Double crosses, adultery, murder, mistaken identity, and revenge ensue when a mysterious power player and his sultry wife hire a disgraced Los Angeles property broker to discreetly market and sell their Malibu villa.
Thirty years after they served together in Vietnam, a former Navy Corpsman Larry "Doc" Shepherd re-unites with his old buddies, former Marines Sal Nealon and Reverend Richard Mueller, to bury his son, a young Marine killed in the Iraq War.
Australian western set on the Northern Territory frontier in the 1920s, where justice itself is put on trial when an aged Aboriginal farmhand shoots a white man in self-defense and goes on the run as a posse gathers to hunt him down.
Two upper-class teenage girls in suburban Connecticut rekindle their unlikely friendship after years of growing apart. Together, they hatch a plan to solve both of their problems-no matter what the cost.
The film follows fifteen-year-old Charley Thompson. He wants a home, food on the table and a high school he can attend for more than part of the year. As the son of a single father working in warehouses across the Pacific Northwest, stability is hard to find. Hoping for a new start they move to Portland, Oregon where Charley takes a summer job, with a washed-up horse trainer, and befriends a failing racehorse named Lean on Pete.
Chloë Sevigny revealed that she was originally approached to play Charley's aunt, but her agent fought for her to play Bonnie because the latter character is a larger role with "more [for Sevigny] to sink her teeth into." See more »
Modern flat screen televisions are shown in at least 2 scenes, yet the film seems to be set in the 1990s, with old cell phones, pay phone, information operators, and older vehicles. See more »
You know, I was a cook for two years once I dropped out of school.
Yeah, I know.
It's no way to live, though. Getting up at four every morning. Getting hit by grease all day. People complaining, orders backing up. It's no way to live.
Yeah, but you get free food?
Yeah, you get free food. But let me tell you, you end up hating food. But there are waitresses. Hm. You like waitresses, don't you?
Yeah, I guess.
The best women... have all been waitresses at some point. So, what have you learned?
[...] See more »
This drama from Andrew Haigh about an adolescent boy caring for a quarter horse may be paced slowly, but its unique sense of melancholy slowly creeps up on the viewer. The film uses a mix of thoughtful but down-to-earth dialogue and stunning shots of the American West to immerse the viewer in its world. These two elements manage to coexist quite well in the film. I was impressed by the quality of the acting in the film, as Haigh wisely directs his cast to choose a deep-seated and authentic sense of realism over sentimental value in their performances. The film moves at a leisurely but commendable and never tedious pace. Its tone is often quite dark at times and its themes can be quite heavy, but patient viewers who stay with the film will be rewarded. It is important to understand that thankfully, such tone and themes never feel sentimental or sappy, which is all to the film's genuine benefit. The film's depiction of poorer and rural Americans in the West provides for thoughtful and compassionate social commentary in a manner similar to something like J.D. Vance's stunning memoir "Hillbilly Elegy." Haigh should be praised for ensuring that such depiction is never portrayed in a trivialized manner.
My main criticism of the film--and the key element that keeps it from greatness--is that the film often plays it too safe in its narrative and stylistic choices. While the movie never feels predictable and often feels gritty, a mild philosophical change in how the film could have been constructed could have made some scenes feel somewhat less derivative. That said, this is a well-made and well-acted drama. Recommended to those interested. 7/10
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