Manji, a highly skilled samurai, becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain his soul. He promises to help a young girl named Rin avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu. The mission will change Manji in ways he could never imagine - ...
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In the ruthless underground world of the yakuza, no one is more legendary than boss Kamiura. Rumored to be invincible, the truth is he is a vampire-a bloodsucking yakuza vampire boss! Among... See full summary »
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
An tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.
Manji, a highly skilled samurai, becomes cursed with immortality after a legendary battle. Haunted by the brutal murder of his sister, Manji knows that only fighting evil will regain his soul. He promises to help a young girl named Rin avenge her parents, who were killed by a group of master swordsmen led by ruthless warrior Anotsu. The mission will change Manji in ways he could never imagine - the 100th film by master director Takashi Miike.
Manji is named after the symbol on his kimono in the original manga: the manji symbol being the Japanese Swazstika symbolising the cycle of life before it was bastardised by the Nazi regime. In the film the symbol is changed so as not to offend. In the original manga, manji has the symbol emblazoned on the earth of his kimono. See more »
The most anticipated film for me for 2017. As a film writer, I look out for the quality of script and production. After watching the film 7 times in Tokyo, I can say the film's production was world-class. Cinematography, film editing, sound design, sound editing, production set design, costume design, hair and makeup, music are other aspects to die for. Miike had done an excellent directing job on the cast, especially its leading role, Manji (Takuya Kimura). Miike had successfully brought the best out of Kimura, shedding his KimuTaku's branding. In the film, Kimura portrayed Manji through and through. I almost forgot I was watching an idol actor who used to characterize squeaky-clean images in TV dramas. The role was so deep that you believed it was Manji's story and his immortal life that you really care about. Of course, the film will not be complete without the fine acting skills from co-stars. Hana Sugisaki, Sota Fukushi and Erika Toda had put on their ultimate to-die-for performance. The fighting scenes were artistically choreographed. The sound of swords clanging made your heart beat in sync with its rhythm. The script was well paced. There were moments of thrilling fights and there were moments of quietness. Lighting played a key role here in telling the story effectively. The cinematography told another story on its own. Every frame was a postcard. In my opinion, it was a successful adaption from the manga. What a great way to celebrate Miike's 100th film.
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