watching 'em. They don't relate much with the whole story but the crack jokes are powerful enough to make people care of the clips.
The sequel is superior to its ancestor. It conveys silly comic drama that stimulates both your cerebrum and body.
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Ever since DP became a sensation and a worldwide phenomenon, die-hard fans have been asking for a worthey second entry.
For a long time, superhero movies - not to be confused with films based on graphic novels, which is an interesting item of truth - have become a pinata for serious film critics and reasons are not lacking because we are talking about a cataract of conservative products, mediocre and totally interchangeable with each other. Typical examples of what happens when marketing and advertising discourse replace creativity and some kind of narrative, rhetorical and / or even formal talent (the stories of these "cosos" are otherwise schematic , do not say anything at all and are even hyper redundant in terms of digital gadgets, today present in all sad pompous proposal of the mainstream). But perhaps the worst of all is that they bore with their childish and semi-televised dialectic - from the TV of yesteryear - oriented to reproduce ad infinitum the same antics.
With this panorama it is not surprising that even the exponents who try to break a couple of rules of the format end up falling into the usual quagmire of non-development of characters, the most ancient political correctness, the humor for young children, that pathetic self-referentiality and constant a concatenation of prefixed niches of the market - it is not even possible to call them subframes - that can only appeal to a series of individuals co-opted by the most aseptic industry, the one that for a couple of decades has decided to ignore any nonconformist substrate at the level of the ideological basis of their "toys".
Deadpool 2 is another link in this endless chain of perky fun-time itself (hobby products that do not even pass the time), which once again highlights the crisis of a cultural conglomerate that fetishes the most burned clichés.
Pretending to be "set sail" for the puerile level of superhero movies, this sequel to the work of 2016 essentially repeats the formula of its predecessor: many jokes with harmless puteadas, some very innocuous sexual allusion, scenes of action that are ironic, Tired questioning to camera and a cheap background melodrama that sabotages itself because the movie-read the Marvel factory-does not understand that because of so much "attitude surpassed of everything", both beretta cancherism and so many plastic simulated CGIs, nobody can identify with these shiny but well-emptied jars from a rusty and insipid assembly line.
In other words, DP2 is the perfect sequel to DP, specifically. Doubles down on everything that fans love about the original, nonstop graphic violence, gore, torture, sex, nudity, swearing, drinking, drug use, and more, so expect the same here, while it fixes some of the first film's issues. Also this one features the best post credits scene EVER. Yes! Deadpool 2 as the title says, gives the audience two end-credit scenes. Ladies and gentlemen, the wait for the scenes are worth it! Hilarious is the perfect word to describe how the audience feels of watching 'em. They don't relate much with the whole story but the crack jokes are powerful enough to make people care of the clips.
The sequel is superior to its ancestor. It conveys silly comic drama that stimulates both your cerebrum and body.