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Isle of Dogs (2018)

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Set in Japan, Isle of Dogs follows a boy's odyssey in search of his lost dog.

Director:

Wes Anderson

Writers:

Wes Anderson (story by), Roman Coppola (story by) | 3 more credits »
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Popularity
369 ( 8)
8 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Bryan Cranston ... Chief (voice)
Koyu Rankin ... Atari (voice)
Edward Norton ... Rex (voice)
Bob Balaban ... King (voice)
Jeff Goldblum ... Duke (voice)
Bill Murray ... Boss (voice)
Kunichi Nomura Kunichi Nomura ... Mayor Kobayashi (voice)
Akira Takayama ... Major-Domo (voice)
Greta Gerwig ... Tracy Walker (voice)
Frances McDormand ... Interpreter Nelson (voice)
Akira Ito ... Professor Watanabe (voice)
Scarlett Johansson ... Nutmeg (voice)
Harvey Keitel ... Gondo (voice)
F. Murray Abraham ... Jupiter (voice)
Yoko Ono ... Assistant-Scientist Yoko-ono (voice)
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Storyline

An outbreak of dog flu has spread through the city of Megasaki, Japan, and Mayor Kobayashi has demanded all dogs to be sent to Trash Island. On the island, a young boy named Atari sets out to find his lost dog, Spots, with the help of five other dogs... with many obstacles along the way. Written by Mike202

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements and some violent images | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Germany | USA

Language:

English | Japanese

Release Date:

13 April 2018 (USA) See more »

Also Known As:

Isla de perros See more »

Filming Locations:

UK

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Box Office

Opening Weekend USA:

$1,615,269, 25 March 2018, Limited Release

Gross USA:

$32,015,231, 30 August 2018

Cumulative Worldwide Gross:

$63,790,396, 29 July 2018
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

As of 2018, since his debut film Bottle Rocket (1996), director Wes Anderson had used one cinematographer for his live-action films (Robert D. Yeoman), and one for his stop-motion films (Tristan Oliver). See more »

Goofs

Many of the signs contain incorrect or awkward Japanese, as though produced by an advanced (but non-native) speaker. See more »

Quotes

[first lines]
Chief: Ten centuries ago, before the Age of Obedience, free dogs roamed at liberty, marking their territory. Seeking to extend its dominion, the cat-loving Kobayashi Dynasty declared war and descended in force upon the unwary four-legged beasts. On the eve of total canine annihilation, a child warrior sympathetic to the plight of the besieged underdog dogs, betrayed his species, beheaded the head of the head of the Kobayashi clan, and pledged his sword with the following battle-cry haiku....
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Crazy Credits

The film opens with a taiko drum performance by three boys. See more »

Connections

References Neon Genesis Evangelion: The End of Evangelion (1997) See more »

Soundtracks

I Won't Hurt You
Written by Robert Markley, Michael Lloyd, Shaun Harris
Performed by The West Coast Pop Art Experimental Band
Published by Alley Music Corporation c/o Carlin Music America (BMI), Trio Music Company (BMI) administered by BMG Rights Management (US) LLC
Courtesy of Reprise Records
By arrangement with Warner Music Group Film & TV Licensing
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Frequently Asked Questions

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User Reviews

 
Another Charming And Quirky Wes Anderson Creation
23 March 2018 | by neener3707See all my reviews

I really enjoyed this wonderful little film that was such a departure in a way for director Wes Anderson, yet his style is still readily obvious. I saw this at a midnight showing and I can tell you, everyone walking out of the theater was raving and talking about how great it was, And it was, such a charming a cute adventure of a story that was a total surprise, in the sense of a surprise to see Anderson making an animated film. I was so exited for the film and it really was in no way a disappointment, I thoroughly enjoyed his latest work, in fact, I might go see it twice, which is rare for me. In the second paragraph I will discuss a little more about what exactly I liked about it, but in general this was a damn good film that demands a viewing.

Wes Anderson's style is so honed in this film despite it being animated. The use of colors and symmetry are still plainly obvious, the color and design of things very consistent giving a believable world for the film to be set in. Each one of the characters was deeply developed and fascinating while also working off many of the other characters. The writing is sharp, intelligent, and very well written in the style of many of the other Anderson classics. So basically if you are a fan of his style, then you will be delighted to see this movie that is the personification of Wes Anderson's style.


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