There are two other drone dilemma movies, Good Kill and Eye In The Sky. Drone carries on the same theme, and is on par with them. If you liked those two movies mentioned then you'll like this one. The framing of the shots in Drone is special. Fantastic use is made of mirrors and arial shots. There is also a brilliant soundtrack with a tragic Eastern edge, which overlays really effectively on the main drama, almost all of which takes place in suburban USA. Initially we see the contrast between the two cultures, drawn with lovely vivid colour and detail. The theme of war is carried through with subtle, clever touches, such as a flag fluttering, domestic aircraft either seen above or heard in the distance, or a clever fusion of traffic sounds and a gameboy, creating an odd sound eerily like a barrage in the distance. It's all building up to something. My gripe with the movie is the over-complication of the theme of truth, as opposed to the main theme of collateral damage and responsibility. For me that was too much information serving only to overdramatise the story. The film wasn't a long one, which helped. I wondered at the wisdom of casting Sean Bean. It wasn't his acting so much, which was very good, but rather his character role. He seemed very untidy and unkept for a man at the forefront of new technologies, and seemed to be constantly fidgeting, as though he didn't know what to do with his hands. What the hell, maybe that was a hint at conscience. If so then it didn't work as well as other aspects of the movie mentioned above. It's a good movie, with just the right amount of tension, craft and thoughtfulness for its length, and of course, as we pilot a way forward in a new world of technologies we certainly need movies like Drone.
