One of the most celebrated war correspondents of our time, Marie Colvin is an utterly fearless and rebellious spirit, driven to the frontline of conflicts across the globe to give voice to the voiceless.
A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.
After marrying successful Parisian writer Henry Gauthier-Villars, known commonly as "Willy" (Dominic West), Gabrielle Colette (Keira Knightley) is transplanted from her childhood home in rural France to the intellectual and artistic splendor of Paris. Soon after, Willy convinces Colette to ghostwrite for him. Colette, in turn, pens a semi-autobiographical novel about a witty and brazen country girl named Claudine, sparking a bestseller and a cultural sensation. After its success, Colette and Willy become the talk of Paris and their adventures inspire additional Claudine novels. Colette's fight over creative ownership and gender roles drives her to overcome societal constraints, revolutionizing literature, fashion and sexual expression.Written by
The exteriors were shot in Paris but the French countryside was reconstructed in the regions of Northamptonshire and Oxfordshire. Due to the lack of budget needed to shoot entirely in Paris, the team also moved to Budapest where it shot in natural settings, as well as Origo studios. See more »
The musical setting of Yeats' poem Down by the Sally Gardens likewise was published in 1909. See more »
People love to talk. They praise you to your face. Then the moment you turn around there's knives in your back.
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There is a dedication to Richard Glatzer, who co-wrote the film's screenplay with Wash Westmoreland, shortly before the closing credits: "For Richard". See more »
Very well done, interesting. A nice period piece. However, at the end the director states, after I thought I was watching a movie that was historically accurate, that he had changed several characters and other aspects to make them more contemporary (meaning: what he thinks the way things ought to have been 100+ years ago, vs reality) re: gender, sexual preference, racial matters, etc. As such, the movie to a degree is fiction; a lie. Which is sad, as it detracts from the ground breaking path that Colette lived.
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