In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
Halla, a woman in her forties, declares war on the local aluminum industry to prevent it from disfiguring her country. She risks all she has to protect the highlands of Iceland-but the ... See full summary »
Juan Camillo Roman Estrada
Young artist Kurt Barnert (Tom Schilling) has fled to West-Germany, but he continues to be tormented by the experiences he made in his childhood and youth in the Nazi years and during the GDR-regime. When he meets the student Ellie (Paula Beer), he is convinced that he has met the love of his life and begins to create paintings that mirror not only his own fate, but also the traumas of an entire generation.Written by
Wiedemann & Berg Film
One of three foreign language films to be nominated for the Academy Award for Best Cinematography in the same year, the other two being Roma (2018) and Cold War (2018). This is the first time in Oscar history that three out of the five nominees were foreign films. All three films were also nominated for Best Foreign Language Film. See more »
The signage on the pillar on the left to the stair in the Düsseldorf women's hospital says "Chirugie" where it correctly should be "Chirurgie". See more »
Inspired by the life of one artist and stories by others, this tale of fiction asks artists what is their truth, and how they are able to reveal it. Along the way, it shows how Nazi and Soviet art have strong similarities in their realisms, while modern art can be conceptual jokes.
The humans are 2 families who, if they knew, were on opposite sides during the Nazi era. The artist / husband's father suffered both ways as joining the Nazis too late, while his beloved aunt was sent away by his father-in-law, eventually to the gas chambers. But the father-in-law spends his post-war life in fear of Nazi hunters, even as he hides in plain sight.
Featuring a strong cast and realistic sets, this is a strong movie. Still, from the director's Q+A from the Toronto International Film Festival, the idea of subjective truth that also infuses the film can be a distraction.
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