The story is about a will. A man has passed away and everybody is gathering around his body. His last will was that after his death his body will be give to the medical university to be ... See full summary »
By French law, anyone admitted into the hospital without their consent must be seen by a judge within 12 days. That judge must decide whether these psychiatric hospital patients can be allowed back into society.
A woman lives in a small village in Russia. One day she receives the parcel she sent to her husband, serving a sentence in prison. Confused and angered, she sets out to find why her package was returned to sender.
The married Bongwan leaves home in the dark morning and sets off to work. The memories of the woman who left weigh down on him. That day Bongwan's wife finds a love note, bursts into the office, and mistakes Areum for the woman who left.
In a small canal town, a rapist lurks in the shadows. A schoolgirl, a young woman and a young couple, all seem unable to cope with both the visible and the hidden dangers they all face from their morally corrupted compatriots.
Nassim, a 16-year-old boy who is placed with a family in the suburbs following the death of his drug addict mother. But he refuses to integrate into the social setting that surrounds him. ... See full summary »
Aurore, separated from her husband, has just lost her job and been told that she is going to be a grandmother. She is slowly being pushed to the outskirts of society, but when she ... See full summary »
Thibault de Montalembert,
This is a doc on the Afghani filmmaker Salim Shaheen. He has made 110 movies, with his 111th being chronicled here. But if you were to click on his IMDb profile, you wouldn't find a single credit beyond this one (as of now). As he duly notes, his movies aren't industry-produced like Bollywood or Hollywood; they are made for no money or profit, hence Nothingwood. He makes films for love of the craft: he goes into the desert, on the mountains, atop a roof building, anywhere just to shoot on natural location. The only crew is the cameraman. They are shown to audiences at community screenings, rather than movie houses.
French director Sonia Kronlund is fluent in Shaheen's Persian (IIRC) and, when she's on-camera, often acts like a visiting spectator. She has a low-key style of filmmaking that lets the subject speak for himself. We get biographic info on Shaheen, such as his multiple marriages and children, and how he was a nonviolent general during his time in the military.
The only thing I wish there were more of is how he goes about deciding to make films; it's a bit lacking in terms of the creative process. Nevertheless, his passion for life is infectious, and you might actually miss him when the movie's over.
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