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A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into Cameraperson, a tapestry of footage collected over the twenty-five-year career of documentary cinematographer Kirsten Johnson. Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality and crafted narrative. A hybrid work that combines documentary, autobiography, and ethical inquiry, Cameraperson is both a moving glimpse into one filmmaker's personal journey and a thoughtful examination of what it means to train a camera on the world.Written by
Does a good job of showing how a veteran cinematographer views the world; and now, so do we.
'CAMERAPERSON': Three and a Half Stars (Out of Five)
A critically acclaimed documentary, based on the life work of veteran cinematographer Kirsten Johnson. The movie is a collage of samples from all of the different films she's worked on (over several years, in multiple different countries). Johnson also served as the director of the movie, while Doris Baizley and Lisa Freedman are credited as the writers. It has 100% positive reviews on Rotten Tomatoes, and it's considered one of the most critically acclaimed movies of 2016. I think it's a tad overrated, but it is a well made (and beautiful looking) film.
The movie cuts together clips from several different films, all shot by Kirsten Johnson. It cuts back and forth, through the different movies (and through many different scenes), and it takes place over several years, and in several different countries. Johnson uses all of the different selected footage, that she's filmed, to tell a broad story about her life as a cinematographer. She even interviews her mother in it.
I think the film does a good job of showing a very wide selection of many different people's lives, all around the world (and in many different walks of life). It actually reminds me (quite a lot) of the YouTube documentary 'LIFE IN A DAY' (I did like that movie a lot more though). This film feels more aimless; but the individual scenes, on their own, are always interesting. It definitely does a good job of showing how a veteran cinematographer (like Johnson) gets to view the world; and now, thanks to her, so do we.
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