In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little, much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple's inviolable sanctuary?Written by
Throughout the entire movie, no one's name is ever mentioned and not a single character is ever referred to by any name, the way they are listed in the end credits is by their given role in the story. See more »
When Mother breastfeeds her baby, during one shot, she has a scar on her forehead. During the next shot, there is not a blemish on her face. See more »
This movie took my breath away. When the end credits began to roll, all I could think of was just how brilliant this film is! I was absolutely astonished by the level of craftsmanship on Darren Aronofsky's part, and just the sheer complexity of the writing. Aronofsky says he wrote the screenplay in six days, which just blows my mind. It is so intricate and delicately designed, that I don't know how he was able to write it in less than a week. I think it just goes to show how much of a pure genius Aronofsky is. This is a movie that is driven 100% by its story and its screenplay. Everything else, from the camera angles, to the score, to the performances, are in service to that script. So it's hard to sit here and say "Oh, well the cinematography is gorgeous" or "Jennifer Lawrence is fantastic in the film", because their purpose was not to stand out on their own. Everything they did was to enrich and drive forward this story, and that doesn't necessarily work for every film, but it absolutely works here. This film is made by the deep complexity of its metaphors and allegories, and by its social and theological analysis of our past, present, and future. Without the strength of its script, mother! would fall apart. Luckily, Aronofsky has crafted a masterful screenplay that works and plays on so many different levels...
198 of 381 people found this review helpful.
Was this review helpful to you?
| Report this