In early 18th century England, a frail Queen Anne occupies the throne and her close friend, Lady Sarah, governs the country in her stead. When a new servant, Abigail, arrives, her charm endears her to Sarah.
In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into beasts and sent off into The Woods.
The story of Dick Cheney, an unassuming bureaucratic Washington insider, who quietly wielded immense power as Vice President to George W. Bush, reshaping the country and the globe in ways that we still feel today.
Early 18th century. England is at war with the French. Nevertheless, duck racing and pineapple eating are thriving. A frail Queen Anne (Olivia Colman) occupies the throne and her close friend Lady Sarah (Rachel Weisz) governs the country in her stead while tending to Anne's ill health and mercurial temper. When a new servant Abigail (Emma Stone) arrives, her charm endears her to Sarah. Sarah takes Abigail under her wing and Abigail sees a chance at a return to her aristocratic roots. As the politics of war become quite time consuming for Sarah, Abigail steps into the breach to fill in as the Queen's companion. Their burgeoning friendship gives her a chance to fulfill her ambitions and she will not let woman, man, politics or rabbit stand in her way.Written by
Fox Searchlight Pictures
Fox Searchlight Pictures acquired distribution rights to the film in May 2017. It screened at the Telluride Film Festival on September 2, 2018. It was the New York Film Festival's opening night film 28 September 28, 2018. It opened the BFI London Film Festival on October 18, 2018. It got a limited release in the U.S. on November 23, 2018 and in the UK on January 1, 2019. See more »
Multiple closeup shots clearly show second and third holes in Emma Stone and Rachel Weisz's ear lobes. Multiple ear piercings were not common in the early 1700s, especially for English women at court. See more »
The Favourite is, so far, the best movie I've seen during VIFF. Its sharp intelligence and sarcastic approach devours the mind, cinematography wows, acting mesmerizes and overwhelms, soundtrack creates with the atmosphere of the movie that is so raw and somehow relatable to this day. With unusual, weird kind of approach, director Yorgos Lanthimos delivers his best to date, in my opinion. The writes are the ones getting a bow down from me, with explicit, honest and funny approach to a period biopic drama that will stand the test of time for sure
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