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I, Daniel Blake (2016)

R | | Drama | 9 June 2017 (USA)
Trailer
2:23 | Trailer
After having suffered a heart-attack, a 59-year-old carpenter must fight the bureaucratic forces of the system in order to receive Employment and Support Allowance.

Directors:

Ken Loach, Laura Obiols

Writer:

Paul Laverty (screenplay)
Reviews
Popularity
4,917 ( 1,115)
Won 1 BAFTA Film Award. Another 28 wins & 35 nominations. See more awards »

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Cast

Cast overview, first billed only:
Dave Johns ... Daniel Blake
Hayley Squires ... Katie
Briana Shann ... Daisy
Dylan McKiernan Dylan McKiernan ... Dylan (as Dylan Phillip McKiernan)
Kate Rutter ... Ann
Sharon Percy ... Sheila
Kema Sikazwe Kema Sikazwe ... China
Steven Richens Steven Richens ... Piper
Amanda Payne Amanda Payne ... Employment Support Allowance Assessor
Chris Mcglade Chris Mcglade ... At the Sawmill (as Chris McGlade)
Shaun Prendergast ... At the Sawmill
Gavin Webster Gavin Webster ... At the Sawmill
Sammy T. Dobson Sammy T. Dobson ... Specialist Nurse
Mickey Hutton Mickey Hutton ... Neighbour with dog
Colin Coombs Colin Coombs ... Postman
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Storyline

A 59 year old carpenter recovering from a heart attack befriends a single mother and her two kids as they navigate their way through the impersonal, Kafkaesque benefits system. With equal amounts of humor, warmth and despair, the journey is heartfelt and emotional until the end.

Plot Summary | Add Synopsis

Taglines:

Magnificent! One of Loach's very best. Demands to be seen! See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | France | Belgium

Language:

English

Release Date:

9 June 2017 (USA) See more »

Also Known As:

I, Daniel Blake See more »

Filming Locations:

London, England, UK See more »

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Box Office

Opening Weekend USA:

$18,682, 4 June 2017

Gross USA:

$260,354

Cumulative Worldwide Gross:

$15,793,051
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

All the women who work for the public agencies have the same haircut: bangs with a mid length straight bob. See more »

Goofs

Security Guards in all Job Centres are provided by G4S, but the security guards shown here do not wear G4S uniforms. See more »

Quotes

Daisy: Can I ask you one question, Dan? Did you help us?
Daniel: Suppose so.
Daisy: So why can't I help you?
See more »

Crazy Credits

A very special thanks to workers within the DWP [Department for Work and Pensions] and PCS [Public and Commercial Services] Union who provided us with invaluable information but who must remain anonymous. [Government edict that public employees in these departments cannot speak publicly about their work.] See more »

Connections

Referenced in Cash Trapped: Episode #2.13 (2017) See more »

Soundtracks

Sailing By
(1963)
Composed by Ronald Binge
Performed by The Alan Perry/William Gardner Orchestra as The Perry/Gardner Orchestra
Conducted by Ronald Binge
Licensed courtesy of Mozart Edition (Great Britain) Ltd.
See more »

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User Reviews

 
From Britain to China, workers' very own solidarity is their social security
8 October 2016 | by sakarkralSee all my reviews

This movie caught me by my heart, like every other piece by Laverty- Loach cooperation. It is not a thriller, there are no twists, no peaks of emotions. It shows the naked reality of our everyday lives with its great pains and humor at the same time. But, the "banality" of these great pains is the strength of the movie, it shows how every encounter with the system is the time we face the reality of the system and look for someone who will give a hand us to survive it. Of course, this is mostly valid for the working class. The film softly depicts that it is not a socialist propaganda, because when truly shown the reality itself unveils as a socialist propaganda.

But the film is not another documentaristic presentation of the everyday life of a worker, as it also shows how to cope with all these we experience. It is the formation of a solidarity with others like us, the woman in the queue, the Chinese in the factory, the black in the warehouse, the clerk at the office... We are already connected, even with those in other continents. Once we see someone shouting with his writing on the wall, we should shout with him with our voice. If one of them writes a letter, another should spread its word.

A shot in the head of the Britain's social security system, a great call for solidarity.


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