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Isle of Dogs (2018)

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Set in Japan, Isle of Dogs follows a boy's odyssey in search of his lost dog.

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(story by), (story by) | 3 more credits »
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5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Chief (voice)
... Atari (voice)
... Rex (voice)
... King (voice)
... Boss (voice)
... Duke (voice)
Kunichi Nomura ... Mayor Kobayashi (voice)
... Major-Domo (voice)
... Tracy Walker (voice)
... Interpreter Nelson (voice)
... Professor Watanabe (voice)
... Nutmeg (voice)
... Gondo (voice)
... Jupiter (voice)
... Assistant-Scientist Yoko-ono (voice)
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Storyline

An outbreak of dog flu has spread through the city of Megasaki, Japan, and Mayor Kobayashi has demanded all dogs to be sent to Trash Island. On the island, a young boy named Atari sets out to find his lost dog, Spots, with the help of five other dogs... with many obstacles along the way. Written by Mike202

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for thematic elements and some violent images | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

|

Release Date:

13 April 2018 (USA)  »

Also Known As:

Isla de perros  »

Filming Locations:


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Box Office

Opening Weekend USA:

$1,615,269, 25 March 2018, Limited Release

Gross USA:

$31,987,678, 12 August 2018

Cumulative Worldwide Gross:

$63,790,396, 29 July 2018
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Atari slides down the Pagoda slide. Longtime Wes Anderson movie collaborator Kumar Pallana's character is named Pagoda in The Royal Tenenbaums (2001). See more »

Goofs

Many of the signs contain incorrect or awkward Japanese, as though produced by an advanced (but non-native) speaker. See more »

Quotes

[first lines]
Chief: Ten centuries ago, before the Age of Obedience, free dogs roamed at liberty, marking their territory. Seeking to extend its dominion, the cat-loving Kobayashi Dynasty declared war and descended in force upon the unwary four-legged beasts. On the eve of total canine annihilation, a child warrior sympathetic to the plight of the besieged underdog dogs, betrayed his species, beheaded the head of the head of the Kobayashi clan, and pledged his sword with the following battle-cry haiku....
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Crazy Credits

At the end of the movie Anjelica Huston, who is a long time collaborator with Wes Anderson, is credited as the "Mute Poodle". See more »

Connections

References Invasion of Astro-Monster (1965) See more »

Soundtracks

I Won't Hurt You
Written by Robert Markley, Michael Lloyd, Shaun Harris
Performed by The West Coast Pop Art Experimental Band
Published by Alley Music Corporation c/o Carlin Music America (BMI), Trio Music Company (BMI) administered by BMG Rights Management (US) LLC
Courtesy of Reprise Records
By arrangement with Warner Music Group Film & TV Licensing
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Frequently Asked Questions

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User Reviews

 
Visually interesting but ultimately more style over substance.
1 April 2018 | by See all my reviews

As is almost par for the course with Wes Anderson, at least nowadays, 'Isle Of Dogs (2018)' is far more style over substance, presenting its fairly simple story straightforwardly and with plenty of on-the-nose exposition. Thankfully, the visuals we get are splendid, aside from the annoying and too frequently used 'to-camera' framing that sees characters mug for the fame for no reason other than a repetitive and only occasionally satisfying composition. The amazing stop-motion animation and a general aesthetic balances a real tangibility with a slight absurdist cartoon feel to wonderful effect, though. The way it looks, and moves, is unique and definitely its strong point. The film, much like 'Fantastic Mr. Fox (2009)', isn't really aimed at kids. I think most of the allegory and dry wit would go over their heads, and that's not even considering the non-conventional storytelling and slightly 'edgy' elements. But it didn't ever claim to be directed at them and nor should it have, though it does beg the question as to why the narrative seems so diluted and bizarrely expositional (as I've mentioned) - and no it isn't just Anderson's 'style', which can't be an excuse for lazy storytelling - if it didn't have to aim for the youngest of its possible audience. It's the fact that the experience is a passive one, no matter how well crafted or 'quirky', that isn't particularly funny or engaging, that stops it from being any better than it ultimately is. 6/10


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