Two Is a Family

This is the typical well made comedy–drama, where the wise combination of funny and moving elements results in a good product, also thanks to the good acting performances. Omar Sy really feels his character and is certainly the pillar of strength of a sometimes weak screenplay, but still capable of arousing deep emotion. The (usual) bad Italian translation of the original title (Demain tout commence), with the addition of a useless subtitle, does not render the intention of a picture that wants to touch some delicate chords of human sensitivity, in a very simple and natural way, and manages to do that quite effectively.