An engaged but apolitical nurse gets involved in a far-right political party. Based on numerous recent events in France, it becomes about how Front National operates and how it is perceived by the French.
After a 10 year absence, Jean returns to his hometown when his father falls ill. Reuniting with his sister Juliette and his brother Jérémie, they have to re-build their relationship and trust as a family again.
Lucie is in remission and her illness is almost a distant memory. Her family pushes her to live life to the fullest, and in doing so Lucie meets the charming and arrogant Clovis, who is ... See full summary »
Aurore, separated from her husband, has just lost her job and been told that she is going to be a grandmother. She is slowly being pushed to the outskirts of society, but when she ... See full summary »
Thibault de Montalembert,
Claire is a midwife in a maternity hospital. She is humane and helpful and gives herself entirely to her patients. But despite that her life is not a bed of roses. Her hospital is about to close its doors and the devoted woman is determined not to work in the new modern hospital she regards as a "baby factory". Her personal life is no triumph either: she is single and does not make friends easily. To make matters worse, her student son Simon is gradually leaving home, as he is developing a relationship with his new sweetheart Lucie. It is the moment that Béatrice, her dead father's former mistress, chooses to resurface. The eccentric, spendthrift, sensual, amoral woman (Claire's exact opposite in fact) is really the last kind of person she needs to mix with. But Béatrice soon informs her that she suffers from brain cancer and she has nobody else to turn to. Torn between rejection and duty, what is Claire going to do?Written by
Unlike many Hollywood films, I find that foreign films render the complexity of characters and relationships more akin to real life, and so it is in "The Midwife." The film also excels in giving us a context for the fraught relationship of the two women leads, Claire and Beatrice, but not with easy flashbacks or an improbable verbal summary; instead, their history unfolds the way it would in real life--in bits of dialogue that not only bring up the past but show us how, although buried by Claire and superficially dismissed by Beatrice, it has lingered sufficiently to scar them and to force them to come to new terms in addressing their present situation. I love the dimensionality of Claire: she has a job she loves (midwife in a hospital) but it's threatened by the hospital's drive for technology that will bring greater profits; she has a son who is also complex; a hobby (gardening); a fraught relationship with her mother; memories of her father that are both painful and loving. In short, she is a full- fledged human being. This is a fine film that centers on people, not violent or titillating events.
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