The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.
Benicio Del Toro,
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
East of Boulder Flats, deep into the vast and unforgiving white territory of the Wind River Indian Reservation, the seasoned game tracker, Cory Lambert, discovers the frozen body of the young Native American, Natalie. As this is a federal crime, the F.B.I. dispatches the inexperienced but courageous agent Jane Banner to lead the investigation, however, the unprepared outsider will soon team up with Cory to unravel the mystery of Natalie's murder. Before long, Cory will inevitably have to face his own past, while at the same time, both he and Jane are thirsting to see justice done. In the end, will this be a fruitful alliance?Written by
When Cory is looking through the pictures in Natalie's room near the end of the film, he sees a picture of Natalie and Emily in graduation gowns. Yet, Cory had said earlier in the film that Emily had died three years earlier at the age of sixteen. Natalie doesn't look substantially younger in this photo than she did in other parts of the film, so this would appear to be a high school graduation photo for a high school graduation Emily didn't live to see. See more »
An Engrossing Murder Mystery That Respects Its Subject _ and Audience
"Wind River" is a gripping murder mystery-thriller written and directed by Taylor Sheridan (Best Original Screenplay Oscar nominee for "Hell or High Water") starring Jeremy Renner, Elizabeth Olsen and Graham Greene, featuring an unusually strong supporting cast that includes many fine Native American actors.
Renner and Olsen play a U.S. Fish and Wildlife Service tracker and an FBI agent, respectively, attempting to solve the murder of a young woman whose body is discovered by Renner under mysterious circumstances as he patrols the Wind River Indian Reservation in Wyoming.
The film scrupulously avoids clichés and is tightly edited with nary a wasted moment, yet never feels rushed or artificial in performance or plot. Everyone and everything is there for a reason, and best of all, the audience is given credit for being able to keep up and connect the dots.
The violence, which is absolutely necessary, is kept at a bare minimum as a narrative device, explaining and clarifying rather than assaulting the senses.
Every character, even the most heinous, is portrayed as a fully developed human being rather than as stereotype.
We learn how the Native American culture is victimized in a way that takes us inside their world and their souls, but the journey is skillfully handled and never heavy handed.
The photography is perfectly rendered, celebrating the icy Wyoming scenery in a muted style consistent with the mood of the story.
Renner, Olsen and Greene are excellent and believable, but in no small way this is an ensemble piece whose potency and effectiveness derive from the palpable passion and belief of everyone in front of and behind the camera.
This is an engrossing story well worth your time and money, and kudos to everyone involved for having faith that a discerning audience will find and appreciate it.
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