Helle is forced to withdraw from the police investigation but continues on her own.
Jani disappears. Helle and Dreyer fear that their chances of finding her alive are slim. Dreyer finds out that Helle is making progress in her private investigation. Subtitled.
Helle and Dreyer are suspended from the investigation, their methods coming under scrutiny. However, they don't give up and continue to investigate on their own...
These 2021 Sundance Film Festival headliners became household names thanks to some unforgettable roles early in their careers.
Daniel Kaluuya, known for his roles in "Black Mirror" and Get Out, stars in Judas and the Black Messiah. "No Small Parts" takes a look at his rise to fame.
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Title: Monster (2017– )
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A young girl is missing, and her boyfriend dead. Police inspector Hedda Hersoug is back in her birthplace to live a quiet life, but is forced to work with the solitaire superintendent Joel Dreyer hunting down a serial killer.
Monster tries to make the most of the brilliant, mystical Artic circle, but in the end, for me, the script and pace was a massive let down. Monster is the starts with a missing persons investigation. The lead investigators are a combative couple - a prodigal daughter with a curious past who has returned to care for her ailing father, and a young detective battling his own personal demons. Missing turns to murder and the body count rapidly multiplies as the layers of the small community are peeled away to reveal infidelity, religious zealotism, drug trafficking and more. The investigators flounder as the looping plotlines entangle them and they push up against their own inadequacies (at a certain point one concedes that they are pretty hopeless at the job of detecting). The cinematography is lovely and some of the performances are compelling, but the pace is inconsistent and neither the undercurrent of mysticism nor the tightening circle of a murder investigation are fully realised. As the plot tangents multiplied, my suspension of disbelief was challenged by a few too many convenient coincidences, not to mention police work that would make the Keystone Cops feel like an elite force. I'm pretty sure that a 21st century Norwegian police force, even a small one, in the remote northern reaches, wouldn't settle for repeated crime scene violations and un-bagged, unsecured evidence being traipsed about the countryside. I swear I'm not being pedantic. It's those kind of details that serve as a huge distraction, particularly when the plot itself is at risk of sinking. I think Monster tries too hard to do too much, and in the end become so muddied that none of the storylines feel satisfactorily told.