The award-winning director is best known for Wolf And Sheep and The Orphanage.
Award-winning Afghan director Shahrbanoo Sadat has made it out of Afghanistan after a tense few days awaiting safe passage, her Copenhagen-based producer Katja Adomeit has announced.
Sadat is best known for her second feature Wolf And Sheep, which won the main award at Cannes Directors’ Fortnight in 2016, and third feature The Orphanage, which also played in the parallel section in 2019.
“With the help of the French government and from people all around the world, Shahrbanoo made it after many days together with nine family members through the...
Award-winning Afghan director Shahrbanoo Sadat has made it out of Afghanistan after a tense few days awaiting safe passage, her Copenhagen-based producer Katja Adomeit has announced.
Sadat is best known for her second feature Wolf And Sheep, which won the main award at Cannes Directors’ Fortnight in 2016, and third feature The Orphanage, which also played in the parallel section in 2019.
“With the help of the French government and from people all around the world, Shahrbanoo made it after many days together with nine family members through the...
- 8/23/2021
- by Melanie Goodfellow
- ScreenDaily
Kabul-based filmmaker Shahrbanoo Sadat has made it out of Afghanistan, her producer Katja Adomeit formally announced on Monday.
Sadat was able to make it through thronging crowds and Taliban checkpoints into the airport, along with nine of her family members, after numerous days of trying, said Adomeit, who is also CEO of Adomeit Film. Sadat is currently in Abu Dhabi and will soon board a plane to Europe. Her passage was aided by the French government and “help from people all around the world,” Adomeit said.
Last week, Sadat’s friends contacted by Variety remained concerned for her safety.
Sadat’s first feature, “Wolf and Sheep,” was developed with the Cannes Cinefondation Residence in 2010. She was only 20 years old at the time, making her the youngest-ever selected for the program. The film went on to win the main award at Cannes’ Directors’ Fortnight section in 2016. It was the first installment...
Sadat was able to make it through thronging crowds and Taliban checkpoints into the airport, along with nine of her family members, after numerous days of trying, said Adomeit, who is also CEO of Adomeit Film. Sadat is currently in Abu Dhabi and will soon board a plane to Europe. Her passage was aided by the French government and “help from people all around the world,” Adomeit said.
Last week, Sadat’s friends contacted by Variety remained concerned for her safety.
Sadat’s first feature, “Wolf and Sheep,” was developed with the Cannes Cinefondation Residence in 2010. She was only 20 years old at the time, making her the youngest-ever selected for the program. The film went on to win the main award at Cannes’ Directors’ Fortnight section in 2016. It was the first installment...
- 8/23/2021
- by Rebecca Davis
- Variety Film + TV
Shahrbanoo Sadat, the Afghan filmmaker whose credits include 2019 Cannes Directors’ Fortnight pic The Orphanage, has successfully fled Kabul, according to her Danish producers Adomeit Film.
The director had been attempting to escape the Taliban incursion, which has seen the group swiftly take Afghanistan’s capital city and overthrown the government. Many artists and journalists have been evacuated fearing persecution.
Producer Katja Adomeit said the French government had helped Sadat and nine of her family members make it through Taliban checkpoints into the embattled airport, where they were flown to Abu Dhabi ahead of boarding a plane to Europe.
Last week, Deadline reported on Afghan filmmaker Sahraa Karimi’s efforts to escape Kabul, which eventually resulted in her successfully leaving the country. Others have been less fortunate. German broadcaster Deutsche Welle said on Friday that a relative of one of its editors had been killed in a targeted attack.
For an...
The director had been attempting to escape the Taliban incursion, which has seen the group swiftly take Afghanistan’s capital city and overthrown the government. Many artists and journalists have been evacuated fearing persecution.
Producer Katja Adomeit said the French government had helped Sadat and nine of her family members make it through Taliban checkpoints into the embattled airport, where they were flown to Abu Dhabi ahead of boarding a plane to Europe.
Last week, Deadline reported on Afghan filmmaker Sahraa Karimi’s efforts to escape Kabul, which eventually resulted in her successfully leaving the country. Others have been less fortunate. German broadcaster Deutsche Welle said on Friday that a relative of one of its editors had been killed in a targeted attack.
For an...
- 8/23/2021
- by Tom Grater
- Deadline Film + TV
Shahrbanoo Sadat, the Cannes-winning Afghan filmmaker who last week spoke passionately to The Hollywood Reporter about her efforts to escape Kabul days after it fell to the Taliban, has finally managed to leave the country.
The director, who won the top Directors’ Fortnight award in Cannes for her first feature, the rural Afghanistan-set Wolf and Sheep, in 2016 and returned three years later with her well-received follow up The Orphanage, made it out of Afghanistan on Monday, according to a statement from her producer at Adomeit Film, Katja Adomeit.
“With the help of the French government and the help from people all ...
The director, who won the top Directors’ Fortnight award in Cannes for her first feature, the rural Afghanistan-set Wolf and Sheep, in 2016 and returned three years later with her well-received follow up The Orphanage, made it out of Afghanistan on Monday, according to a statement from her producer at Adomeit Film, Katja Adomeit.
