Following the death of their father, two sons deal with the trials of their own lives while watching their mother explore new beginnings of her own.
Director:
Writers:
Awards:
- 2 wins & 2 nominations.
- See more »
Photos and Videos
Cast
Andie MacDowell | ... |
Suzanne
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Chris O'Dowd | ... |
Nicholas
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James Adomian | ... |
Chris
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Gareth Williams | ... |
Glenn
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Alex Goldberg | ... |
Alex
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Graham Mason | ... |
Graham
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Doris Lowerre | ... |
Floy
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John Magary | ... |
John
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Paul L. Brown | ... |
Suzanne's Colleague #1
(as Paul Brown)
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Juliet Rylance | ... |
Rebecca
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Francesca Faridany | ... |
Karen
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Dree Hemingway | ... |
Emilie
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Romy Byrne | ... |
Ashleigh
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Andrew Beadle | ... |
Matthew
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Marlene Brown | ... |
Suzanne's Colleague #2
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Megan Perrow | ... |
Hospice Nurse
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Graig Thurtell | ... |
David
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Rebecca Dreyfus | ... |
Lauren
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Anna Sinreich | ... |
Emilie Family Friend
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Kate Hoffman | ... |
Catering Waiter
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Brandon Harris | ... |
Auther in meeting
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Seth Barrish | ... |
Scott
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Tom Galantich | ... |
Audio Book Reader
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Matt Salinger | ... |
Michael
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Michael Devine | ... |
Doorman
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Scott Sibilla | ... |
Zachary
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Carmine Mitroni | ... |
Restaurant Waiter
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Drew Leary | ... |
Stunt Performer
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Rest of cast listed alphabetically: | |||
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Leslie Bellamy | ... |
Costume Shop Supervisor
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Aysha Hamed | ... |
Theater Student
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Martin Drop | ... |
Student (uncredited)
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Mark C. Fullhardt | ... |
Book Reading Party Guest (uncredited)
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Larry Gevirtz | ... |
Book Reading Party Guest (uncredited)
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J.D. Katz | ... |
Theater-goer (uncredited)
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Kimberly Price | ... |
Harper Collins Employee (uncredited)
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Rock Ryan | ... |
Hotel Guest (uncredited)
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Directed by
Russell Harbaugh |
Written by
Russell Harbaugh | ... | (co-writer) |
Eric Mendelsohn | ... | (co-writer) |
Produced by
Ella Bishop | ... | associate producer |
Alexandra Byer | ... | line producer |
Lauren Haber | ... | producer |
Robert A. Halmi | ... | executive producer (as Robert Halmi Jr.) |
Lucas Joaquin | ... | producer |
Lars Knudsen | ... | executive producer |
Laura Macara | ... | Production Executive: Great Point Media |
Eric Mendelsohn | ... | executive producer |
Michael Prall | ... | producer |
Jim Reeve | ... | executive producer |
Frederick Schultz | ... | associate producer (as Eric Schultz) |
Music by
David Shire |
Cinematography by
Chris Teague | ... | director of photography |
Editing by
Matthew C. Hart | ||
John Magary |
Editorial Department
Federica Gianni | ... | assistant editor |
Mark Sean Haynes | ... | post-production assistant |
Nat Jencks | ... | colorist |
Andrew Stephen Lee | ... | assistant editor |
Madeline Parksmith | ... | assistant editor (as Madeline Smith) |
Jordan P.H. Stein | ... | finishing artist |
Pinar Yorgancioglu | ... | assistant editor |
Casting By
Douglas Aibel | ||
Henry Russell Bergstein |
Production Design by
Erin Magill |
Art Direction by
Marci Mudd |
Costume Design by
Sarah Mae Burton | ||
Cristina Spiridakis | ... | co-costume designer |
Makeup Department
Holly Corsano | ... | hair department head |
Elvira Gonzalez | ... | key hair stylist |
Emma Strachman | ... | makeup department head |
Production Management
Andrew Hauser | ... | post-production supervisor |
Naomi Wells | ... | production manager |
Second Unit Director or Assistant Director
Kether Abeles | ... | second assistant director |
