Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.Written by
In the scenes where Chris and Rod are talking to each other on the phone, the actors were actually using the phone, but were talking to writer, co-producer, and director Jordan Peele instead. See more »
When Rose's car hits the deer, the deer is moving from left to right, so it would seem the driver's side would be damaged. However, the deer is leaping high in the air at the point of impact and hits the front passenger side, thereby causing damage on that side. See more »
[to Detective Latoya and two other detectives]
Then he sent me some weird pictures. I'm like, "Ah man, that's Andre Hayworth." This dude's been missing for 6 months, right? So I do all my research, you know, 'cause as a TSA agent. You know, you guys are detectives. You know, I got the same training. We might know more than y'all sometimes, you know, 'cause we are dealing with some terrorist shit, so... but that's a totally different story. So look, I-I go do my... my detective work, right? And I...
[...] See more »
I heard good things about this film, but beyond that I really didn't know much about it - comedy or horror or a mix, that was about it. What I got reminded me of Black Mirror in terms of its tone and dark but yet slightly comic material. The plot starts with an oddly racial situation, where the family are well meaning and accepting, but at the same time not in a way where the black/white divide is not clearly present in some way. From here it starts to add gentle shifts of tension and a creeping sense of unease and dread across the plot. It is this element that works best because it provides engagement, leading to a reasonably short period of reveal and resolution - this final section working best because of the investment in the mystery side.
The film is well paced to do this, and the plot is satisfying in the way that it uses race, but at the same time stands on its own feet without it being a theme if you don't see it or want it. First and foremost it is a horror, and it is an effective one. The cast work really well from top to bottom. Kaluuya leads the film well, and is convincing in all his moments. Williams is good, and holds her own alongside Whitford, Root, and Keener. Howery gets his performance just right - he could easily have been too much comedy, but he hits his marks importantly.
Get Out is a smartly created horror/chiller where race is used as a strong foundation, but not in a way that the film forgets what it is trying to do.
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