The story of Rudolf Nureyev's defection to the West.

Director:

Ralph Fiennes

Writers:

David Hare (screenplay), Julie Kavanagh (Inspired by her book: "Rudolf Nureyev: The Life")
1 win & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Oleg Ivenko ... Rudolf Nureyev
Ralph Fiennes ... Aleksandr Ivanovich Pushkin
Louis Hofmann ... Teja Kremke
Adèle Exarchopoulos ... Clara Saint
Sergei Polunin ... Yuri Soloviev
Olivier Rabourdin ... Alexinsky
Raphaël Personnaz ... Pierre Lacotte
Chulpan Khamatova ... Xenia
Zach Avery ... Michael Jones
Mar Sodupe ... Helena Romero
Calypso Valois Calypso Valois ... Claire Motte
Aleksey Morozov Aleksey Morozov ... Strizhevsky
Nebojsa Dugalic ... Konstantin Sergeyev
Igor Filipovic Igor Filipovic ... Trofimkin
Yves Heck ... Jagaud-Lachaume
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Storyline

Director Ralph Fiennes captures the raw physicality and brilliance of Rudolf Nureyev, whose escape to the West stunned the world at the height of the Cold War. With his magnetic presence, Nureyev emerged as ballet's most famous star, a wild and beautiful dancer limited by the world of 1950s Leningrad. His flirtation with Western artists and ideas led him into a high-stakes game of cat and mouse with the KGB. Written by Anonymous B

Plot Summary | Add Synopsis

Taglines:

In 1961, A Dazzling Rudolf Nureyev Arrives in Paris and Makes a Choice That Changes His Life Forever

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for some sexuality, graphic nudity, and language. | See all certifications »

Parents Guide:

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Did You Know?

Trivia

When interviewed in 1961 about why he wanted to flee Russia, Rudolf Nureyev said, "it is a life of bullying, for the artist as for everyone else, but most of all for the artist. When I was a student at ballet school, I was told what to think, what to read, how to spend my spare time, and who could be my friends. . . . Private life in the Soviet Union is impossible." See more »

Goofs

In a scene showing a close up of Nureyev's foot performing a tendu, the shoe he is wearing is a white split sole ballet slipper, a shoe that did not exist in the 1960s. Split sole ballet technique shoes have only been on the dance scene since the mid 1990s. See more »

Quotes

Rudolf Nureyev: I went to a concert instead.
Pierre Lacotte: A good concert?
Rudolf Nureyev: Yehudi Menuhin. He played Bach. Not bad.
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Connections

Referenced in Evening Urgant: Ralph Fiennes/Nervy (2019) See more »

Soundtracks

Plaisir d'Amour
Composed by Jean-Paul Égide Martini
Arranged by Stephen McLaughlin
Performed by Juliette Armanet
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User Reviews

 
The most famous political defection of all time
2 September 2019 | by CineMuseFilmsSee all my reviews

A 'white crow' in the Russian idiom is someone who stands out from others because of their appearance or behaviour. Rudolph Nureyev was, and for many still is, the white crow in the world of male ballet dancers. With extraordinary athleticism and sharply chiselled features, he defied gravity and glamorised male dancing. He also managed to make the KGB look flatfooted when he famously defected to the West.

We first see the young Rudolph as a six-year old child prodigy plucked from a poor background. The film flashes-back to these early scenes several times to remind viewers that despite his majestic aura on stage, he came from humble origins. The adult Rudolph (Oleg Ivenko) was a volatile personality both on and off stage. KGB spies watched elite dancers closely because ballet was a major cultural propaganda tool at the height of the Cold War. Rudolph was known to praise creative freedoms in the West and his secret sexuality was seen as a potential source of political embarrassment.

Most of the film builds the context in which Rudolph would commit what Russians believed was the ultimate act of treason. Barely enough camera time is devoted to his ballet lessons and performances, but what is shown will please devotees of the artform. A major sub-narrative is the live-in mentoring by his teacher Pushkin (Ralph Fiennes) and his relationships with Pushkin's wife Xenia (Chulpan Khamatova) and socialite Clara Saint (Adele Exarchopoulos). Rather than meaningful affairs, these relationships show Rudolph's willingness to exploit anyone who could advance his dancing career.

The film's modest tension curve spikes a few times during Rudolph's fiery temper tantrums, but it jumps steeply during the climactic defection scenes. The camera almost neurotically switches from close-ups on the faces of Russian spies, American observers, Rudolph and Clara, all while in the transit area of a French airport. When Rudolph is stopped from boarding a flight to his next performance, the KGB falsely tell him he has been summoned to a gala performance for the Kremlin. He is thrust into a vortex of disbelief, terror, and the realisation that if he seeks political asylum he will never set foot again in his homeland nor see his family.

Despite its uneven pace and meandering narrative arc, this powerful non-fiction storytelling is backed up with excellent acting performances and cinematography. The Cold War tensions are palpable and the political battle lines drawn clearly. You do not need to be a ballet fan to appreciate this film.

Director: Ralph Fiennes Stars: Oleg Ivenko, Ralph Fiennes, Adele Exarchopoulos, Chulpan Khamatova


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Frequently Asked Questions

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Details

Country:

UK | France | Serbia

Language:

Russian | English | French | Spanish

Release Date:

22 March 2019 (UK) See more »

Also Known As:

The White Crow See more »

Filming Locations:

France See more »

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Box Office

Opening Weekend USA:

$78,782, 28 April 2019

Gross USA:

$1,828,784

Cumulative Worldwide Gross:

$7,622,595
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Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
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