“With the help of the French government and the help from people all ...
- 8/23/2021
- The Hollywood Reporter - Movie News
Shahrbanoo Sadat, the Cannes-winning Afghan filmmaker who last week spoke passionately to The Hollywood Reporter about her efforts to escape Kabul days after it fell to the Taliban, has finally managed to leave the country.
The director, who won the top Directors’ Fortnight award in Cannes for her first feature, the rural Afghanistan-set Wolf and Sheep, in 2016 and returned three years later with her well-received follow up The Orphanage, made it out of Afghanistan on Monday, according to a statement from her producer at Adomeit Film, Katja Adomeit.
“With the help of the French government and the help from people all ...
The director, who won the top Directors’ Fortnight award in Cannes for her first feature, the rural Afghanistan-set Wolf and Sheep, in 2016 and returned three years later with her well-received follow up The Orphanage, made it out of Afghanistan on Monday, according to a statement from her producer at Adomeit Film, Katja Adomeit.
“With the help of the French government and the help from people all ...
- 8/23/2021
- The Hollywood Reporter - Film + TV
by Nick Davis
There’s niche-marketing, and then there’s micro-targeting, and then there’s saying to your friend Nathaniel, “I hope you’ll still keep an eye out for Shahrbanoo Sadat’s Wolf and Sheep, even though Afghanistan didn’t select it as their Oscar submission.” We really do live in a weird bubble, but that is why one is grateful for The Film Experience, where folks are all the same kind of different as you. And as we all know, this site has been a longtime devotee of the Best Foreign Language Film Oscar in all stages of curation and competition. So, seizing the opportunity of a sympathetic audience, and amidst a season where many of the 84 movies put forward by their home countries as Academy Award contenders are floating around at festivals—big and small, rural and urban, American and elsewhere—I thought I’d weigh in...
There’s niche-marketing, and then there’s micro-targeting, and then there’s saying to your friend Nathaniel, “I hope you’ll still keep an eye out for Shahrbanoo Sadat’s Wolf and Sheep, even though Afghanistan didn’t select it as their Oscar submission.” We really do live in a weird bubble, but that is why one is grateful for The Film Experience, where folks are all the same kind of different as you. And as we all know, this site has been a longtime devotee of the Best Foreign Language Film Oscar in all stages of curation and competition. So, seizing the opportunity of a sympathetic audience, and amidst a season where many of the 84 movies put forward by their home countries as Academy Award contenders are floating around at festivals—big and small, rural and urban, American and elsewhere—I thought I’d weigh in...
- 10/8/2017
- by NicksFlickPicks
- FilmExperience
10 directors will be presented at Sydney Film Festival.
European Film Promotion (Efp) has announced the line-up for its second year of Europe! Voices of Women in Film at the Sydney Film Festival.
The selection includes both new and established female European directors, with the aim being to introduce them to Australian audiences, industry and the press.
Among those selected this year are Shahrbanoo Sadat, whose 2011 film Vice Versa One earned her a residence at Cinéfondation in Cannes 2011. She presents her feature debut Wolf And Sheep, which is among five features in this cohort.
Hope Dickson Leach, one of Screen’s former Stars of Tomorrow, has also been selected with her feature debut The Levelling.
Amanda Kernell is also among the selection, her film Sami Blood having been shown at Berlin, Venice, Toronto, Sundance and Rotterdam.
The Sydney Film Festival takes place June 7-18, 2017.
Full Europe! Voices of Women 2017 selection:Tizza Covi, Rainer Frimmel, [link...
European Film Promotion (Efp) has announced the line-up for its second year of Europe! Voices of Women in Film at the Sydney Film Festival.
The selection includes both new and established female European directors, with the aim being to introduce them to Australian audiences, industry and the press.
Among those selected this year are Shahrbanoo Sadat, whose 2011 film Vice Versa One earned her a residence at Cinéfondation in Cannes 2011. She presents her feature debut Wolf And Sheep, which is among five features in this cohort.
Hope Dickson Leach, one of Screen’s former Stars of Tomorrow, has also been selected with her feature debut The Levelling.
Amanda Kernell is also among the selection, her film Sami Blood having been shown at Berlin, Venice, Toronto, Sundance and Rotterdam.
The Sydney Film Festival takes place June 7-18, 2017.
Full Europe! Voices of Women 2017 selection:Tizza Covi, Rainer Frimmel, [link...
- 5/11/2017
- ScreenDaily
You see “Iran” and think certain things. You go to Iran and see the people, the shops, street activity, the environment, its museums and you forget the two things about it which shape your emotional reaction to it: politics and history. Being one of two Americans attending the Fajr International Film Festival makes me feel responsible for sharing my best moments with a broader public.
