In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
Amidst a wild flat meadow encircled by an Edenic lush forest, a couple have cocooned themselves in a secluded mansion that was not so long ago burned to the ground, devotedly restored by the supportive wife. Within this safe environment, the once famous middle-aged poet husband is desirous of creating his magnum opus; however, he seems unable to break out of the persistent creative rut that haunts him. Then, unexpectedly, a knock at the door, the sudden arrival of a cryptic late-night visitor and his intrusive wife will stimulate the writer's stagnant imagination. Little by little, much to the perplexed wife's surprise, the more chaos he lets in their haven, the better for his punctured male ego. In the end, will this incremental mess blemish, irreparably, the couple's inviolable sanctuary?Written by
When the viewer sees the names of Jennifer Lawrence, Javier Bardem, Ed Harris and Michelle Pfeiffer in the credits of a movie, he or she will certainly expect at least a good film. Unfortuntelly this is not the case of "Mother!", a bad trip of Darren Aronofsky. Maybe if the viewer is on drugs or is a pretentious intellectual, he or she will say that has enjoyed this garbage as if it were a masterpiece. But it is not! Indeed is another overrated film in IMDb and a complete disappointment for most audiences. My vote is one (awful).
Title (Brazil): "Mãe!" ("Mother!")
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