During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
Stephan (Christoph Maria Herbst) and his wife Elisabeth (Caroline Peters) organize a dinner in their house in Bonn. Invited are family friend René (Justus von Dohnányi), Thomas (Florian ... See full summary »
Florian David Fitz,
Christoph Maria Herbst
Laura, a Spanish woman living in Buenos Aires, returns to her hometown outside Madrid with her two children to attend her sister's wedding. However, the trip is upset by unexpected events that bring secrets into the open.
Young artist Kurt Barnert (Tom Schilling) has fled to West-Germany, but he continues to be tormented by the experiences he made in his childhood and youth in the Nazi years and during the GDR-regime. When he meets the student Ellie (Paula Beer), he is convinced that he has met the love of his life and begins to create paintings that mirror not only his own fate, but also the traumas of an entire generation.Written by
Wiedemann & Berg Film
Kurt's art teacher, played by Oliver Masucci, is modeled on the artist Joseph Beuys. Beuys was the head of sculpture at the Kunstakadamie in Dusseldorf during the early 60s. This was at the time Gerhard Richter first enrolled. See more »
The signage on the pillar on the left to the stair in the Düsseldorf women's hospital says "Chirugie" where it correctly should be "Chirurgie". See more »
Inspired by the life of one artist and stories by others, this tale of fiction asks artists what is their truth, and how they are able to reveal it. Along the way, it shows how Nazi and Soviet art have strong similarities in their realisms, while modern art can be conceptual jokes.
The humans are 2 families who, if they knew, were on opposite sides during the Nazi era. The artist / husband's father suffered both ways as joining the Nazis too late, while his beloved aunt was sent away by his father-in-law, eventually to the gas chambers. But the father-in-law spends his post-war life in fear of Nazi hunters, even as he hides in plain sight.
Featuring a strong cast and realistic sets, this is a strong movie. Still, from the director's Q+A from the Toronto International Film Festival, the idea of subjective truth that also infuses the film can be a distraction.
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