Soon after a stranger arrives in a little village, a mysterious sickness starts spreading. A policeman, drawn into the incident, is forced to solve the mystery in order to save his daughter.


Hong-jin Na


Hong-jin Na (screenplay by), Hong-jin Na
1,393 ( 304)
31 wins & 56 nominations. See more awards »





Cast overview, first billed only:
Do-won Kwak ... Jong-goo
Jung-min Hwang ... Il-gwang (as Jeong-min Hwang)
Jun Kunimura ... Japanese Man
Woo-hee Chun ... The Mysterious Woman
Hwan-hee Kim ... Hyo-jin
Jin Heo Jin Heo ... Mother-in-Law
Jang So-Yeon ... Wife
Do-yoon Kim ... Yang Yi-sam
Kang-gook Son ... Oh Sung-bok
Seong-yeon Park ... Kwon Myung-joo
Chang-gyu Kil ... Park Choon-bae
Bae-soo Jeon ... Deok-gi
Mi-nam Jeong ... Heung-gook
Gwi-hwa Choi ... Byeong-gyoo
Seung-chul Baek ... Friend


In the small village Goksung in South Korea, police officer Jong-Goo investigates bizarre murders caused by a mysterious disease. His partner relays gossip that a Japanese stranger, who lives in a secluded house in the mountains, would be an evil spirit responsible for the illness. Jong-Goo decides to visit the stranger along with his partner and a young priest who speaks Japanese. They find an altar with a goat head, pictures on the walls of the infected people that died, and an attacking guard dog that prevents their departure until the stranger arrives. Jong-Goo finds one shoe of his beloved daughter, Hyo-jin, in the house of the stranger, and soon she becomes sick. His mother-in-law summons the shaman Il-gwang to save her granddaughter while a mysterious woman tells Jong-Goo that the stranger is responsible. Who might be the demon that is bringing sickness to Goksung? Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


From acclaimed director Na Hong-jin


TV-MA | See all certifications »

Parents Guide:

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Did You Know?


Exorcism scenes by the Japanese Man stem from Shamanism in Nepal. See more »


[last lines]
Jong-Goo: It's okay... my baby. You know Daddy's a policeman. I'll take care of everything... Daddy will.
See more »


Featured in Renegade Cut: The Wailing (2017) See more »

User Reviews

A Smorgasbord of Many Genres and Near un-Killable Zombies
31 July 2016 | by ctowyiSee all my reviews

SPOILER: This review is extremely difficult to pen without dropping spoilers, but I am going to try...

Na Hong-jin's The Chaser (2008) audaciously broke one of cinema's golden rules to heartbreaking effect. His sophomore effort The Yellow Sea (2010) is a pulsating rush of blood and bone. 6 years later comes The Wailing, a gruesome blend of different genres and it is near impossible to pigeonhole. Na Hong-jin has graduated to a whole new level with The Wailing, a smorgasbord of investigative procedural, humour, horror, supernatural, family drama, and near un-killable zombies.

Whether you are the filmmaker or the viewer, it can be really hard to start a film. No one sitting in the pitch-black cinema is your friend yet and the beginning of any film always feels like a forced act of intimacy for the viewer. A hooker can help. No, I don't mean a prostitute but a good first scene 😬. The Wailing opens with a verse from the Bible, Luke 24:38-39 and cuts to a scene of a forlorn man double hooking a worm before fishing from a boulder. The scene is beguiling, laden with an atmosphere of dread and your consciousness will immediately lock in the little noggin of information that his unusual act has a higher purpose. Two and a half hours later and after a post-movie long table discussion with 13 other animated persons and more than a day of further discussion on a WhatsApp chat group, I am wiser. The first scene of The Wailing is a blue-ribbon winner and so it goes for the rest of the film.

The big story is easy - a Japanese stranger (Jun Kunimura) arrives in a little village and soon a mysterious sickness starts to spread. Grisly murders ensue and a strange young woman (Chun Woo-Hee) and a bombastic shaman (Hwang Jung-Min) enter into the fray. A bumbling and lazy policeman (Kwak Do Won) is drawn in and he has to get to the crux of the mystery in order to save his daughter. It is the intricate workings of the plot that needs a lot of unpacking. Forget about the age-old Hollywood adage that a good film has a plot that is easily summarised. The last time I had so much fun dismantling and assembling back a movie was Inception!

The Wailing is a stupendous and sustained piece of masterful storytelling. It is loaded with frightful incidents and stuffed with mystifying characters. On top of that, it is genuinely terrifying as it preys on the goodness of ordinary people. God has seemingly excused Himself from the battleground as can be gleaned from a scene in which the church says it will not lift a finger to help. The story is compelling and riveting, and every twist, turn and outcome totally earned. The movie has a punishing runtime of 156 minutes not because of poor pacing, but because of the intricacies of the plot. There are plenty of bloody scenes for the gore-hounds but they are never ladled out to pump up a sagging plot. The plot never sags, not even for one instance. Na's use of music and sounds to heighten the suspense is brilliant. From plaintive tonal chords in the beginning to a full-blown thunderous "tong tong qiang" exorcism ritual, everything adds to the atmosphere of doom. Na has also achieved such sublime tonal shifts that I didn't even notice where I went from laughing out loud to pure heart-parked-in-my-mouth terror. The film is suffused with motifs, religious overtones and thematically rich. Even an innocuous scene of a young woman throwing stones has biblical weight. The storytelling is powerful and the twists perfectly angled into the story. So many times I had that "aha" feeling that told me I had the mystery figured out and the motivations of the characters down pat. But on hindsight, I realised the only thing I had figured out early is that this is one incredibly thought provoking piece of filmmaking. The Wailing practically roars through the final act delivering all manners of monstrosity and heartbreaking sadness with aplomb. The movie is long and rich, multilayered and satisfying. Prepare to be toyed, skewered, gutted, stabbed and get ready to be played like a violin.

I know this review is rubbish and ladened with hyperboles, but I did not exaggerate or embellish, and I did you a huge favour by remaining vague with the plot. Believe me, it is extremely hard for me to do that. I know good films when I see them. It is the great ones that are not easy to decide on. The Wailing is not a great film in the strictest sense but it earns its place on a shelf of illustrious films that invite so many good debates with like- minded minds. These are films that are impossible for you to stay shut-up and have everything explained in a few by-lines. These are films that will never leave your head long after they are done, and when you least expect it the tendrils of the narrative will rise up and wrap around your consciousness like tentacles. There are not many films on this particular shelf and all of them have become classics. I do not use the word "classic" lightly, but I believe The Wailing may well prove to be one. You know how I know? The movie left more questions than answers in my mind, but yet it was never a frustrating cinematic experience. It is such a wonderful mindfcuk! The year is not over yet, but I have a feeling I will not see another film of this caliber. Films of this type are rare and such superb rare films wail out to be watched and experienced. Experience this.

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South Korea | USA


Korean | Japanese

Release Date:

3 June 2016 (USA) See more »

Also Known As:

The Wailing See more »

Filming Locations:

South Korea


Box Office


$6,420,000 (estimated)

Opening Weekend USA:

$77,892, 22 May 2016

Gross USA:


Cumulative Worldwide Gross:

See more on IMDbPro »

Company Credits

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Technical Specs


Sound Mix:

DTS | Dolby Digital



Aspect Ratio:

2.35 : 1
See full technical specs »

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