Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy with supernatural abilities from the brutal, time-traveling cyborg, Cable.
As Scott Lang balances being both a Super Hero and a father, Hope van Dyne and Dr. Hank Pym present an urgent new mission that finds the Ant-Man fighting alongside The Wasp to uncover secrets from their past.
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Robert Downey Jr.,
After losing Vanessa (Morena Baccarin), the love of his life, 4th-wall breaking mercenary Wade Wilson aka Deadpool (Ryan Reynolds) must assemble a team and protect a young, full-figured mutant Russell Collins aka Firefist (Julian Dennison) from Cable (Josh Brolin), a no-nonsense, dangerous cyborg from the future, and must also learn the most important lesson of all: to be part of a family again.Written by
When fans went to the cinema to watch Deadpool 2 earlier this summer, many were surprised to see Juggernaut on the silver screen. The classic X-Men villain -- who, coincidentally enough, was played by Deadpool star Ryan Reynolds -- almost had a fight with an all-too-familiar face. Concept artist Alexander Lozana, Juggernaut was originally set to travel to Yancy Street to fight none other than the Fantastic Four. Taking to Instagram, Lozana shared his concept art of the first family as they were set to appear when Tim Miller was still attached the the project. "Tim Miller was very precise when it came to the description of The Thing," Lozano wrote. "He wanted to make sure that I orient myself in the design as close as possible to the comic template to finally give us, the fans, what we always wanted to see on the big screen, It may sound surprising, but the supposedly simple task turned out to be a major challenge after several failed attempts than originally assumed - for the sake of my reputuation, I will spare you all those design errors." See more »
Cable sneaks up when Wade is saying what horrors he will unleash on him, blind Al draws her gun. When the shot goes back to her and Wade she draws her gun again, which Wade then points towards Cable. See more »
Fuck Wolverine. First he rides my coattails with the R-rating, and then, that hairy motherfucker ups the ante by dying. What a dick. Well, guess what, Wolvie? I'm dying in this one, too.
See more »
When Deadpool and X-Force execute a freefall jump from a CH-47 Chinook helicopter to rescue Firefist, AC/DC's "Thunderstruck" is playing in the background; according to David Blakely - an ex-British Army Captain and former member of the elite Pathfinder Platoon of 16th Air Assault Brigade - the same song is also played when the Pathfinders carry out any jumps See more »
The 'Super Duper Cut' of the film that was released on home video extends the theatrical edition with 15 minutes of added scenes, and includes some alternative material. The main changes include:
Extended World Tour: additional shots of Deadpool killing gang members around the world, with the montage in the Japanese bathhouse restored to a single shot.
Additional suicide attempts, where Wade steps into a polar bear den inside a zoo, and then jumps from a building, both without success.
Additional scenes of Russell arriving at Essex House and being tortured (parts of these scenes appeared as flashbacks in the theatrical version).
Extended scenes at the X-Mansion where Wade introduces food labels for the refrigerator.
Russell and Juggernaut ruin a mall when they go shopping for matching outfits.
Extended scene of Deadpool trying to win back Colossus' sympathy.
Extended fight between Juggernaut, Cable and Domino.
Extended afterlife scene between Wade and Vanessa.
Extended mid-credits scenes with Deadpool and Peter, and with Wolverine
Post-credits scene where Deadpool travels back in time in an attempt to kill baby Hitler.
Some minor changes include alternative music in some scenes; many scenes have extended and/or alternate dialog; and certain jokes from the theatrical version have been changed (such as the Sharknado joke during the prison scene). See more »
X Gon' Give It to Ya
Written by DMX (as Earl Simmons), Swizz Beatz (as Kasseem Dean) and Shatek King
Performed by DMX
Courtesy of Def Jam Recordings
Under license from Universal Music Enterprises See more »
Two years ago, Ryan Reynolds' long-standing dream came true: the screen saw the screening of the "Deadpool" spitting on all morals and the foundations of the comic book. And as well as commercially there was a bomb success, it was proved that the charm is not only in black humor, greasiness and izhe.
And now the same team returned. Plus 100 million of the budget (the budget of the first in the region of 50), minus Tim Miller.
In my opinion, the director's change did not affect what was happening. But many were worried. It seems to me that everything is on Reynolds. On his charisma, zadore, drive and positive. Perhaps he was in the director's chair, and not only in the position of the co-author of the script and the producer. Even the promo campaign was also strong and with a ton of banter!
In general, the attraction develops according to the same plot scheme. Added characters, events. That's exactly what became more interesting - the appearance of the Cable. He really and excellent counterbalance to the mercenary-chatterbox, brighter than Ajax from the first part. Yes, the conflict built on it is also excellent.
And Brolin has finally proved himself in the movie comic book. It's not Thanos to voice! His bestial grin and brutality organically blended with the narrative. And I can not imagine an actor who played this character better.
Wonderfully fit and Bitz. Graceful young lady, perfectly acting out a comedic image. Everything is very organic. Boyega - learn!
And among the jokes about genitals, bunches and other sodomy, serious topics also run through: for example, the theme of family and relationships. And this, like in the case of the "Sentinels", is not attracted by the ears - dear audience, laughter with laughter, but do not forget about serious.
As for humor, then the authors also took a new line - in self-irony. I have not seen such a sincere and charming banter over myself for a long time! And here there is no transition to self-flagellation or kinks in the spirit of some publications. Even black humor and jokes below the pager are served deliciously and in moderation, rather than a stream from the machine gun a la modern comedies.
Keep the Mark!
An excellent adult action movie with meat, black humor, self-irony and banter over everyone and everything.
One question - what will surprise us in the third part? Question.
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