Louis XIV is no newcomer to Albert Serra's filmography, the hero of his latest opus to date, THE DEATH OF LOUIS XIV (2016). ROI SOLEIL features a twin, even though, in the game of ... See full summary »
Reflection on the construction of Europe, its cultural identity and its foundations through the complete adaptation of the texts Conversations with Goethe, by J.P. Eckermann, Hitler's Table... See full summary »
Fernando, a solitary ornithologist, is looking for black storks when he is swept away by the rapids. Rescued by a couple of Chinese pilgrims, he plunges into an eerie and dark forest, trying to get back on his track.
João Pedro Rodrigues
João Pedro Rodrigues,
Jean, a veteran actor trapped by his past, is installed in secret in an abandoned mansion in the South of France where Juliette, the great love of his life, used to lived long time ago. A ... See full summary »
This is certainly a film that does what it says on the tin. The sole focus of the film is the death of Louis XIV the Sun King and it is interesting that the sun is notably absent from the film which for the most part resembles a series of Rembrandt paintings in its lush tones surrounded by darkness. This is not an exciting film, in fact it is quite boring in parts. But then that is death, as anyone who has sat watching over an aged relative will know. It is quiet, it is slow, drawn out over hours and days in hushed tones. This is the king of France, one of the most noted kings of France, and here he is fading from life like any ordinary person. Attended and fussed over but unable to stop the enevitable decline or gain much comfort. If I have a quibble it is that the dialoge is often painfully slow and dull in a manner that is, I feel, a bit of a cliché in this type of film. It fits the mood but was, I felt, somewhat overstated.
14 of 15 people found this review helpful.
Was this review helpful to you?
| Report this