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The story of charismatic painter Wladyslaw Strzeminski, who opposed social realism and maintained his own artistic freedom in spite of political obstacles.

Director:

Andrzej Wajda

Writers:

Andrzej Wajda (idea), Andrzej Mularczyk (screenplay)
1 win & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
Boguslaw Linda ... Wladyslaw Strzeminski
Bronislawa Zamachowska Bronislawa Zamachowska ... Nika Strzeminska
Zofia Wichlacz ... Hania
Krzysztof Pieczynski ... Julian Przybos
Mariusz Bonaszewski ... Madejski
Szymon Bobrowski ... Wlodzimierz Sokorski
Aleksander Fabisiak ... Rajner
Paulina Galazka ... Wasinska
Irena Melcer Irena Melcer ... Jadzia
Tomasz Chodorowski Tomasz Chodorowski ... Tomek
Filip Gurlacz Filip Gurlacz ... Konrad
Mateusz Rusin Mateusz Rusin ... Stefan
Mateusz Rzezniczak Mateusz Rzezniczak ... Mateusz
Tomasz Wlosok ... Roman
Adrian Zaremba ... Wojtek
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Storyline

The great Polish director Andrzej Wajda returns with this passionate biopic about avant-garde artist Wladyslaw Strzeminski (brilliantly played by Polish superstar Boguslaw Linda), who battled Stalinist orthodoxy and his own physical impairments to advance his progressive ideas about art.

Plot Summary | Add Synopsis

Plot Keywords:

painter | communism | 50s | student | art | See All (34) »


Certificate:

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Details

Country:

Poland

Language:

Polish

Release Date:

13 January 2017 (Poland) See more »

Also Known As:

Afterimage See more »

Filming Locations:

Lódz, Lódzkie, Poland See more »

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Box Office

Opening Weekend USA:

$5,832, 19 May 2017, Limited Release

Gross USA:

$30,093, 23 June 2017
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Atmos

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Official submission of Poland for the 'Best Foreign Language Film' category of the 89th Academy Awards in 2017. See more »

Quotes

Wladyslaw Strzeminski: They praise the ones who suck up. They're silent about the real artists.
Julian Przybos: I spoke about this with Milosz. He also believes that an artist who can't speak with a full voice should be silent. Artists can be killed in two ways: either by talking about them too much or not at all.
See more »

Connections

References Czlowiek z marmuru (1977) See more »

Soundtracks

Piano Concerto
Written by Andrzej Panufnik
Performed by Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach
Conducted by Piotr Komorowski
See more »

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User Reviews

 
the last Wajda
28 October 2016 | by dromascaSee all my reviews

It's very difficult to say Farewell. It's very difficult to make a Farewell movie. I do not know if Andrzej Wajda knew that 'Afterimage' was to be his last movie. He undertook and involved himself in this film with the same passion, rigor and attention to the detail, with the same mastering of the art and science of film-making as ever. He also did not abandon the major theme of his cinema - the history of Poland seen as a subset of the history of Europe and of all mankind, and as a collection of the stories of the men who made it.

There is one major difference though. Many of his previous films focused on political characters, they were about men who changed history, about victors at least at the historical scale - Danton, Walesa - even if they sometime paid with their lives. The hero of this film, the avant-garde Polish artist Wladyslaw Strzeminski was defeated by history, and the film is the story of his defeat, of his physical but also moral decay. It's a story quite typical about the manner Communist dictatorships in Eastern Europe treated their artists, and even if I did not know anything about him before this movie, his story was well known to me as the same fate (or worse in some cases) was imposed on artists who did not compromise in Romania where I was born and I lived half of my life. We see him at the beginning admired and valued as a teacher and artist, he also was a companion of modernist artists who were associated with the Russian revolution, but this did not help him either. He was not an anti-Communist, but he valued true art, could not accept enrollment of art as a tool for propaganda and the norms of the dogmatic 'realism', and his refusal to compromise cost him his teaching position, his membership in the artist's union, the very possibility of painting. The humiliating tentative to find a way to survive had no chance, the regime was still in the Stalinist period and crushed all opponents according to the principle 'the one who is not with us is against us'. Even the help and support of a handful of students who stood by their beloved teacher and mentor could not save him.

The lead role is played with a lot of restraint and dignity by Boguslaw Linda, his flame is interior, he shows the artist far from being a flawless person, actually sharing some of the guilt of not being able to maintain his family and especially help his teen daughter (exceptional acting of 14 years old Bronislawa Zamachowska). There are many very well constructed scenes, some of them full with details bringing back to life with controlled anger that dark period of transformation, when Poland and Eastern Europe were postponing hope for a few decades and were transitioning from one nightmare to another. Wajda's last film is not a testament, it's an integral part of his opus of work.


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