Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little, much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple's inviolable sanctuary?Written by
Darren Aronofsky submitted a written statement about the film when it premiered at the Venice Film Festival, in which he revealed that he wrote the first draft of the script in 5 days ("a fever dream," he called it) and that the idea was inspired by current events, "the endless buzzing of notifications on our smartphones," and his experiences going through Hurricane Sandy in downtown Manhattan. "It is a mad time to be alive," he wrote. He also wrote that the film should be "drunk as a single dose in a shot glass. Knock it back." See more »
The first time Mother calls 911 and hangs up after it was answered, the 911 dispatcher doesn't attempt to call back. In reality, 911 would immediately call back on a hang up call. See more »
The music in the first half of the end credits is followed by a long period with only quiet ambient noise. The near-silence is broken when Javier Bardem's character's calligraphy is inscribed in white ink next to (and sometimes over) the remaining credits. See more »
When the viewer sees the names of Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer in the credits of a movie, he or she will certainly expect at least a good film. Unfortuntelly this is not the case of "Mother!", a bad trip of Darren Aronofsky. Maybe if the viewer is on drugs or is a pretentious intellectual, he or she will say that has enjoyed this garbage as if it were a masterpiece. But it is not! Indeed is another overrated film in IMDb and a complete disappointment for most audiences. My vote is one (awful).
Title (Brazil): "Mãe!" ("Mother!")
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