The Fajr International Film Festival is a gala affair, small enough to meet and share time with the many participants, both filmmakers and invitees from countries as diverse as Afghanistan, Bangladesh, Armenia, Turkey, Japan, Mongolia and Korea (and more!). I can only think of one other film event which offered such a luxurious array of experiences to go along with film watching (when Rosskino of Russia invited 25 U.S.distributors and us to Moscow and St. Petersburg and then repeated the event for Brics countries...
The Fajr International Film Festival is a gala affair, small enough to meet and share time with the many participants, both filmmakers and invitees from countries as diverse as Afghanistan, Bangladesh, Armenia, Turkey, Japan, Mongolia and Korea (and more!). I can only think of one other film event which offered such a luxurious array of experiences to go along with film watching (when Rosskino of Russia invited 25 U.S.distributors and us to Moscow and St. Petersburg and then repeated the event for Brics countries...
- 5/1/2017
- by Sydney Levine
- Sydney's Buzz
Jen Peedom's Mountain.
Mountain, the latest documentary from Sherpa director Jen Peedom, will screen at this year.s Sydney Film Festival..
The festival, now in its 64th year, today announced 28 films ahead of the full program launch in May..
Mountain, which features a score by Richard Tognetti.performed by the Australian Chamber Orchestra, explores the history of people's fascination with mountains and why they risk their lives for them. The film is written by Robert MacFarlane, author of.Mountains of the Mind,.and saw Peedom reunite with Renan Ozturk, Sherpa's main altitude cinematographer.
Other local fare includes.That.s Not Me, from Melbourne husband and wife duo Gregory Erdstein (director-writer) and Alice Foulcher (star and writer-producer). The indie comedy has already screened in the States, with Sff marking its Australian premiere..
Hollie Fifer.s controversial docoThe Opposition.will also screen after being suppressed by a court order last year.
Mountain, the latest documentary from Sherpa director Jen Peedom, will screen at this year.s Sydney Film Festival..
The festival, now in its 64th year, today announced 28 films ahead of the full program launch in May..
Mountain, which features a score by Richard Tognetti.performed by the Australian Chamber Orchestra, explores the history of people's fascination with mountains and why they risk their lives for them. The film is written by Robert MacFarlane, author of.Mountains of the Mind,.and saw Peedom reunite with Renan Ozturk, Sherpa's main altitude cinematographer.
Other local fare includes.That.s Not Me, from Melbourne husband and wife duo Gregory Erdstein (director-writer) and Alice Foulcher (star and writer-producer). The indie comedy has already screened in the States, with Sff marking its Australian premiere..
Hollie Fifer.s controversial docoThe Opposition.will also screen after being suppressed by a court order last year.
- 4/4/2017
- by Jackie Keast
- IF.com.au
The Museum of Modern Art (MoMA) kicks off its 16th annual Doc Fortnight on Thursday, a 10-day festival that includes 20 feature-length non-fiction films and 10 documentary shorts. This year’s lineup includes four world premieres and a number of North American and U.S. premieres.
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
The festival is far from the only major North American showcase for non-fiction cinema. Festivals ranging from Hot Docs to True/False have played key roles in the expanding documentary festival circuit. However, Doc Fortnight has maintained its own niche on the scene, by aiming to expose undiscovered stories and filmmakers, screening a range of documentaries from around the world and capturing the ways in which artists are pushing the boundaries of non-fiction filmmaking.
“It’s not an industry festival, there aren’t awards, and distributors aren’t all coming looking to buy,...
Read More: 2017 New Directors/New Films Announces Full Lineup, Including ‘Patti Cake$,’ ‘Beach Rats,’ ‘Menashe’ and More
The festival is far from the only major North American showcase for non-fiction cinema. Festivals ranging from Hot Docs to True/False have played key roles in the expanding documentary festival circuit. However, Doc Fortnight has maintained its own niche on the scene, by aiming to expose undiscovered stories and filmmakers, screening a range of documentaries from around the world and capturing the ways in which artists are pushing the boundaries of non-fiction filmmaking.
“It’s not an industry festival, there aren’t awards, and distributors aren’t all coming looking to buy,...
- 2/15/2017
- by Chris O'Falt and Graham Winfrey
- Indiewire
Halfway through the Cannes Film Festival, buzz is hearing about “Jackie”, now in post-production, an account of the days of First Lady Jacqueline Kennedy in the immediate aftermath of John F. Kennedy's assassination in 1963, directed by Pablo Larraín whose Directors’ Fortnight contender “Neruda” is receiving raves here. Another hot Directors’ Fortnight film “Mean Dreams” with Bill Paxton is praised by one important film buyer as “Mud” meets “Cold in July” in a tense coming-of-age drama about a 15-year-old boy. And Sony Pictures Classics has snatched U.S. rights to the German Competition comedy, “Toni Erdmann”.
This year in the Cannes Film Festival’s Official Competition Section, there are no first time film directors, only established masters, some praised and some panned. However, Cannes Official Un Certain Regard specifically shows emerging filmmakers who are considered to be the next generation of master auteurs of cinema. Out of its 17 films, seven were first features from Romania, France, Israel, USA, Argentina, Finland and the Netherlands. Three of the seven are by women: Stéphanie Di Giusto’s “La Danseuse” (“The Dancer”) is about Loïe Fuller, the toast of the Folies Bergères at the turn of the 20th century and an inspiration for Toulouse-Lautrec and the Lumière Brothers.
