An evil scientist implants the brain of Michael, a murdered high school student, into a Tyrannosaurus. He escapes, wreaks vengeance on his high school tormentors, and is reunited with his sweetheart Tammy.
Attempting to lead a quiet reformed life, an ex-con finds refuge in a motel run by a single mother and her daughter Clara. The peace and freedom he has found in this safe haven disappears ... See full summary »
Lola Le Lann,
A man becomes obsessed with facts and events that have been collectively misremembered by thousands of people. Believing the phenomena to be the symptom of something larger, his obsession eventually leads him to question reality itself.
David Guy Levy
Robin Lord Taylor
After an assault leaves Amanda pregnant and out of a job, she finds herself on the verge of motherhood and the target of a psychotic stalker who will stop at nothing to get their hands on the unborn child.
Jenn has washed ashore a small tropical island and it doesn't take her long to realize she's completely alone. She must spend her days not only surviving the elements, but must also fend off the malevolent force that comes out each night.
Hanna Mangan Lawrence
I love aussie horror movies, the backwoods setting has provided ferocious fun in "Wolf Creek", "Rogue", "Storm Warning" and many others - for those reasons "The Marshes" had been sitting on my watchlist for years before finally coming out. Sadly, it doesn't join the top echelon of Australian horror movies as it is, for the most part, either lacking or slacking.
"The Marshes" starts out fine, introducing nearly all of its characters in the first 10 minutes & showing promise with a decent, sun-kissed cinematography. All is still somewhat okay as we find ourselves in the bushes and the marshes, the aesthetic pleasures provided by Australian nature and wildlife keep it going, along with a decent lead performance by Dafna Kronental. Soon enough I realised the story won't go any further than it already has come, the cinematography starts turning in a big ball of close-ups, shaky camera movement & low-budget solutions that are not exactly 'cutting it'. Furthermore, the last ~40 minutes, which is the action part, takes place entirely during bright daylight, which might've worked on paper, but the result is - it didn't help the mood one bit. The original score's kinda alright, though. Kinda. Oh, and the villain, well, is an inspiring, (for the most part) blurry and shallow supernatural killer figure. As a result of all the flaws, "The Marshes" inevitably runs out of stuff to offer, clothes what it has in shabby filmmaking choices & eventually starts dragging, before ending on a respectable but highly underwhelming note.
I wanted to like "The Marshes", I did, but it just turned out to be so underwhelming. Yet another proof that cool cinematography and awesome locations can't save a movie if it doesn't have story, substance and important genre elements. I'd much rather recommend another re-watch of both "Wolf Creek" movies than this. With a heavy heart, my rating: 3/10.
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