Tells the tale of two children separated by fifty years. In 1927, Rose searches for the actress whose life she chronicles in her scrapbook; in 1977, Ben runs away from home to find his fathe... Read allTells the tale of two children separated by fifty years. In 1927, Rose searches for the actress whose life she chronicles in her scrapbook; in 1977, Ben runs away from home to find his father.Tells the tale of two children separated by fifty years. In 1927, Rose searches for the actress whose life she chronicles in her scrapbook; in 1977, Ben runs away from home to find his father.
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John P. McGinty
- Valentinas Valentin
- (as John McGinty)
The film interlaces two stories set fifty years apart, switching frequently between them. Each tells the story of a child's quest. In 1927, Rose runs away from her father's New Jersey home to find her mother/idol, the actress Lillian Mayhew. In 1977, recently orphaned Ben runs away from his Minnesota home in search of his father..
Top review
Dire
How is a Todd Haynes film with a character based on Lillian Gish this bad? And why is this his follow-up to Carol?!
This YA mystery – adapted by its author – has an intriguing dual- time structure, a nice Carter Burwell score and some neat nods to silents, but it's also cloying, not very mysterious, and incredibly longwinded: not trusting its audience to understand anything, and struggling with some laborious translation problems reminiscent of Le mèpris, in which a lot of the dialogue has to be written down and held up. It doesn't help that the central kid seems to have wandered in from a school play. Or that it ends up looking like an extended advertorial for some museums.
It's sort of like Hugo, if everything that Scorsese's film had done had gone a bit wrong.
(The Gish films being homaged, incidentally, are primarily The Wind (the poster of the film-within-a-film starring 'Lillian Mayhew' is based directly on a publicity image for this 1928 masterpiece) and Orphans of the Storm, though she played mothers in few of her starring vehicles and Wonderstruck diverts considerably from her real life.)
This YA mystery – adapted by its author – has an intriguing dual- time structure, a nice Carter Burwell score and some neat nods to silents, but it's also cloying, not very mysterious, and incredibly longwinded: not trusting its audience to understand anything, and struggling with some laborious translation problems reminiscent of Le mèpris, in which a lot of the dialogue has to be written down and held up. It doesn't help that the central kid seems to have wandered in from a school play. Or that it ends up looking like an extended advertorial for some museums.
It's sort of like Hugo, if everything that Scorsese's film had done had gone a bit wrong.
(The Gish films being homaged, incidentally, are primarily The Wind (the poster of the film-within-a-film starring 'Lillian Mayhew' is based directly on a publicity image for this 1928 masterpiece) and Orphans of the Storm, though she played mothers in few of her starring vehicles and Wonderstruck diverts considerably from her real life.)
helpful•3330
- rick_7
- Oct 9, 2017
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