Maha Haj From Israel debuted on the first day with “Personal Affairs”, about an old couple in Nazareth and their son and daughter who live on the other side of the border. Other first films are the much-anticipated “The Red Turtle”, a dialogue-free animated feature from Studio Ghibli but made in France and directed by Dutch-born, London-based animator Michael Dudok de Wit, the Finnish-German-Swedish “The Happiest Day In The Life Of Olli Mäki” and Bogdan Mirica’s “Dogs”. The debut So. Korean film, “Train to Busan”, showed in the Official Midnight Screening section and featured a zombie-virus breaking out in South Korea, and a couple of passengers struggling to survive on the train from Seoul to Busan – enough to make me want to stop traveling.
“Fool Moon” by France’s Gregoire Leprinr-Foret had a Special Screening within the Official selection and received mixed reviews. In Critics Week, three of ten films selected and judged bycritics as the best films of the year thus far are first features: K. Rajapal’s drama “A Yellow Bird” from Singapore and France about a Singaporean Indian man trying to reconnect with his estranged family after he is released from prison, Mehmet Can Mertoglu’s “Albüm” from Turkey, France and Romania (See the trailer here) and Alessandro Comidin’s “Happy Times Will Come Soon” from Italy. The Acid sidebar of eight very independent features has two first films.
Also noticeable this year is the high number of films co-financed by the Doha Film Institute. Asgaard Farhadi's " The Salesman" will have its world premiere in the Festival’s Official Competition where it competes for the coveted Palme d’Or. “The Salesman” is about a couple who is forced out of their apartment due to dangerous works on a neighboring building. It is one of two Iranian films this year. The other, “Inversion” will play in Un Certain Regard.” Newly established Doha Film Institute lent financial support to two films showing in Un Certain Regard section – “Apprentice” (Singapore, Germany, France, Hong Kong, Qatar) written and directed by Boo Junfeng; and debut feature “Dogs” (Romania, France, Bulgaria, Qatar). Directors’ Fortnight is screens “Divines” (Morocco, France, Qatar) and three Dfi grantee films compete for top honors in the Critics Week: “Mimosas” (Spain, Morocco, France, Qatar) by Oliver Laxe; “Tramontane” (Lebanon, France, UAE, Qatar) by Vatche Boulghourjian; and “Diamond Island” (Cambodia, France, Germany, Qatar) by Davy Chou touted as poetic and beautiful, a part of what might be a Cambodian New Wave. This New Wave from Cambodia is being helped along by the Doha Film Institute whose CEO, Fatma Al Remaihi says:
“At the very core of Dfi’s film funding mandate is to contribute to World Cinema and ensure that great stories continue to be told. These projects will also inspire the young Qatari film professionals to create compelling content that will gain international acclaim.”
Shahrbanoo Sadat’s debut feature “Wolf and Sheep”, in Directors’ Fortnight, is about Sadat herself, who lives in Kabul and Denmark. It takes place in the isolated village in Central Afghanistan where she grew up and where young boys and girls are shepherds. International coproductions are the engine driving the film business today and this one, a Denmark-France-Sweden-Afghanistan coproduction is a prime example. Sadat was spotted previously when her 2011 short “Vice Versa One” screened at Directors’ Fortnight and was invited to develop “Wolf And Sheep” at Cannes Cinefondation Residency in 2010, which mentors emerging talent. Virginie Devesa of the international sales company Alpha Violet picked up the film here in Cannes. Alpha Violet is also selling ”A Yellow Bird” in Critics’ Week and is representing “Luxembourg”, the newest film by Myroslav Slaboshpytskiy, whose first film “The Tribe” played in Sundance and other top fests.
This year in the Cannes Film Festival’s Official Competition Section, there are no first time film directors, only established masters, some praised and some panned. However, Cannes Official Un Certain Regard specifically shows emerging filmmakers who are considered to be the next generation of master auteurs of cinema. Out of its 17 films, seven were first features from Romania, France, Israel, USA, Argentina, Finland and the Netherlands. Three of the seven are by women: Stéphanie Di Giusto’s “La Danseuse” (“The Dancer”) is about Loïe Fuller, the toast of the Folies Bergères at the turn of the 20th century and an inspiration for Toulouse-Lautrec and the Lumière Brothers.
Maha Haj From Israel debuted on the first day with “Personal Affairs”, about an old couple in Nazareth and their son and daughter who live on the other side of the border. Other first films are the much-anticipated “The Red Turtle”, a dialogue-free animated feature from Studio Ghibli but made in France and directed by Dutch-born, London-based animator Michael Dudok de Wit, the Finnish-German-Swedish “The Happiest Day In The Life Of Olli Mäki” and Bogdan Mirica’s “Dogs”. The debut So. Korean film, “Train to Busan”, showed in the Official Midnight Screening section and featured a zombie-virus breaking out in South Korea, and a couple of passengers struggling to survive on the train from Seoul to Busan – enough to make me want to stop traveling.
