IMDb RATING
4.7/10
9.7K
YOUR RATING
After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.After waking up and discovering that he has undergone gender reassignment surgery, an assassin seeks to find the doctor responsible.
- Awards
- 1 win & 1 nomination total
Featured reviews
Yay, another movie with two of my favorite female performers; Michelle Rodriguez and Sigourney Weaver in the same movie. Actually, I had not read up about this movie prior to getting the chance to sit down and watch it. All that mattered was it was an action/thriller movie with two of the most talented and charismatic of female actresses in Hollywood.
"The Assignment" didn't fail to impress. Surely, the storyline was a bit offbeat, but that quickly seeped in and you get with the story and movie quickly enough. And it was rather surreal to see Michelle Rodriguez as a man in the beginning of the movie, but it was done so nicely that it actually looked quite real. Color me impressed.
Of course it is a bit redundant to mention that "The Assignment" had a really impressive cast ensemble. And even more needless is it to say that both Michelle Rodriguez and Sigourney Weaver were really impressive in this movie. Rodriguez carried the action and butt-kicking part, while Weaver was superb in a deranged sort of diabolical doctor role. It was also nice to have both Tony Shalhoub and Anthony LaPaglia in the movie, despite having only supportive roles.
The story in "The Assignment" was good, although it could have been better with a bit more action. But of course, that is a matter of personal preference. There was a bit too much focus on the drama and storytelling for my liking, so of course I would have liked more action sequences.
"The Assignment" is an entertaining movie and I found it to be quite well worth sitting down to watch. However, truthfully, then I think that it is a movie that doesn't really have enough contents to sustain multiple viewings.
"The Assignment" didn't fail to impress. Surely, the storyline was a bit offbeat, but that quickly seeped in and you get with the story and movie quickly enough. And it was rather surreal to see Michelle Rodriguez as a man in the beginning of the movie, but it was done so nicely that it actually looked quite real. Color me impressed.
Of course it is a bit redundant to mention that "The Assignment" had a really impressive cast ensemble. And even more needless is it to say that both Michelle Rodriguez and Sigourney Weaver were really impressive in this movie. Rodriguez carried the action and butt-kicking part, while Weaver was superb in a deranged sort of diabolical doctor role. It was also nice to have both Tony Shalhoub and Anthony LaPaglia in the movie, despite having only supportive roles.
The story in "The Assignment" was good, although it could have been better with a bit more action. But of course, that is a matter of personal preference. There was a bit too much focus on the drama and storytelling for my liking, so of course I would have liked more action sequences.
"The Assignment" is an entertaining movie and I found it to be quite well worth sitting down to watch. However, truthfully, then I think that it is a movie that doesn't really have enough contents to sustain multiple viewings.
I think Michelle Rodriguez did a great job. Her attitude was that of a man, yet when she started stripping she still enticed!
The story line was interesting enough to keep watching and Sigourney did a great job with her superiority complex and cold confident statements.
~give change a chance.
The story line was interesting enough to keep watching and Sigourney did a great job with her superiority complex and cold confident statements.
~give change a chance.
Forget the uproar from sensitive trans groups, this film was never transphobic, it was just a classic revenge thriller. Waking up as the opposite sex is the worst thing imaginable for the overwhelming majority of society and tat's the crux of the film - not an attack on trans. If anything, its success would spark a franchise of a kick-ass trans-woman - talk about giving trans the spotlight! I am trans myself and I was looking forward to it as it seemed to be a throwback to the films I grew up on in the 80s when one man would avenge his life being ruined (usually his family being massacred). However this film was dull and muddled and riddled with exposition.
The biggest problem is that it's told in flashback and with lots of - literally - one character 'talking' the story to another (Frank to the camera, the Doctor to the other doctor) and as a result there was no tension only on the nose dialogue. The other problem was a completely unlikeable anti-hero in Frank and a completely unbelievable performance by Michelle Rodriguez who never once convinced she was a man with her female frame, female build, female skin and female voice. Similarly, Weaver's The Doctor was lacking. I appreciate she was playing an aloof, detached character but there was nothing to her character. There was no bad guy you wanted to root against just as there was no protagonist you wanted to root for.
This film could have been a solid, action-filled romp had it been told in a linear fashion and with stronger characterisation. As it was, it was a boring affair with too little action, style or interesting characters. The IDIOTS who say it's transphobic are, well, idiots. It's no more transphobic as Death Wish was phobic to people who have been raped and murdered.
