Featuring New York City Ballet's Prima Ballerina Tiler Peck - the first ever woman to be asked to curate The Music Center's famed BalletNOW program - and a diverse cast of world-class ... See full summary »
Loïe Fuller was the toast of the Folies Bergères at the turn of the 20th century and an inspiration for Toulouse-Lautrec and the Lumière Brothers. The film revolves around her complicated relationship with protégé and rival Isadora Duncan.
Sergei did not want to watch the documentary because he doesn't like watching himself dance and was tricked into seeing it by his good friend who filmed him in "take me to church". He found that it had good rhythm and nice music, although he was grasping his friend's knee throughout the projection. See more »
Trouble in Paradise (Variation on a Theme)
Written by James Lavelle (as James Gabriel Led Lavelle), Pablo Clements, Aidan Lavelle (as Aiden Lavelle), Philip Sheppard
Performed by Unkle (as U.N.K.L.E.)
Used by permission of Lullabies and War Cries Songs (ASCAP)
Administered by Kobalt Music Publishing America, Inc and James Lavelle, Pablo Clements, Aiden Lavell and Philip Sheppard
Courtesy of Surrender All Records See more »
Without doubt Sergei Polunin is one of the most amazing dancers ever with a body that is strong, powerful and light. When he dances his movements are incandescent. He possesses something that goes beyond nurtured talent.
Documentaries are sometimes the best form of film because they take something true, which is either remarkable in itself, or the context in which they present the truth is remarkable. This documentary is evidence of the former.
Sergei was born to a family of modest means in Southern Ukraine and as a baby was hyper mobile, which lends itself to gymnastics (his first enterprise) or ballet (his second as chosen by his mother - which is significant). By the age of 8 Sergei was destined for a ballet career for which his family made enormous sacrifices; his father and one of his grandmothers (maternal, I think) emigrated to work in the EU to support financially his ballet studies in Kiev. The cost of this to Sergei emerged when he was an adult and, sensationally, quit the English Royal Ballet where he was a Principal dancer.
In his teens Sergei joined the English Royal Ballet and by 19 he was a ballet sensation in the UK and gained notoriety a few years later because of his use of cocaine, self-harming and tattooes. I was curious about this young man psychologically; he danced like fire but was troubled. My one disappointment with the documentary, which prevents it being perfect, is that only the surface psychology of Sergei is presented. To be fair to the director he arrived in Sergei's life when the latter was at his most cynical and least trusting. The film took 5 years to make but to know Sergei probably takes a lot longer. Nonetheless the niggle remains.
What the film gives in abundance is footage of Sergei dancing and Sergei filmed by his mother and then the English Royal Ballet as he grows up. The visual impact of Sergei's body with tattooes and scars is an aesthetic marvel. My favourite piece of the film was Sergei on-and-off stage whilst dancing in Spartacus in Siberia where we see the man suffering for his art and his damaged feet. There is private footage too, which is endearing as Sergei's warmth, sense of fun and sincerity abounds.
If you love dance, you will like this film. If you marvel at what the human body can do physically, you will like this film. If you want a very human story of sacrifice in the quest to improve the lot of the children, you will like this film. If you love, like or are remotely interested in Sergei, then this is a film for you. With his dance Sergei has gifted the cinematic world a unique form. He has abandoned ballet, by which he felt constrained and which was not his choice but that of his mother's, but is continuing to dance.
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