“Fool Moon” by France’s Gregoire Leprinr-Foret had a Special Screening within the Official selection and received mixed reviews. In Critics Week, three of ten films selected and judged bycritics as the best films of the year thus far are first features: K. Rajapal’s drama “A Yellow Bird” from Singapore and France about a Singaporean Indian man trying to reconnect with his estranged family after he is released from prison, Mehmet Can Mertoglu’s “Albüm” from Turkey, France and Romania (See the trailer here) and Alessandro Comidin’s “Happy Times Will Come Soon” from Italy. The Acid sidebar of eight very independent features has two first films.
Also noticeable this year is the high number of films co-financed by the Doha Film Institute. Asgaard Farhadi's " The Salesman" will have its world premiere in the Festival’s Official Competition where it competes for the coveted Palme d’Or. “The Salesman” is about a couple who is forced out of their apartment due to dangerous works on a neighboring building. It is one of two Iranian films this year. The other, “Inversion” will play in Un Certain Regard.” Newly established Doha Film Institute lent financial support to two films showing in Un Certain Regard section – “Apprentice” (Singapore, Germany, France, Hong Kong, Qatar) written and directed by Boo Junfeng; and debut feature “Dogs” (Romania, France, Bulgaria, Qatar). Directors’ Fortnight is screens “Divines” (Morocco, France, Qatar) and three Dfi grantee films compete for top honors in the Critics Week: “Mimosas” (Spain, Morocco, France, Qatar) by Oliver Laxe; “Tramontane” (Lebanon, France, UAE, Qatar) by Vatche Boulghourjian; and “Diamond Island” (Cambodia, France, Germany, Qatar) by Davy Chou touted as poetic and beautiful, a part of what might be a Cambodian New Wave. This New Wave from Cambodia is being helped along by the Doha Film Institute whose CEO, Fatma Al Remaihi says:
“At the very core of Dfi’s film funding mandate is to contribute to World Cinema and ensure that great stories continue to be told. These projects will also inspire the young Qatari film professionals to create compelling content that will gain international acclaim.”
Shahrbanoo Sadat’s debut feature “Wolf and Sheep”, in Directors’ Fortnight, is about Sadat herself, who lives in Kabul and Denmark. It takes place in the isolated village in Central Afghanistan where she grew up and where young boys and girls are shepherds. International coproductions are the engine driving the film business today and this one, a Denmark-France-Sweden-Afghanistan coproduction is a prime example. Sadat was spotted previously when her 2011 short “Vice Versa One” screened at Directors’ Fortnight and was invited to develop “Wolf And Sheep” at Cannes Cinefondation Residency in 2010, which mentors emerging talent. Virginie Devesa of the international sales company Alpha Violet picked up the film here in Cannes. Alpha Violet is also selling ”A Yellow Bird” in Critics’ Week and is representing “Luxembourg”, the newest film by Myroslav Slaboshpytskiy, whose first film “The Tribe” played in Sundance and other top fests.
- 5/27/2016
- by Sydney Levine
- Sydney's Buzz
Below you will find our favorite films of the Festival de Cannes, as well as an index of our coverage, with more entries, including interviews, to come. We also have an index of the festival's awards.Toni ErdmannAWARDSTOP Picksdaniel Kasmani. Toni Erdmann, PatersonII. Elle, Sweet Dreams, Sieranevada, The Death of Louis Xiviii. Exile, Aquarius, Staying VerticalIV. Personal Shopper, Mimosas, Wolf and Sheep, Raw***Coverageforrest CARDAMENISAcross The Croisette: A Brief History of the Directors' FortnightADRIAN CURRYThe Posters of the 2016 Cannes CompetitionDANIEL KASMANSieranevada (Cristi Puiu)Staying Vertical (Alain Guiraudie)Sweet Dreams (Marco Bellocchio)Slack Bay (Bruno Dumont)Endless Poetry (Alejandro Jodorowsky)Exile (Rithy Panh)Toni Erdmann (Maren Ade)Mimosas (Oliver Laxe)Paterson (Jim Jarmusch)Personal Shopper (Oliver Assayas)The Unknown Girl (Jean Pierre & Luc Dardenne)La mort de Louis Xiv (Albert Serra)Elle (Paul Verhoeven)Josh CABRITAThe Neon Demon (Nicolas Winding Refn)Jake PAULThe Current Debate: Amazon at CannesThe Current Debate: Pop...
- 5/27/2016
- MUBI
The Together Project was directed by Solveig Anspach, who died last August.
Afghan fantasy drama Wolf And Sheep has picked up the Art Cinema Award at the 48th Directors’ Fortnight in Cannes.
Making Of… Wolf And Sheep
It marks the completion of a six-year journey with Cannes for Afghan director Shahrbanoo Sadat, who was 20 when selected as the youngest participant of the festival’s Cinefondation Residency, where she began to develop this debut in 2010.
