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A young African-American visits his white girlfriend's parents for the weekend, where his simmering uneasiness about their reception of him eventually reaches a boiling point.

Director:

Jordan Peele

Writer:

Jordan Peele
Popularity
148 ( 21)
Won 1 Oscar. Another 138 wins & 190 nominations. See more awards »

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Cast

Cast overview, first billed only:
Daniel Kaluuya ... Chris Washington
Allison Williams ... Rose Armitage
Catherine Keener ... Missy Armitage
Bradley Whitford ... Dean Armitage
Caleb Landry Jones ... Jeremy Armitage
Marcus Henderson ... Walter
Betty Gabriel ... Georgina
Lakeith Stanfield ... Andre Logan King
Stephen Root ... Jim Hudson
Lil Rel Howery ... Rod Williams
Ashley LeConte Campbell ... Lisa Deets
John Wilmot ... Gordon Greene
Caren L. Larkey ... Emily Greene (as Caren Larkey)
Julie Ann Doan ... April Dray
Rutherford Cravens ... Parker Dray
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Storyline

Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Just because you're invited, doesn't mean you're welcome. See more »


Motion Picture Rating (MPAA)

Rated R for violence, bloody images, and language including sexual references | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official Site | See more »

Country:

Japan | USA

Language:

English

Release Date:

24 February 2017 (USA) See more »

Also Known As:

¡Huye! See more »

Filming Locations:

Alabama, USA See more »

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Box Office

Budget:

$5,000,000 (estimated)

Opening Weekend USA:

$33,377,060, 26 February 2017, Wide Release

Gross USA:

$176,040,665

Cumulative Worldwide Gross:

$255,457,364
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | SDDS | DTS (DTS: X)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Chris' smartphone was a Microsoft Lumia 950. See more »

Goofs

When the Porsche pulls away from Andre, there are at least three moving shadows visible on the street (Andre along with crew). See more »

Quotes

Dean Armitage: You're gonna love this. My Dad's claim to fame. He was beat by Jesse Owens in the qualifying round for the Berlin Olympics in 1936. Those were the ones where...
Chris Washington: Where Owens won in front of Hitler.
Dean Armitage: Yeah, what a moment. What a moment. I mean, Hitler was up there with all those perfect Aryan race bullshit. This black dude comes along and proves him wrong in front of the entire world. Amazing!
Chris Washington: Tough break for your Dad, though.
Dean Armitage: Yeah, he almost got over it.
See more »

Connections

Referenced in The Andrew Klavan Show: Hip Hip Hypocrisy! (2017) See more »

Soundtracks

(I've Had) The Time Of My Life
Written by John DeNicola, Donald Markowitz and Franke Previte
Performed by Bill Medley & Jennifer Warnes
Courtesy of RCA Records
By arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

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User Reviews

 
A deliciously wry slice of cinematic paranoia served with a side of cathartic humor
25 February 2017 | by greenmemoSee all my reviews

I was totally blown away by "Get Out". This is one of the best turns by an actor behind the camera I have ever seen (Jordan Peele). Probably the timely social commentary is going to loom heavily when discussing the film; however this shouldn't conceal the fact that this is a masterclass cinematic work that has been thought out to the very last detail; it knows what it wants to say and how to say it, balancing wildly contrasting tones and defeating potential clichés with stylistic bravura. Of course everything stems from a rock solid script, where the plot points are cunningly engineered, and then fleshed out in a disciplined and take no prisoners kind of way. There is much to admire and enjoy here, including some surreal imagery that is as stunning as it is disturbing, always serving a purpose within the narrative; there are also brilliant soundtrack choices and you get subtle nods at the masters that came before (Kubrick and Wes Craven, specially). The plot involves one of those frequently visited "fish out of the water" type of settings where it's up to the director to make the most out of it. Which fortunately is the case here, since you get plenty of real character development and a tight, innuendo ridden dialogue that really gets under your skin. All this, together with the inspired camera work, contributes to the success of this tricky enterprise as a whole. Kudos to all the actors for going all the way with the provocative premise, considering that it could have totally backfired in less confident hands. Everything amounts to a deliciously wry slice of cinematic paranoia served with a side of cathartic humor that appropriately reflects the political times we are living in. And make no mistake, this is a true horror film that refuses to pull any punches; if you thought that Peele was just going for the laughs and the cheap scares you will get more than you bargained for. "Get out" will shock you silly and will make you think. Then you will want to watch it again and try to figure out how he pulled the trick.


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