In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Ron Stallworth, an African American police officer from Colorado Springs, CO, successfully manages to infiltrate the local Ku Klux Klan branch with the help of a Jewish surrogate who eventually becomes its leader. Based on actual events.
John David Washington,
Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne's ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen's companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.Written by
Fox Searchlight Pictures
Costume designer Sandy Powell intentionally used anachronistic fabrics. Laser-cut lace and vinyl were used for many courtiers' clothes. The servants' dresses and britches are made from denim recycled from thrift store jeans from throughout England. Queen Anne's dressing gown is made from a chenille blanket that Powell found on eBay. See more »
In the film, Robert Harley is a young man. In real life, he was 47-49 years old during this period. His youthful portrayal is probably inspired by William Pitt the Younger, who became Prime Minister at 24 in 1783. See more »
Lanthimos Delivers... But The Ending Could Use Some Work
Sumptuous and stunning. With THE FAVOURITE, director Yorgos Lanthimos delivers his best film yet - one that works as both a historical drama and a sex comedy that features beautiful cinematography courtesy of Robbie Ryan (Lanthimos really loves him some fisheye lenses) and gorgeous costume design courtesy of Sandy Powell (just give her the Oscar already because wow). Lanthimos, working for the first time with a screenplay that he didn't co-write, deals primarily with themes of power and the way it impacts the three women at the center of the film. Despite not having had a hand in writing the screenplay, Lanthimos seems to be in his wheelhouse, crafting a stirring yet (darkly) humorous rumination on humankind's innate desire to posses power, whether it be political, sexual, or anything in between. Granted, Lanthimos is also working with some of the most talented actresses working today and the big three (Olivia Colman, Rachel Weisz, and Emma Stone) all deliver some of the best work of their career. As crazy as it might sound, however, and despite Colman's Best Actress win at Venice for her portrayal of Queen Anne, this is Stone's film. I'm already frustrated by the fact that she will be campaigned in the Best Supporting Actress field despite the fact that the film wholly follows her arc. That's not to take anything from Colman, whose performance is likely the most impressive of the three, but I do feel it's something to take note of.
However, the film isn't flawless, and it once again demonstrates that Lanthimos' greatest weakness as a director is his inability to deliver a satisfying conclusion. I loved THE LOBSTER, but the last ten minutes left a bitter taste in my mouth that I detested. I was a bit cooler on THE KILLING OF A SACRED DEER, and the last ten minutes proved a bit too dark for me. This time, even a great final shot isn't enough to save the last fifteen minutes of the film from seeming necessary. The film simply (and suddenly) runs out of steam before it crosses the finish line - an unfortunate occurrence considering the fact that nearly everything before it proved wickedly entertaining. That being said, I'm excited to see what Lanthimos does next. I just hope he nails the ending.
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