Nick Grau | ... | second second assistant director |
Art Department
A. Jake Holland | ... | leadman |
Sound Department
Leslie Bloome | ... | foley artist |
Ben Chesneau | ... | sound editor |
Eli Cohn | ... | re-recording mixer / sound designer |
Ryan Collison | ... | foley mixer |
Daniel D'Errico | ... | sound editor |
Joanna Fang | ... | foley artist |
David Forshee | ... | sound effects editor |
Alan Kudan | ... | sound mixer |
Tim Mattson | ... | boom operator |
Will Rosati | ... | sound editor |
Nick Seaman | ... | foley editor (as Nicholas Seaman) |
Lana T. Yang | ... | boom operator |
Visual Effects by
Fangge Chen | ... | visual effects artist |
Lucien Harriot | ... | visual effects supervisor |
Kathereena Singh | ... | post production visual effects coordinator |
Camera and Electrical Department
Jackson Bosworth | ... | grip |
Cedric Cheung-Lau | ... | gaffer |
Linda Kallerus | ... | still photographer |
Matt Kessler | ... | key grip |
Anna Kooris | ... | still photographer |
Abrahim Mahallati | ... | grip |
Jeong Park | ... | still photographer |
Alexander Prokos | ... | best boy electric |
Rebecca Rajadnya | ... | first assistant camera |
Mo Shane | ... | loader |
Tsyen Shen | ... | second assistant camera |
Casting Department
Patricia Gallio | ... | additional casting: local casting |
Alexandre Khondji | ... | background casting director |
Dana Lockhart | ... | additional casting: local casting |
Susan O'Donnell | ... | casting associate: local casting |
Johanna Tacadena | ... | additional casting: local casting |
Lana T. Yang | ... | extras casting |
Costume and Wardrobe Department
Leslie Bellamy | ... | wardrobe assistant |
Location Management
Rob Cristiano | ... | location scout |
Jillian Fisher | ... | locations scout |
Wolfgang Herting | ... | location manager |
Brady Kirchberg | ... | location scout |
Music Department
Winslow Bright | ... | music supervisor |
Script and Continuity Department
Allison Hughes Stroud | ... | script supervisor |
Additional Crew
Hashim Alsaraf | ... | head of operations |
Michael Bernieri | ... | assistant to the director |
Lee Cahill | ... | animal wrangler |
Kristina Chen | ... | production counsel |
Vic Coram | ... | first team pa |
André Des Rochers | ... | production counsel |
Nicole McGinley | ... | production assistant |
Evan Needell | ... | production assistant |
Adam Peryer | ... | production coordinator |
Rachel Sangalli | ... | runner |
Emily Suber | ... | title designer |
Anita Surendran | ... | production counsel |
May Todd | ... | production assistant |
Alexis Vail | ... | Key Production Assistant / key production assistant |
Maria Vlahos | ... | production accountant |
Lana T. Yang | ... | animal wrangler |
Kok-yee Yau | ... | production executive: Great Point Media |
Production Companies
Distributors
- IFC Films (2017) (United States) (theatrical)
- Kinostar Filmverleih (2019) (Germany) (theatrical)
- Sundance Selects (2018) (United States) (theatrical)
- Front Row Filmed Entertainment (2018) (United Arab Emirates) (Middle East, North Africa & Iran)
- Red Apollo Group (2017) (China)
- Wild Duck Productions (2022) (Spain)
Special Effects
- Mechanism Digital (Post-Production Visual Effects)
Other Companies
- Truckstop Media (post-production)
- ABS Payroll & Production Accounting Services (payroll services)
- ARRI Rental (camera equipment provided by)
- BreakThrough Casting (additional casting: local casting)
- Endcrawl.com (end titles created with)
- Freeway CAM B.V. (collection account management)
- Great Point Media (funding)
- Tribeca Film Festival (festival)
Storyline
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Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
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Box Office
Opening Weekend United States | $11,290, 01 Apr 2018 |
Did You Know?
Trivia | "I'm not one to take my clothes off in a movie," MacDowell recently told The Hollywood Reporter, revealing that she shot her first nude scene for 2017's Love After Love at age 59. "Not that I'm a prude or anything, but I think I grew up in a time where most actresses would get body doubles." "After all of that worrying about taking my clothes off, it didn't even affect me in the least, seeing myself naked. What affected me more was to see how sad I looked. The only reason I could do that is because I know that sadness. That to me made me feel more vulnerable than being naked. It had no effect on me, being naked, which is fascinating." She admitted to I News in another interview that "I wish I had walked around naked in movies earlier. I probably should have taken [it all] off in my twenties. I grew up in a conservative family and, in my generation, most actresses hired body doubles for those scenes. But I had an awakening as to what the human body is, and I didn't want my kids (she has two daughters in their 20s who are actresses) in their acting, to feel any shame about their bodies. I want them to feel safe [doing nude scenes] because I had so much shame projected on to me about nudity as a child. It took me raising my children to finally feel more comfortable about my body." See more » |
Quotes |
Nicholas:
Hey! Why're you up? Suzanne: It's morning. See more » |