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Weiner (2016)

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An examination of disgraced New York Congressman Anthony Weiner's mayoral campaign and today's political landscape.
Nominated for 1 BAFTA Film Award. Another 8 wins & 52 nominations. See more awards »

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Cast

Credited cast:
Anthony Weiner ... Himself
Huma Abedin ... Herself
Jordan Zain Weiner Jordan Zain Weiner ... Himself
Barbara Morgan Barbara Morgan ... Herself - Communications Director
George McDonald George McDonald ... Himself
Camille Joseph Camille Joseph ... Herself - Campaign Manager
Amit Bagga Amit Bagga ... Himself - Senior Advisor
Maura Tracy Maura Tracy ... Herself - Senior Staffer
Sydney Leathers Sydney Leathers ... Herself
Andrew Noh Andrew Noh ... Himself - Campaign Aide
Rest of cast listed alphabetically:
Adam S. Barta Adam S. Barta ... Himself
Bill Clinton ... Himself (archive footage)
Hillary Clinton ... Herself (archive footage)
Stephen Colbert ... Himself (archive footage)
Bill de Blasio ... Himself (archive footage)
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Storyline

Serving seven consecutive terms, Anthony Weiner, good friends with and political allies to the Clintons, was once a highly respected member of Congress from New York City, he seen as a man sticking up for the every day person. That all changed in June, 2011 when he was forced to resign in disgrace after admitting that he did tweet lewd "headless" photos of himself from his public Twitter account to women he met online, and that it was not the work of a hacker or that the photos were of someone else. At the time, his wife Huma Abedin, herself a key aide to Hillary Clinton, was pregnant with their first child, she who decided to stand by her man. Two years later with Abedin still by his side, Weiner tries to resurrect his political career in a run for New York City mayor. He realizes that he has an uphill battle not only because of the known previously tweeted photos, but that there are other lewd photos from that era that may also come to light during the campaign. Regardless of the ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Anthony Weiner was a young congressman on the cusp of higher office when a sexting scandal forced a humiliating resignation. Just two years later, he ran for Mayor of New York City, betting that his ideas would trump his indiscretions. He was wrong.

Genres:

Documentary

Motion Picture Rating (MPAA)

Rated R for language and some sexual material | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

IFC Films | Madman Entertainment | See more »

Country:

USA

Language:

English

Release Date:

26 May 2016 (USA) See more »

Also Known As:

Amerikan malliin See more »

Filming Locations:

New York City, New York, USA See more »

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Box Office

Opening Weekend USA:

$84,173, 22 May 2016, Limited Release

Gross USA:

$1,612,203, 29 July 2016
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

The film's opening prologue is a quotation which reads: "The name of a man is a numbing blow from which he never recovers - Marshall McLuhan". See more »

Quotes

[first lines]
Anthony Weiner: Shit. Shit. This is the worst. This is the worst. Doing a documentary on my scandal...
[happily on the phone]
Anthony Weiner: Hi!
See more »

Connections

References Bulworth (1998) See more »

Soundtracks

In 3s
Written by Mike D (as Michael Louis Diamond), Adam Horovitz (as Adam Keefe Horovitz), Money Mark (as Mark Ramos Nishita) and Adam Yauch (as Adam Nathaniel Yauch)
Published by Brooklyn Dust Music, Universal Polygram Int. Publishing, Inc.
Administered by Universal Polygram Int. Publishing, Inc.
Performed by Beastie Boys
Courtesy of Capitol Records under license from Universal Music Enterprises
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User Reviews

 
Riveting Like Watching a Train Wreck
17 May 2016 | by IboChildSee all my reviews

At first glance, the film seems to be about how a promising congressman from New York destroyed his political career because of inappropriate postings on the internet. It is to some extent, but it is also about how the media can build up someone in one moment and tear that same person down the next. The film won the Grand Jury Prize at the 2016 Sundance Film Festival.

"Weiner" begins with archival footage of Anthony Weiner as the liberal firebrand on the floor of the House. Having not known much about Rep. Weiner before the scandal, this was eye-opening to me. Here you really see what he could have become had the scandal not occurred.

From that point on, the film follows the subject from the initial scandal up until the aftermath of his New York mayoral run. As expected, the film shows numerous clips about Weiner during this critical time in his career and the media circus that ensued. However, what really makes the film compelling is the behind-the-scenes footage between Weiner, his campaign staff and his family. You really feel like a "fly on the wall" eavesdropping on some very personal discussions. The film was co-directed and shot by Josh Kriegman, who once served as Weiner's chief-of-staff. Kriegman and his co- director Elyse Steinberg, were given unprecedented access. What does go is so personal and intense that at one point in the film, Kriegman even asks Weiner why he is even allowing them to continue shooting.

"Weiner," while infuriating sometimes to watch, is a wild ride of a character-study filled with contradictions. On the one hand, Anthony Weiner seems to be fully aware of the damage he has inflicted to his career and his family, but at other times appears quite delusional. Seeing "Weiner" is like watching a slow moving train wreck. You know what is going to happen, but you watch it anyway to see how it happens.

This film definitely falls into the category of "truth is stranger than fiction." It's hard to imagine another personality in recent history that is so unfiltered and self-absorbed in his quest for higher office, with the exception of a fellow named, Donald Trump.

This is not just a film about Anthony Weiner, but a critique at how the mainstream media values style and sensationalism over substance. This is evidenced in a sequence that occurs toward the end of the film that must be seen to be believed. In short, "Weiner" is a fascinating character-study and must be considered an early awards favorite.


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