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Detroit (2017)

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Fact-based drama set during the 1967 Detroit riots in which a group of rogue police officers respond to a complaint with retribution rather than justice on their minds.

Director:

Kathryn Bigelow

Writer:

Mark Boal
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Popularity
2,074 ( 222)
5 wins & 18 nominations. See more awards »

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Cast

Cast overview, first billed only:
Chris Chalk ... Officer Frank
Mason Alban ... Police Sergeant James
Bennett Deady Bennett Deady ... Police Officer Bill
Andrea Eversley Andrea Eversley ... Dancer
Michael Jibrin ... Vietnam Vet
Khris Davis ... Blind Pig Patron
Tokunbo Joshua Olumide Tokunbo Joshua Olumide ... Dave
Daniel Washington ... Blind Pig Bouncer
Amari Cheatom ... Undercover Cop
Tyler James Williams ... Leon
Laz Alonso ... Congressman Conyers
Benz Veal ... Nate Conyers
Angel Blaise ... Young Kid #1
Lance Law Lance Law ... Young Kid #2
Jaleel Sanders Jaleel Sanders ... Young Kid #3
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Storyline

A police raid in Detroit in 1967 results in one of the largest RACE riots in United States history. The story is centred around the Algiers Motel incident, which occurred in Detroit, Michigan on July 25, 1967, during the racially charged 12th Street Riot. It involves the death of three black men and the brutal beatings of nine other people: seven black men and two white women.

Plot Summary | Plot Synopsis

Plot Keywords:

racism | police | singing | motel | fear | See All (469) »

Taglines:

Now More Than Ever. See more »


Motion Picture Rating (MPAA)

Rated R for strong violence and pervasive language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

4 August 2017 (USA) See more »

Also Known As:

Detroit: Zona de conflicto See more »

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Box Office

Budget:

$34,000,000 (estimated)

Opening Weekend USA:

$350,190, 30 July 2017, Limited Release

Gross USA:

$16,790,139, 12 October 2017
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Filmed in Brockton, Massachusetts in September 2016. A set depicting 1967 Detroit was built at the site of the Liberty Tree, a sycamore planted in 1763 which marked a stop on the Underground Railroad. During the Civil War, slaves on their way north to freedom were hidden in Edward Bennett's stables during the day so they could travel under the cover of darkness. See more »

Goofs

The telephones in the hotel rooms and elsewhere have RJ (Registered Jack) style connectors. These style jacks were not introduced until the mid 1970s nationwide, but were present in Detroit as early as 1961. See more »

Quotes

Krauss: I'm just gonna assume you're all criminals.
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Soundtracks

Take My Hand, Precious Lord
Written by Thomas A. Dorsey
Performed by Algee Smith
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User Reviews

Apocalypse Now in Detroit
30 March 2019 | by ReadingFilmSee all my reviews

It's a nazi prison guard film about race relations? It comes off sensationalist to the point of parody. I was going with it until they let the 'already murdered a guy' cop lead the charge for the second killing. Then he becomes this vile and evil caricature while everyone including military personnel just stand around letting this teenager go on a power trip. I have far more faith in the military and police and don't believe a thing on screen. I suspect they wanted Bigelow's war film background but with an 'in Detroit' hook, and all her attention to detail, cinematic mastery of space, image, and immersion, is used in full effect to terrorize the audience. She is a director's director, and one of the finest we have; some may not know how difficult and how much attention such a work would require to pull off so effortlessly. You could say Detroit presents a distortion of the cinema gift, a masterful thriller and film craft used to ensure its political message. The film presents it as a true story, and so it plays almost as if the Nazi war criminals were let off after Nuremberg, it's really enraging stuff. Then you understand why they preceded that with the most evil rendition of events. Flashes of Boyega's expressions of conscience and humanity resonate the most. The film is extreme in tone, hopeless, the villains win and you feel awful by the end of it, but I'm mixed on it, I admire Bigelow's great power of filmmaking, but I question its authenticity and tone.


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