Wolf And Sheep follows a group of Afghan shepherd boys and girls living in a remote village, where folklore helps explain the world’s mysteries.
Starring largely non-professional actors, Wolf And Sheep was shot in Tajikistan because it was too dangerous for the crew to shoot in Afghanistan.
The Denmark-France-Sweden-Afghanistan co-production is produced by Katja Adomeit and is being sold by Alpha Violet.
Although considered a non-competitive section, the film was selected for the sponsored prize over titles such as Pablo Larrain’s [link...
Afghan fantasy drama Wolf And Sheep has picked up the Art Cinema Award at the 48th Directors’ Fortnight in Cannes.
Making Of… Wolf And Sheep
It marks the completion of a six-year journey with Cannes for Afghan director Shahrbanoo Sadat, who was 20 when selected as the youngest participant of the festival’s Cinefondation Residency, where she began to develop this debut in 2010.
Wolf And Sheep follows a group of Afghan shepherd boys and girls living in a remote village, where folklore helps explain the world’s mysteries.
Starring largely non-professional actors, Wolf And Sheep was shot in Tajikistan because it was too dangerous for the crew to shoot in Afghanistan.
The Denmark-France-Sweden-Afghanistan co-production is produced by Katja Adomeit and is being sold by Alpha Violet.
Although considered a non-competitive section, the film was selected for the sponsored prize over titles such as Pablo Larrain’s [link...
- 5/21/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
The Together Project was directed by Solveig Anspach, who died last August.
Afghan fantasy drama Wolf And Sheep has picked up the Art Cinema Award at the 48th Directors’ Fortnight in Cannes.
Making Of… Wolf And Sheep
It marks the completion of a six-year journey with Cannes for Afghan director Shahrbanoo Sadat, who was 20 when selected as the youngest participant of the festival’s Cinefondation Residency, where she began to develop this debut in 2010.
Wolf And Sheep follows a group of Afghan shepherd boys and girls living in a remote village, where folklore helps explain the world’s mysteries.
Starring largely non-professional actors, Wolf And Sheep was shot in Tajikistan because it was too dangerous for the crew to shoot in Afghanistan.
The Denmark-France-Sweden-Afghanistan co-production is produced by Katja Adomeit and is being sold by Alpha Violet.
Although considered a non-competitive section, the film was selected for the sponsored prize over titles such as Pablo Larrain’s [link...
Afghan fantasy drama Wolf And Sheep has picked up the Art Cinema Award at the 48th Directors’ Fortnight in Cannes.
Making Of… Wolf And Sheep
It marks the completion of a six-year journey with Cannes for Afghan director Shahrbanoo Sadat, who was 20 when selected as the youngest participant of the festival’s Cinefondation Residency, where she began to develop this debut in 2010.
Wolf And Sheep follows a group of Afghan shepherd boys and girls living in a remote village, where folklore helps explain the world’s mysteries.
Starring largely non-professional actors, Wolf And Sheep was shot in Tajikistan because it was too dangerous for the crew to shoot in Afghanistan.
The Denmark-France-Sweden-Afghanistan co-production is produced by Katja Adomeit and is being sold by Alpha Violet.
Although considered a non-competitive section, the film was selected for the sponsored prize over titles such as Pablo Larrain’s [link...
- 5/21/2016
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
Wolf and Sheep follows a group of children who work as shepherds Photo: Courtesy of Directors' Fortnight Shahrbanoo Sadat's documentary drama Wolf And Sheep has scooped the top prize in the Cannes Film Festival’s Directors’ Fortnight selection. The prizes were announced yesterday evening (May 20).
The Afghanistan village where the director Sadat grew up and follows a group of young children who work as shepherds. It was universally praised for its mix of ethnography and fantasy.
Sólveig Aspach’s The Together Project (L’Effet acquatique), a comedy from the French-Icelandic director was awarded the Sacd prize. It’s about a man who pretends he is unable to swim so that he can hook up with the lifeguard with whom he has become besotted.
Toki Pilioko plays a rugby player who journeys to France to being a professional rugby career in Mercenaire Photo: Courtesy of Directors' Fortnight The Europa Cinemas award,...
The Afghanistan village where the director Sadat grew up and follows a group of young children who work as shepherds. It was universally praised for its mix of ethnography and fantasy.
Sólveig Aspach’s The Together Project (L’Effet acquatique), a comedy from the French-Icelandic director was awarded the Sacd prize. It’s about a man who pretends he is unable to swim so that he can hook up with the lifeguard with whom he has become besotted.
Toki Pilioko plays a rugby player who journeys to France to being a professional rugby career in Mercenaire Photo: Courtesy of Directors' Fortnight The Europa Cinemas award,...
- 5/21/2016
- by Richard Mowe
- eyeforfilm.co.uk
Exclusive: Wolf And Sheep producer is lining up a “punk chick flick” with Dfi backing.
Katja Adomeit, producer of Shahrbanoo Sadat’s Directors’ Fortnight selection Wolf And Sheep, will next shoot Annika Berg’s Forever 13, about eight teenage girls who meet at a youth club and form a band. The film has backing from the Danish Film Institute (Dfi).
