Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story ...
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Clara, a 65 year old widow and retired music critic, was born into a wealthy and traditional family in Recife, Brazil. She is the last resident of the Aquarius, an original two-story building, built in the 1940s, in the upper-class, seaside Boa Viagem Avenue, Recife. All the neighboring apartments have already been acquired by a company which has other plans for that plot. Clara has pledged to only leave her place upon her death, and will engage in a cold war of sorts with the company. This tension both disturbs Clara and gives her that edge on her daily routine. It also gets her thinking about her loved ones, her past and her future.
The film sparked controversy after it received an 18+ rating from Brazil's Ministry of Justice for "explicit sex" and "drugs" - which restricts the film's audiences to people over 18 only. Some thought that the rating was not based solely on the film's contents and viewed it as a sabotage and foul play by the government against the film in an attempt to damage its commercial prospects in retaliation for the film's Cannes protest. On appeal, the film was re-rated to 16+. See more »
When Clara, who is annoyed by the noise from a party in the apartment above, decides to listen to a vinyl record, she picks up Queen's 1978 album "Jazz" and plays the second track, "Fat Bottomed Girls". But what is played is the shorter version of the song (released only as a single in 1978 and on the 1981 compilation "Greatest Hits") instead of the longer version from the album that is clearly shown spinning on the turntable. See more »
It's impressive what people say about lack of education, and they always refer to poor people, but lack of manners isn't in poor people, it's in rich, well educated people like you, the elite, who think they are elite, who think they are privileged, who don't stand in line, you know? People like you who took a "business" course, but lack basic human decency, who have no character, you know? No character, no I mean, you do have a character; your character is money, all you've got is your ...
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Greetings again from the darkness. If you were an avid movie-goer in the 1970's, you likely fell in love with Sonia Braga while watching Dona and Her Two Husbands (1976) and Kiss of the Spider Woman (1978). Those movies catapulted the Brazilian actress to global stardom, and a long career limited only by some regrettable script choices.
Writer/director Kleber Mendonca Filbo wisely casts Ms. Braga in the lead of his latest, and she delivers what may be her best performance ever and certainly one of the best by any actress this year. Clara is the lone holdout in a beachfront apartment complex against a corporate developer intent on modernizing the old building in order to maximize profits.
The film is divided into three parts: "Clara's Hair", "Clara's Love", and "Clara's Cancer". The initial segment is set in 1980 when Clara is recovering from cancer treatment and is attending the 70th birthday party for her beloved Aunt Lucia (Thaia Perez). Lucia's flashbacks to her younger days bring a subtle smile to her face, while providing parallels to what we see later with Clara. Some secrets from family are treasured memories, not meant to be shared. As the story moves forward, we grow to admire and respect Clara and join in her defiance of the smirky hotshot developer.
The big company bullying the old lady would be an interesting and predictable story, but here it's secondary to the story of a strong woman – a woman who overcomes cancer, carries on after the death of her husband, fights to keep her home, and generally lives life on her own terms. She maintains her strength and dignity despite outside influences.
A recurring theme throughout is "old vs. new". From the first sequence with the "old" Aunt passing the baton to her younger niece, to the old lady battling the young developer in order to prevent the historic building from being turned into a modern co-op, to the contrast of the vinyl records of Clara's collection to the digital music of the younger generation, to Clara's preference for actual phone calls to texting. It's the classic now versus then argument, and it's summed up by Clara's line to her kids: "When you like it, it's vintage. When you don't, it's old." There are some similarities to Sebastian Lelo's 2013 film Gloria, which featured an exceptional performance from Paulina Garcia, and this one utilizes some terrific "little" scenes conversations with family and daily life with her housekeeper – all while staying close to a glass of wine, her favorite music, a cozy hammock, and her Barry Lyndon poster. While the ending is a bit disappointing, and Brazilian politics prevented it from being that country's Oscar submission, those don't negatively impact the strength of Sonia Braga's Oscar worthy performance as we rejoice in the strength of an independent woman.
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