Anger rages in Philip as he awaits the publication of his second novel. He feels pushed out of his adopted home city by the constant crowds and noise, a deteriorating relationship with his ... See full summary »
Alex Ross Perry
First opus of a Japanese cinematographic series. Four women. All in their 30s. Three married, one divorcee. They are able to tell each other anything. Or at least they thought. One day, ... See full summary »
Joseph and his two sons, Joachim and Ivan, formed a very close family. But Ivan, the youngest, out of the ordinary high school student in the midst of a mystical crisis, is angry at his two... See full summary »
Gauthier, a young journalist, learns through his mother that he's the illegitimate son of Guy Jamet, an aging French pop singer who was famous from the '60s to the '90s. As the old-time ... See full summary »
I was intrigued by the trailer and looked forward to viewing Person to Person for quite a while. Perhaps it's my fault for having high expectations, but this fell completely flat.
I love Woody Allen movies. For whatever reason, I expected this to be rival some of Allen's recent work with witty, humorous dialogue that goes by quickly with a smart theme. Person to Person includes neither. It's empty, illogical, and boring.
This may sound like a compliment, but I mean it in the worst way possible: The movie flows like a mixture of a Todd Solondz movie mixed with Jim Jarmusch. However, it lacks the awkward sleaziness of Solondz and the uniqueness of most Jarmusch films.
The story follows multiple New Yorkers throughout one day - this has been done before many times and more successfully. Michael Cera and his story shines while the others relentlessly drag on. I lost interest in every other character pretty early on. The writing is mediocre and many of the actors struggle through the corny lines and story-lines.
In short, the subtle tone here falls flat. I really wanted to love Person to Person, but it's simply boring and insignificant.
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