“It’s a punk chick flick…creative, crazy and punk,” she said. Production is set to start in July in Copenhagen.
She also has Pine Ridge director Anna Eborn’s new documentary Lida in post, about an elderly woman living in a old Swedish colony in eastern Ukraine.
Adomeit Film is in post on Daniel Joseph Borgman’s Loving Pia (formerly Across The Fields), an innovative romance using real people in a fictional story. Shot on 16mm, the intimate story is about a mentally challenged woman in her 60s looking for love. It was presented...
Katja Adomeit, producer of Shahrbanoo Sadat’s Directors’ Fortnight selection Wolf And Sheep, will next shoot Annika Berg’s Forever 13, about eight teenage girls who meet at a youth club and form a band. The film has backing from the Danish Film Institute (Dfi).
“It’s a punk chick flick…creative, crazy and punk,” she said. Production is set to start in July in Copenhagen.
She also has Pine Ridge director Anna Eborn’s new documentary Lida in post, about an elderly woman living in a old Swedish colony in eastern Ukraine.
Adomeit Film is in post on Daniel Joseph Borgman’s Loving Pia (formerly Across The Fields), an innovative romance using real people in a fictional story. Shot on 16mm, the intimate story is about a mentally challenged woman in her 60s looking for love. It was presented...
- 5/16/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Exclusive: Afghanistan-set drama plays in Cannes Directors’ Fortnight.
Alpha Violet has released the first trailer for Cannes Directors’ Fortnight selection Wolf And Sheep.
The debut feature of director Shahrbanoo Sadat, the film is a Denmark-France-Sweden-Afghanistan production from Katja Adomeit of Adomeit Film.
Set in an Afghanistan village, the story follows young boys and girls acting as shepherds in a rural community.
Starring largely non-professional actors, Wolf And Sheep was shot in Tajikistan because it was too dangerous for the crew to shoot in Afghanistan.
Alpha Violet is handling international sales at Cannes, where the film will have a buyers-only market screening on May 15, followed by official screenings May 16-18.
Alpha Violet has released the first trailer for Cannes Directors’ Fortnight selection Wolf And Sheep.
The debut feature of director Shahrbanoo Sadat, the film is a Denmark-France-Sweden-Afghanistan production from Katja Adomeit of Adomeit Film.
Set in an Afghanistan village, the story follows young boys and girls acting as shepherds in a rural community.
Starring largely non-professional actors, Wolf And Sheep was shot in Tajikistan because it was too dangerous for the crew to shoot in Afghanistan.
Alpha Violet is handling international sales at Cannes, where the film will have a buyers-only market screening on May 15, followed by official screenings May 16-18.
- 5/9/2016
- ScreenDaily
Shahrbanoo Sadat’s debut feature, set in Afghanistan, will play in Cannes Directors’ Fortnight.
Paris-based sales company Alpha Violet has boarded Shahrbanoo Sadat’s debut feature Wolf And Sheep, which is selected for Cannes Directors’ Fortnight.
Sadat, who lives in Kabul and Denmark, based the story on the isolated village in Central Afghanistan where she grew up.
The plot follows young boys and girls acting as shepherds in rural Afghanistan, where one 11-year-old girl is an outsider. The folktales of the community add touches of magical realism.
The film is a Denmark-France-Sweden-Afghanistan production produced by Copenhagen-based Katja Adomeit of Adomeit Film, who was a co-producer on Force Majeure and also a former Screen International Future Leader.
Co-producers are La Fabrica Nocturna Productions (France), Wolf Pictures (Afghanistan) and Zentropa Sweden.
Sadat previously showed her 2011 short Vice Versa One at Directors’ Fortnight. She developed Wolf And Sheep at Cannes Cinefondation Residency in 2010.
Virginie Devesa of Alpha Violet said [link=tt...
Paris-based sales company Alpha Violet has boarded Shahrbanoo Sadat’s debut feature Wolf And Sheep, which is selected for Cannes Directors’ Fortnight.
Sadat, who lives in Kabul and Denmark, based the story on the isolated village in Central Afghanistan where she grew up.
The plot follows young boys and girls acting as shepherds in rural Afghanistan, where one 11-year-old girl is an outsider. The folktales of the community add touches of magical realism.
The film is a Denmark-France-Sweden-Afghanistan production produced by Copenhagen-based Katja Adomeit of Adomeit Film, who was a co-producer on Force Majeure and also a former Screen International Future Leader.
Co-producers are La Fabrica Nocturna Productions (France), Wolf Pictures (Afghanistan) and Zentropa Sweden.
Sadat previously showed her 2011 short Vice Versa One at Directors’ Fortnight. She developed Wolf And Sheep at Cannes Cinefondation Residency in 2010.
Virginie Devesa of Alpha Violet said [link=tt...
