4.2/10
1,613
17 user 13 critic

The Shadow Effect (2017)

Not Rated | | Action, Mystery, Sci-Fi | 21 April 2017 (Vietnam)
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1:49 | Trailer
A young man's life is turned upside down when his violent dreams begin to blend with reality.

Writers:

Chad Law, Evan Law | 2 more credits »
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Cast

Cast overview, first billed only:
Jonathan Rhys Meyers ... Reese
Cam Gigandet ... Gabriel Howarth
Michael Biehn ... Sheriff Hodge
Brit Shaw ... Brinn Howarth
Sean Freeland ... Deputy Truvio
Michael Aaron Milligan ... Jesse
Jon Kohler ... Masterson
Cullen Moss ... Governor Francis
Mark Ashworth ... Jack
Andi Matheny ... Julia
Jose Miguel Vasquez ... Suited Man
Jaye Tyroff ... Metro Policeman
Chase Anderson Chase Anderson ... Metro Policeman Double
Cullen Ries ... TV Reporter
Jae Greene Jae Greene ... Hotel Secret Service #1
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Storyline

A young man's life is turned upside down when his violent dreams begin to blend with reality.

Plot Summary | Add Synopsis

Taglines:

Once you remember, you will never forget.


Certificate:

Not Rated | See all certifications »

Parents Guide:

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Did You Know?

Goofs

During the gunfight battle at the "Doctor's Office", at about the 1:01:30 mark, the cameraman's arm is visible on the right side of the screen for a fraction of a second just after Gabriel exits the building. See more »

User Reviews

 
A hodgepodge of derivative plot elements
10 May 2017 | by ginocox-206-336968See all my reviews

The Shadow Effect suffers from a very weak script. Ideas seem plundered wholesale from other movies where they were executed much more effectively, including The 6th Day, The Manchurian Candidate, A Clockwork Orange, Edge of Tomorrow, Total Recall, The Bride and Universal Soldier. The derivative nature of key plot elements could be forgiven, if they were presented with some sort of original twist or insight which is sadly lacking here. The production was clearly limited by a modest budget, estimated at $4MM; however, some very good films have been done with comparably limited budgets, such as Lone Star and Dinner Rush. The difference is creativity. Plot elements that are not shamelessly misappropriated seem contrived. Some elements are simply missing, such as the lack of response by the FBI, DHS and BAFT, motivation, character arcs and theme.

The producers assembled a capable cast and secured a wonderfully rustic cabin in the woods as a location for several key scenes. However, one character is heavily tattooed, which makes no sense relative to a key element in the plot, and it's difficult to imagine how the owner-operators of a rural café with only one employee and not many customers can afford such a home. By contrast, a secret laboratory that would seem to require antiseptic conditions is located in a dingy industrial setting.

However, a DTV potboiler doesn't need to be cerebral, provided it delivers the genre basics: fight scenes, chases, gunplay, explosions and sex. The gunplay is a bit hit-or-miss with a few good scenes and shots, but a lot of weapons brandished without being fired and not many impacts. CGI explosions are pretty decent. A car chase and crash is done well for a film of this caliber, but a character steals what seems to be a souped-up vehicle but doesn't drive it. The fight choreography is clumsy. The sex and nudity are self-conscious, although integral to the plot.

Whereas similar efforts hobble along with very little plot and a lot of eye candy, TSE offers a lot of plot, but very little eye candy. However, the plot is largely incoherent and derivative and not sufficiently engaging to bridge the gaps between the visuals.


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Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

21 April 2017 (Vietnam) See more »

Also Known As:

The Dying Kind See more »

Filming Locations:

Atlanta, Georgia, USA

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Box Office

Budget:

$21,000,000 (estimated)

Cumulative Worldwide Gross:

$43,368
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Color:

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