In the near future, a weary Logan cares for an ailing Professor X, somewhere on the Mexican border. However, Logan's attempts to hide from the world, and his legacy, are upended when a young mutant arrives, pursued by dark forces.
Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.Written by
When asked about how the experience of the film and its tremendous success has changed how he approaches his career, Jordan Peele stated, "It just allows me to trust myself a little more. There was a long time where I felt like this was going to be something I would love, but I didn't have any assurance that it would actually work or be supported. I feel like now I can commit to my instincts and work faster." See more »
At the end of the movie, when Rod pulls up in the "TSA vehicle", while properly displaying a "DHS" license plate, the driver's door incorrectly displays the seal of the state of New York. See more »
I know she caught me off guard, right? But it's cool because... I'm cured. It worked!
Bruh, how you not scared of this, man? Look, they could have made you do all types of stupid shit. They have you fuckin' barking like a dog, flying around like you a fuckin' pigeon looking ridiculous. Or... I don't know if you noticed, white people love making people sex slaves and shit.
Yeah, I'm pretty sure they are not a kinky sex family, dawg.
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Claims to be a 'horror' but it's so much more than that.
Once in a while a movie comes along that takes a genre by the scruff of the neck and vigorously shakes it into a new shape.
This is so with Get Out, a horror movie (so the marketing blurb says) that lobs a few horror tropes into a lean and mean 104 minute thriller. But it is really a social observation on the insidiousness of racism. It comes out the other end as a unique movie offering.
It borrows from Pacific Heights, Psycho, Michael Haneke's astonishing Party Games and sub-horror-porn like Saw without ever being any of them.
Without resorting to spoilers its one gigantic twist from start to finish that realises the fears of a young black American guy on a trip to the country to meet his wealthy WASP girlfriend's family on a celebration weekend. Every sentence uttered by every character becomes a retrospective clue as to what the outcome will be.
Given it's described as a 'horror' you can expect a deal of nasty stuff in a climactic ending. What director and screenwriter Jordan Peele (amazingly a debut outing) most cleverly does is apply Hitchcockian tension so that 89 minutes of tension are realised in a mere 15 minutes of terror in such a way that the nasty bits don't (as so often is the case) outstay their welcome.
Superb performances all round from the five principal actors, but especially boyfriend and girlfriend Daniel Kaluuya and Allison Williams (Girls).
It's should be no surprise that this has been both BAFTA and Golden Globes nominated, but it is because this genre rarely reaches this level of critical acclaim.
It'll get Oscar nods too.
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