- 5/4/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Although there are a few films here and there left to be added to the Cannes 2016 line-up, the slate has now been mostly set thanks to the arrive of the Directors’ Fortnight side-bar line-up. Notable selections includes Paul Schrader‘s drama Dog Eat Dog, starring Nicolas Cage and Willem Dafoe, as well as Laura Poitras‘ Citizenfour follow-up Risk, which looks at Julian Assange.
There’s also Pablo Larraín‘s Gael Garcia Bernal-led biopic Neruda, Alejandro Jodorowsky‘s Endless Poetry, the latest film from Gangs of Wasseypur director Anurag Kashyap, as well as new films from Marco Bellocchio and Joachim Lafosse. Also of interest is War Witch director Kim Nguyen‘s Two Lovers and a Bear, a Canadian drama which teams Tatiana Maslany and Dane DeHaan. Check out the line-up below.
Feature Films
Dog Eat Dog, dir: Paul Schrader – Closing Night Film
Divines, dir: Houda Benyamina*
L’Economie Du Couple,...
There’s also Pablo Larraín‘s Gael Garcia Bernal-led biopic Neruda, Alejandro Jodorowsky‘s Endless Poetry, the latest film from Gangs of Wasseypur director Anurag Kashyap, as well as new films from Marco Bellocchio and Joachim Lafosse. Also of interest is War Witch director Kim Nguyen‘s Two Lovers and a Bear, a Canadian drama which teams Tatiana Maslany and Dane DeHaan. Check out the line-up below.
Feature Films
Dog Eat Dog, dir: Paul Schrader – Closing Night Film
Divines, dir: Houda Benyamina*
L’Economie Du Couple,...
- 4/19/2016
- by Jordan Raup
- The Film Stage
Celluloid Dreams handles Valley of Shadows; Media Luna boards Little Wing; Indie Sales represents The Giant.
The old adage of ‘leaving them wanting more’ was certainly on display at the Works In Progress pitches at Goteborg’s Nordic Film Market this year (full line-up below).
The most-anticipated pitch of the session was Johannes Nyholm’s feature debut The Giant. The director showed several scenes from the film, but refrained from showing footage of the fantastical Giant as he said the VFX was still being worked on.
Also holding back were the producers of Cold Case Hammarskjold, the latest provocative documentary from Mads Brugger (of The Ambassador and The Red Chapel fame), about the death of Swedish diplomat and author Dag Hammarskjold.
Co-producer Andreas Rocksen said the filmmakers had a new theory about how Hammarskjold’s plane went down in 1961, but he said the theory won’t be revealed until the film is ready.
Several of the...
The old adage of ‘leaving them wanting more’ was certainly on display at the Works In Progress pitches at Goteborg’s Nordic Film Market this year (full line-up below).
The most-anticipated pitch of the session was Johannes Nyholm’s feature debut The Giant. The director showed several scenes from the film, but refrained from showing footage of the fantastical Giant as he said the VFX was still being worked on.
Also holding back were the producers of Cold Case Hammarskjold, the latest provocative documentary from Mads Brugger (of The Ambassador and The Red Chapel fame), about the death of Swedish diplomat and author Dag Hammarskjold.
Co-producer Andreas Rocksen said the filmmakers had a new theory about how Hammarskjold’s plane went down in 1961, but he said the theory won’t be revealed until the film is ready.
Several of the...
- 2/8/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
Nordic Film Market includes debut films by Force Majeure actress, the screenwriter of A Royal Affair and director of viral hit Las Palmas; CAA, UTA and ICM agents among attending industry.Scroll down for full list
More than 40 Nordic films and works in progress will be presented at the fruitful Nordic Film Market in Goteborg, which runs Feb 4-7 during to the Goteborg Film Festival (Jan 29 - Feb 8).
Often a productive staging post for impressive upcoming regional features and emerging talent, the 2016 lineup includes 17 finished features and 20 works in progress, plus eight titles presented as part of the Nordic Film Lab Discovery programme.
The works-in-progress presentations (see full list below) include ten debut films from the likes of A Royal Affair screenwriter Rasmus Heisterberg, viral hit Las Palmas director Johannes Nyholm, Force Majeure actress Fanni Metelius and Cannes Cinefondation alumni Juho Kuosmanen and Shahrbanoo Sadat.
Other works in progress will be presented from directors Mads Brugger ([link...
More than 40 Nordic films and works in progress will be presented at the fruitful Nordic Film Market in Goteborg, which runs Feb 4-7 during to the Goteborg Film Festival (Jan 29 - Feb 8).
Often a productive staging post for impressive upcoming regional features and emerging talent, the 2016 lineup includes 17 finished features and 20 works in progress, plus eight titles presented as part of the Nordic Film Lab Discovery programme.
The works-in-progress presentations (see full list below) include ten debut films from the likes of A Royal Affair screenwriter Rasmus Heisterberg, viral hit Las Palmas director Johannes Nyholm, Force Majeure actress Fanni Metelius and Cannes Cinefondation alumni Juho Kuosmanen and Shahrbanoo Sadat.
Other works in progress will be presented from directors Mads Brugger ([link...
- 1/27/2016
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.