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All the Money in the World (2017)

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The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.

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, (based on the book by)
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293 ( 28)
Nominated for 1 Oscar. Another 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Gail Harris
... J. Paul Getty
... Fletcher Chase
... Cinquanta
... Oswald Hinge
... John Paul Getty III
... John Paul Getty III (Age 7)
... John Paul Getty II
... Mammoliti
... Giovanni Iacovoni
... Il Tamia 'Chipmunk'
... Corvo (as Andrea Piedimonte)
... Piccolino
... Kidnap Van Driver
Adele Tirante ... Prostitute Maria
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Storyline

Rome, 1973. Masked men kidnap a teenage boy named John Paul Getty III (Charlie Plummer). His grandfather, Jean Paul Getty (Christopher Plummer), is the richest human in the world, a billionaire oil magnate, but he's notoriously miserly. His favorite grandson's abduction is not reason enough for him to part with any of his fortune. All the Money in the World (2017) follows Gail, (Michelle Williams), Paul's devoted, strong-willed mother, who unlike Getty, has consistently chosen her children over his fortune. Her son's life in the balance with time running out, she attempts to sway Getty even as her son's mob captors become increasingly more determined, volatile and brutal. When Getty sends his enigmatic security man Fletcher Chace (Mark Wahlberg) to look after his interests, he and Gail become unlikely allies in this race against time that ultimately reveals the true and lasting value of love over money. Written by Sony Pictures

Plot Summary | Plot Synopsis

Taglines:

The truth is stranger than fiction. See more »


Motion Picture Rating (MPAA)

Rated R for language, some violence, disturbing images and brief drug content | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

| |

Release Date:

25 December 2017 (USA)  »

Also Known As:

Todo el dinero del mundo  »

Filming Locations:

 »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$5,584,684, 31 December 2017, Wide Release

Gross USA:

$25,106,315, 18 March 2018

Cumulative Worldwide Gross:

$39,351,407, 26 January 2018
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

| (opening sequence)

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

Jean Paul Getty's portrayals in this film and Danny Boyle's miniseries Trust (2018) are both by Canadian actors Christopher Plummer and Donald Sutherland. See more »

Goofs

The Carabinieri attacking the kidnapper's cove are seen handling a number of different firearms. One of the them is a Beretta AR-70/90 assault rifle. This is an assault rifle introduced in the 80s and used only by the Italian army proper, not the Carabinieri. See more »

Quotes

J. Paul Getty: A man who has children gives hostages to fortune.
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Soundtracks

A Nchianata Du Casteddu
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User Reviews

 
Passionless
31 December 2017 | by See all my reviews

The true story this film recreates could and should have made a crackling movie, but instead Ridley Scott delivers a serviceable film that hits all of its marks but feels rather bloodless on screen.

As pretty much everyone knows, Christopher Plummer was pulled in at the last minute to play J. Paul Getty, reshooting all of the scenes previously featuring Kevin Spacey in a performance we will now never see thanks to the sexual harassment scandal that emerged about him. Getty refuses to pay the ransom when his grandson is kidnapped, much to the anger and frustration of his ex-daughter-in-law, played by Michelle Williams in a performance that struggles to rise above the middle-brow film making. Mark Wahlberg is Getty's chief security man who's tasked with handling the situation and who eventually sours on Getty as he realizes what a cold-blooded monster he is. All of the performances are fine, but nothing about this movie really ever comes fully to life. Everything we're supposed to feel is telegraphed every step of the way, including the rather obvious moral that a life driven by the acquisition of money and stuff is bound to be an empty one. And the finale, which should be a nail biter, instead is clunky and awkward. Scott's direction in the rest of the film is uninspired but competent; his direction of the film's climax is just bad.

Grade: B-


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