The biggest problem is that it's told in flashback and with lots of - literally - one character 'talking' the story to another (Frank to the camera, the Doctor to the other doctor) and as a result there was no tension only on the nose dialogue. The other problem was a completely unlikeable anti-hero in Frank and a completely unbelievable performance by Michelle Rodriguez who never once convinced she was a man with her female frame, female build, female skin and female voice. Similarly, Weaver's The Doctor was lacking. I appreciate she was playing an aloof, detached character but there was nothing to her character. There was no bad guy you wanted to root against just as there was no protagonist you wanted to root for.
This film could have been a solid, action-filled romp had it been told in a linear fashion and with stronger characterisation. As it was, it was a boring affair with too little action, style or interesting characters. The IDIOTS who say it's transphobic are, well, idiots. It's no more transphobic as Death Wish was phobic to people who have been raped and murdered.
The plot is centered on a hit man named Frank Kitchen, played by Michelle Rodriguez, who pisses off the wrong black market plastic surgeon (Sigourney Weaver) by killing her brother being Rodriguez's assignment. Exacting her revenge on Kitchen, the doctor in a rather unorthodox method forces a sex change operation on him to become a woman as a form of psychological torture on Frank to endure the rest of his/her life without any way of fully reversing the procedure. Obviously a tad bit peeved by this, Frank Kitchen seeks retribution for the crimes committed against his body and goes on a one-way killing spree to end the evil doctor's rein of terror.
On paper, this sounds like it would be interesting. No matter what one person's views may be on how good or bad the premise sounds, it is a safe bet that most would hear this synopsis and be at least a little intrigued by it. I can't say that I've ever come across a movie with a plot motivation even remotely similar to "The Assignment". Unfortunately the execution felt sloppy, drawn out, dull, and all around unoriginal. This same exact movie could probably exist beat for beat without the introduction to any sort of gender reassignment operation in the script. Just another quick rewrite and this is your basic revenge film, only with far less interesting characters or action set pieces to be entranced by. The movie goes back and forth within its timeline to tell the story with one line following the plot of Frank Kitchen getting the procedure done to him and seeking answers as well as revenge on the doctor. The second line is set after the events of Kitchen finding and putting an end to the doctor's black market business with the doctor being interviewed by a psychiatrist in an insane asylum about what really went down. The secondary thread feels like a waste of time only to put the plot on hold and pad out the film to make its 90 minute run time.
If everything containing Sigourney Weaver in the interview sections were taken out, while putting more focus on the actual main plot to include maybe some more character development and hopefully a lot more action beats, this movie would have succeeded at being an entertaining sit. Unfortunately those sections remain, leaving the story to feel dry and leaving zero impact. I know little to nothing about Frank Kitchen, nor do I care about him/her. Michelle Rodriguez does a great job, as always, being a total bad-ass. She carries her own very well, knows how to come across as intense and cool at all times. Her character just has little for her to work with, but she sells being a man forcefully transitioned into a woman terrifically.
As I mentioned before, the movie could have used some more action beats. The action is so minimal and shortly lived I couldn't find much fun to be had. No real intensity or thrills from any action scene on screen. The script comes across as if the writer was twiddling his thumbs until the script reached the hour and a half mark. It has no bite to the action or story, no defining personality that can't be found in countless other revenge films, and such limited humor with a premise as quirky as this could have greatly used. Plus with a plot revolving a hit man turned into a woman, the writers had so many opportunities to play with that idea. There are several scenarios, gimmicks, tricks, and just fun that could have been toyed around with to mix things up and give a much more unique experience. Instead the screenplay squanders this and gives nothing in return. It's as though the first act setup and the prologue were extended and edited into the entirety of the film. For myself, that didn't work and I found myself pretty bored throughout. Also there was one or two plot twists that of course a film like this has, one of them made zero sense and could have been cut while the other had no emotional impact on me whatsoever.
This movie is from the same director that gave us "The Warriors", "48 Hours", "Another 48 Hours", "The Driver", "Red Heat", "Last Man Standing"...this man knows how to make an action movie. This man knows how to make a unique premise memorable, fun, humorous, intense, cool, and exhilarating. I don't understand what happened here. From the direction I could tell this was Walter Hill's style, it is a decent looking film with competently made action sequences. Rare as those scenes may be. In the end, this film isn't truly awful but it doesn't have nearly enough entertainment value to it in order for myself to recommend it. Michelle Rodriguez has a good action lead presence, but isn't given enough character to sink her teeth into. Sigourney Weaver plays crazy pretty well and I did like her performance, but there was more character development provided for her in detriment to Rodriguez's character. The action held little to no impact or energy and the story is nothing memorable. I got nothing else for this movie and I honestly wrote about it way more than I intended. Go watch "The Warriors" if you need a Walter Hill action movie fix.
