Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
When Jimmy Logan (Channing Tatum) gets fired, he convinces his brother Clyde (Adam Driver) and sister Mellie (Riley Keough) to help him rob the Charlotte Motor Speedway during a NASCAR Race. But they will need the help of Joe Bang (Daniel Craig), a convicted safe-cracker who is currently doing time. All they have to do is break Joe out, blow the racetrack vault, get away with the cash, return Joe to prison, and get Jimmy to his daughter's beauty pageant on time. What could possibly go wrong? Well, there is the Logan family curse .Written by
The last four digits of the Logan's house number is 1138. The number originates from George Lucas' film THX 1138 and features in many other films, including American Graffiti & Star Wars. See more »
In the rural mobile health clinic scene, the medical provider is a Physician Assistant, NOT a Physician's Assistant. PAs are medical professionals and health care providers, they are not property or owned by the physician. See more »
Steven Soderbergh has never been one of my favorite directors, but you have to respect the diversity of his output. He appears to be about as whimsical as a filmmaker can be, given the dedication and discipline of such a medium, taking on projects as they intrigue him for the pure pleasure of the craft and the journey of the creation. I almost wonder if he even pays much attention when his films are released; it seems more likely he's already preoccupied at that point with whatever's next.
Logan Lucky is another take on the "cool heist" subgenre already explored by Soderbergh in the Ocean's Eleven franchise. This one takes place in the South and leaves no character archetype of such a milieu unexploited. The cast is great, with Adam Driver's laconic, minimalistic performance as an ex-soldier-turned-bartender being the standout for me. He gives Buster Keaton a run for his money as far as brilliantly expressive stone-faced characters are concerned.
Like a lot of heist movies (or con man films), the plot is a bit too intricate for its own good. Much of the fun in the first act of the film (the dry wit of the character interactions) subsides as the complexities of the plan are illustrated for the audience. Such movies tend to fall in love with the cleverness of their own mechanics, and that's not particularly what I'm there for. Fortunately there are a couple of uproarious set pieces sprinkled amidst the job itself that redeem all the exposition and the a-to-b-to-c logistics. It also takes too long to end. But I watched Logan Lucky with a group of friends and it was a definite crowd-pleaser, so obviously the flaws are not overwhelming.
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