5.8/10
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1 user 42 critic

Return to Montauk (2017)

The author Max Zorn, now in his early 60s, is on a promotional book tour in New York when he meets up again with the woman he could never forget. They spend a weekend together. 17 years have passed. Can there be a future for their past?

Director:

Volker Schlöndorff (as Volker Schloendorff)

Writers:

Colm Tóibín (screenplay), Volker Schlöndorff (screenplay) (as Volker Schloendorff)
Reviews
1 nomination. See more awards »

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Cast

Credited cast:
Stellan Skarsgård ... Max Zorn
Nina Hoss ... Rebecca
Bronagh Gallagher ... Rachel
Rebecca Knox ... Julia / Receptionist
Niels Arestrup ... Walter
Robert Seeliger ... Jonathan
Susanne Wolff ... Clara
Olga Lezhneva ... Girl
Isi Laborde-Edozien ... Lindsey (as Isi Laborde)
Alexander Yassin Alexander Yassin ... New York Cab Driver
Ray Wiederhold ... The Doorman
Malcolm Adams ... Roderick
Matthew Sanders ... Mark McDonald (as Mathias Sanders)
Erik Hansen Erik Hansen ... Radio Journalist
Angelica Guillen-Jimenez Angelica Guillen-Jimenez ... Friend
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Storyline

It is winter in Montauk, at the far end of Long Island. There are two deck chairs on the windswept beach. The chairs are waiting for two people who have, for a long time, been lost to each other. He is a writer and has come from Berlin. She is a New York lawyer. Many years before, they had a fling, but they were too young to know they had each met the love of their lives. Now they have come back to Montauk, filled with regret and hope. The bodies remember. It feels for them like the next day after the last one they were together. They do not know if it is possible to reverse time. In Montauk, they find out.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

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Parents Guide:

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Details

Official Sites:

article | Filmreporter.de | See more »

Country:

Germany | Ireland | France

Language:

English | German | French

Release Date:

11 May 2017 (Germany) See more »

Also Known As:

Rückkehr nach Montauk See more »

Filming Locations:

Berlin, Germany See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

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Did You Know?

Trivia

Writer and Director, Volker Schlöndorff is best-known for the Oscar-winning The Tin Drum (1979), (aka The Tin Drum), and WWII drama Diplomatie (2014), (aka Diplomacy). See more »

Connections

References Zoolander 2 (2016) See more »

Soundtracks

I Was Just Thinking
by Max Richter
From "21 Postcards in Full Color"
© 2008, Deutsche Grammophon
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User Reviews

 
Pseudo-intellectualism
21 February 2017 | by DiandSee all my reviews

Volker Schlöndorff has made a career out of screen adaptations of major novels. His Death of a Salesman stands out as an excellent work, with Malkovich and Hoffman in some of the best work of their careers. Return to Montauk is his third movie in ten years, based on the story Montauk by Swiss writer Max Frisch, although it deviates substantially from that story and can almost stand on its own, this story about a writer on a book tour in New York catching up with his past.

It is difficult to point out what went wrong here. His French co-workers cannot be blamed as the editing by Hervé Schneid (Amélie) is excellent, and also the cinematography by Jérôme Alméras doesn't disappoint. From the beginning there is tension in the movie after the inventive screen titles, and the first half of the movie sets up the story quite nice: It makes the impression of a more serious Woody Allen movie and the characters are well established. Stellan Skarsgård is good, Niels Arestrup is an excellent but underrated actor.

However from the moment the trip to Montauk starts the movie loses its interest. First, the story-line from that point is so predictable that it becomes boring. Second, Schlöndorff's somewhat mechanical style doesn't help here either. And last, Nina Hoss is a real disappointment here and cannot pull off the kind and level of acting required. It is especially in the omnipresent medium shots and close-ups that her facial expressions and her body language aren't good enough to carry the movie, while she essentially is in the centerpiece of it.

The theme (writing meeting his past) is so worn-out that nothing new is added to the movie universe here. The style and content of the movie feels old-fashioned and out of date. Times have moved on, so this was not well received at the Berlinale, where several festival visitors eagerly awaiting this movie talked about their disappointment afterwards. And the philosophy parts are so pseudo-intellectual it is an insult to the field.


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