In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne's ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen's companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.Written by
Fox Searchlight Pictures
Due to scheduling conflicts with this film, Emma Stone was forced to drop out of Little Women (2019) and subsequently replaced by Emma Watson. Stone, who is American, plays a British character in this film, while Watson, who is British, plays an American character in the latter film See more »
Characters say "OK", an American expression first used more than 100 years later. See more »
Songs for M82
Written by Anna Meredith
Performed by The Renoir Quartet
Courtesy of Warp Publishing See more »
The Absurdity of This Film Was Too Much for Me
Let me preface my review with me saying that I have never had a film experience where I have been genuinely uncomfortable in. I have watched The Human Centipede Series, Saw, and plenty of other gory cinema that has hardly made me cringe. But for some odd reason, The Favourite made me cringe and feel sick half of the time.
Now STOP. Before you flag my review or declare me unhelpful. Let me say this: I think the film had a unique score, excellent acting all around, an intriguing story, and played off the tropes of stereotypical British historical dramas, but the film was not for me.
Because honestly, the absurdity of this film was way too much for me, and I hardly ever say that. I will acknowledge the film was great technically and narratively, but I couldn't stand it.
The Favourite is supposed to be a historical drama with tons of comedy and a light bit of thriller thrown into it, but when it came to the comedy, I couldn't get with it. While the Laemmle Playhouse audience laughed at every single line of dialogue that would come out of someone's mouth, I could not take it. I think throughout the whole film, I laughed maybe 15%, and about 80% of that laughter was cringe laughter. A lot of the film was pure bonkers, and I couldn't really get into it.
The concept of playing against the trope that British historical figures are normally conservative and well spoken, and having them instead be balls-to-the-wall mentally insane and outlandish in this film, is an interesting idea, but it did not work for me. There is literally a scene where a character gives a monologue to the camera about their evil plan, while stroking her newlywed's member. And I was thinking, what in the actual hell?? It was funny, but it was more weird than anything.
The film as a whole is just weird. I don't think it really cares as much about the narrative or the characters, but with how weird the setting can be. Whether it is really out of place dancing in the ball room (the only scene I burst out laughing at), the queen declaring how much they want to get oral pleasure, girls bathing in mud, really loud and obnoxious screaming, an annoying fish-eye lens, continuous rubbing of old women's feet, and even more screaming, I just couldn't find a point to any of it.
It is almost like the director is like "hey bro, look at how outlandish I made these uptight British royalty look. HAHA! Funny, funny!" I did not even really care.
I will give the film a rewatch when it comes out on digital, and have subtitles included, because sometimes that improves my film experience. But from what I can tell, The Favourite is definitely not really my cup of tea.
I will say this though: I will probably enjoy The Lobster and Dogtooth more than I will with this. Perhaps because they are not in a British royalty setting, which I have a hard time getting to in the first place.
Anyways, try not to hate me please. Remember, I acknowledge the achievements of the film, but it does not work for me. Think of that before you lynch me.
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