On paper, this sounds like it would be interesting. No matter what one person's views may be on how good or bad the premise sounds, it is a safe bet that most would hear this synopsis and be at least a little intrigued by it. I can't say that I've ever come across a movie with a plot motivation even remotely similar to "The Assignment". Unfortunately the execution felt sloppy, drawn out, dull, and all around unoriginal. This same exact movie could probably exist beat for beat without the introduction to any sort of gender reassignment operation in the script. Just another quick rewrite and this is your basic revenge film, only with far less interesting characters or action set pieces to be entranced by. The movie goes back and forth within its timeline to tell the story with one line following the plot of Frank Kitchen getting the procedure done to him and seeking answers as well as revenge on the doctor. The second line is set after the events of Kitchen finding and putting an end to the doctor's black market business with the doctor being interviewed by a psychiatrist in an insane asylum about what really went down. The secondary thread feels like a waste of time only to put the plot on hold and pad out the film to make its 90 minute run time.
If everything containing Sigourney Weaver in the interview sections were taken out, while putting more focus on the actual main plot to include maybe some more character development and hopefully a lot more action beats, this movie would have succeeded at being an entertaining sit. Unfortunately those sections remain, leaving the story to feel dry and leaving zero impact. I know little to nothing about Frank Kitchen, nor do I care about him/her. Michelle Rodriguez does a great job, as always, being a total bad-ass. She carries her own very well, knows how to come across as intense and cool at all times. Her character just has little for her to work with, but she sells being a man forcefully transitioned into a woman terrifically.
As I mentioned before, the movie could have used some more action beats. The action is so minimal and shortly lived I couldn't find much fun to be had. No real intensity or thrills from any action scene on screen. The script comes across as if the writer was twiddling his thumbs until the script reached the hour and a half mark. It has no bite to the action or story, no defining personality that can't be found in countless other revenge films, and such limited humor with a premise as quirky as this could have greatly used. Plus with a plot revolving a hit man turned into a woman, the writers had so many opportunities to play with that idea. There are several scenarios, gimmicks, tricks, and just fun that could have been toyed around with to mix things up and give a much more unique experience. Instead the screenplay squanders this and gives nothing in return. It's as though the first act setup and the prologue were extended and edited into the entirety of the film. For myself, that didn't work and I found myself pretty bored throughout. Also there was one or two plot twists that of course a film like this has, one of them made zero sense and could have been cut while the other had no emotional impact on me whatsoever.
This movie is from the same director that gave us "The Warriors", "48 Hours", "Another 48 Hours", "The Driver", "Red Heat", "Last Man Standing"...this man knows how to make an action movie. This man knows how to make a unique premise memorable, fun, humorous, intense, cool, and exhilarating. I don't understand what happened here. From the direction I could tell this was Walter Hill's style, it is a decent looking film with competently made action sequences. Rare as those scenes may be. In the end, this film isn't truly awful but it doesn't have nearly enough entertainment value to it in order for myself to recommend it. Michelle Rodriguez has a good action lead presence, but isn't given enough character to sink her teeth into. Sigourney Weaver plays crazy pretty well and I did like her performance, but there was more character development provided for her in detriment to Rodriguez's character. The action held little to no impact or energy and the story is nothing memorable. I got nothing else for this movie and I honestly wrote about it way more than I intended. Go watch "The Warriors" if you need a Walter Hill action movie fix.
...then started to doze off. Came to look at the reviews before deciding if I should finish it, and they made my decision for me - not going to. Women playing men never works in movies. They try to adjust their voices, and it just sounds fake. And most don't walk anything like men, and the hips certainly don't lie. Also, the transition was far to unbelievable - it was basically instant. Other than that, the action wasn't particularly exciting. No idea where the story line on Weaver's character goes, but I lost interest and simply don't care. I doubt you will either.
Storyline
Did you know
- TriviaThe first draft of the screenplay was written in 1978.
- GoofsAt around 48:06, when the main character is videotaping herself, she points a gun directly at the camera from a distance of probably less than a foot. This has the unintended consequence of revealing that the pistol is an Airsoft replica of an M1911 .45 ACP with a much-smaller inner muzzle than that of the real firearm.
- Quotes
[first lines]
Frank Kitchen: I killed a lot of guys. They were worthless pieces of shit, but I killed them, and you're not supposed to kill people. So what happened to me? I guess maybe in the end... it was a lot better than what I deserved. But it takes a long time to work that out. In the meantime, you just want to get get even.
- ConnectionsReferenced in Maldito clásico: Cobra es un maldito clásico (2024)
- SoundtracksBlindfold
Written by Joseph Hicks
Performed by Halo Stereo
- How long is The Assignment?Powered by Alexa
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross worldwide
- $388,789
- Runtime1 hour 35 minutes
- Color
- Aspect ratio
- 2.39 : 1
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