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Werk ohne Autor (2018)

German artist Kurt Barnert has escaped East Germany and now lives in West Germany, but is tormented by his childhood under the Nazis and the GDR-regime.
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2 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Tom Schilling ... Kurt Barnert
Sebastian Koch ... Professor Carl Seeband
Paula Beer ... Ellie Seeband
Saskia Rosendahl ... Elisabeth May
Oliver Masucci ... Professor Antonius van Verten
Cai Cohrs Cai Cohrs ... Kurt Barnert 6 Jahre
Ina Weisse Ina Weisse ... Martha Seeband
Evgeniy Sidikhin ... NKWD Major Murawjow
Mark Zak Mark Zak ... Dolmetscher Murawjow
Ulrike C. Tscharre ... Frau Hellthaler
Bastian Trost Bastian Trost ... Hausarzt Dr. Franz Michaelis
Hans-Uwe Bauer Hans-Uwe Bauer ... Professor Horst Grimma
Hanno Koffler Hanno Koffler ... Günther Preusser
David Schütter David Schütter ... Adrian Schimmel / Finck
Franz Pätzold Franz Pätzold ... Max Seifert
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Storyline

Young artist Kurt Barnert (Tom Schilling) has fled to West-Germany, but he continues to be tormented by the experiences he made in his childhood and youth in the Nazi years and during the GDR-regime. When he meets the student Ellie (Paula Beer), he is convinced that he has met the love of his life and begins to create paintings that mirror not only his own fate, but also the traumas of an entire generation. Written by Wiedemann & Berg Film

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Certificate:

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Details

Country:

Germany | Italy

Language:

German | Russian

Release Date:

3 October 2018 (Germany) See more »

Also Known As:

Work Without Author See more »

Filming Locations:

Berlin, Germany See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The character of Kurt Barnert is loosely based on German artist Gerhard Richter. See more »

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User Reviews

 
What is truth in art?
9 September 2018 | by chong_anSee all my reviews

Inspired by the life of one artist and stories by others, this tale of fiction asks artists what is their truth, and how they are able to reveal it. Along the way, it shows how Nazi and Soviet art have strong similarities in their realisms, while modern art can be conceptual jokes.

The humans are 2 families who, if they knew, were on opposite sides during the Nazi era. The artist / husband's father suffered both ways as joining the Nazis too late, while his beloved aunt was sent away by his father-in-law, eventually to the gas chambers. But the father-in-law spends his post-war life in fear of Nazi hunters, even as he hides in plain sight.

Featuring a strong cast and realistic sets, this is a strong movie. Still, from the director's Q+A from the Toronto International Film Festival, the idea of subjective truth that also infuses the film can be a distraction.


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