During the gunfight battle at the "Doctor's Office", at about the 1:01:30 mark, the cameraman's arm is visible on the right side of the screen for a fraction of a second just after Gabriel exits the building. See more »
A hodgepodge of derivative plot elements
The Shadow Effect suffers from a very weak script. Ideas seem plundered wholesale from other movies where they were executed much more effectively, including The 6th Day, The Manchurian Candidate, A Clockwork Orange, Edge of Tomorrow, Total Recall, The Bride and Universal Soldier. The derivative nature of key plot elements could be forgiven, if they were presented with some sort of original twist or insight which is sadly lacking here. The production was clearly limited by a modest budget, estimated at $4MM; however, some very good films have been done with comparably limited budgets, such as Lone Star and Dinner Rush. The difference is creativity. Plot elements that are not shamelessly misappropriated seem contrived. Some elements are simply missing, such as the lack of response by the FBI, DHS and BAFT, motivation, character arcs and theme.
The producers assembled a capable cast and secured a wonderfully rustic cabin in the woods as a location for several key scenes. However, one character is heavily tattooed, which makes no sense relative to a key element in the plot, and it's difficult to imagine how the owner-operators of a rural café with only one employee and not many customers can afford such a home. By contrast, a secret laboratory that would seem to require antiseptic conditions is located in a dingy industrial setting.
However, a DTV potboiler doesn't need to be cerebral, provided it delivers the genre basics: fight scenes, chases, gunplay, explosions and sex. The gunplay is a bit hit-or-miss with a few good scenes and shots, but a lot of weapons brandished without being fired and not many impacts. CGI explosions are pretty decent. A car chase and crash is done well for a film of this caliber, but a character steals what seems to be a souped-up vehicle but doesn't drive it. The fight choreography is clumsy. The sex and nudity are self-conscious, although integral to the plot.
Whereas similar efforts hobble along with very little plot and a lot of eye candy, TSE offers a lot of plot, but very little eye candy. However, the plot is largely incoherent and derivative and not sufficiently engaging to bridge the gaps between the visuals.
18 of 22 people found this review helpful.
Was this review helpful to you?
| Report this